While online stores have existed since the democratization of the internet in the late 20th century, the pandemic has marked a turning point in the evolution of e-commerce. In response to mobility restrictions and lockdowns, businesses of all scales were forced to embrace digital transformation, saving time and, in some cases, reducing costs. Furthermore, as more consumers discover the convenience of home delivery, online shopping is likely to continue growing even in the post-pandemic era.
From NFTs and the Metaverse to the productivity benefits of real-time rendering, this year presents a prime opportunity to discuss the latest trends in visualization.
With this in mind, we want to open the debate and hear your thoughts on the following questions: How much can we learn from other related industries such as cinema, video games, and industrial design? How can architecture contribute to and advance the world of visualization?
In Peru, communal kitchens (ollas comunes) are self-managed neighborhood initiatives located in vulnerable areas. Driven by the food and educational insecurity triggered by the pandemic, these spaces have assumed a vital role in child development, transforming themselves into neighborhood schools. Within this context, "DIT: Building a Space for Children" emerged—a project selected for the XII Ibero-American Biennial of Architecture and Urbanism. Through this initiative, architects Gian Franco Pedreschi, Sergio Iván Puch, and Jhordano Zabanick, together with the community of the AA.HH. Horacio Zevallos, intervened in the public space adjacent to a communal kitchen in the Rímac district, improving the residents' quality of life.
Since the 15th century, the territory of Misiones, Argentina, has witnessed the constant passage and local overlap of a vast number of highly diverse cultures. Indigenous Guaraní, Spanish conquistadors, Jesuit missions, Paulist bandeirantes, people from the Republic of Entre Ríos and later the Province of Corrientes, Paraguayans, Brazilians, and, finally, a sweeping influx of European immigrants fleeing the world wars make up some of the layers of its immeasurable cultural fabric.
On the path toward poverty reduction, economic growth, and environmental sustainability, both water and sanitation measures play a fundamental role, demonstrating the importance of access to a resource like water in people's lives. To mark World Water Day, celebrated every March 22, we present the Palacio de Aguas Corrientes (Water Company Palace) in Buenos Aires—one of the greatest creations of the 19th-century European foundry industry outside Europe, combining art and engineering in a unique Argentine work declared a National Historic Monument in 1989.
"I'm an architect... now what?" must be one of the most common questions for any recent graduate holding an architecture degree. Over the years, many will find jobs in different industries that do not necessarily involve working in an office designing and building buildings.
To honor the life and work of architect Armando Franco—who passed away last June at the age of 100—Clásicos Mexicanos presents the book Armando Franco COLECCIÓN COFRAN (1955-2022). This publication, the result of extensive research by the Clásicos Mexicanos team, brings together biographical data, plans, sketches, designs, and photographs of the most iconic works from the career of Franco, one of the most original and enigmatic Mexican modern architects of the 20th century.
This article by Hugo Mondragón López and Bárbara Rozas Reinecke was originally published under the title "Contra el Olvido: La voz de Montserrat Palmer y el discurso de la arquitectura contemporánea en Chile" in issue 23 of Dearq magazine on July 1, 2018 (DOI: https://doi.org/10.18389/dearq23.2018.02).
Architect, professor, researcher, editor. Montserrat Palmer Trías was an authoritative voice in Chile's architectural and cultural scene between the late 20th and early 21st centuries. Through her editorial leadership of ARQ magazine, she shaped disciplinary debates while introducing a group of Chilean architects—whose renown was forged in the pages of the publication—to the international stage. Although she nurtured the myth of a woman operating purely on intuition, it is impossible to overlook her rigorous work as a researcher. Paradoxically, a decade after stepping down as the magazine's editor-in-chief, both her figure and her contribution to post-dictatorship Chilean architecture risk falling into oblivion. This article is an attempt to prevent that from happening.
The following is presented as part of a joint collaboration to help disseminate research, analysis, and opinions produced by the national and international academic community on architecture, urban issues, and related fields.
The contemporary urban footprint seems to expand its boundaries virtually without restriction while increasing in complexity. Major cities like Barcelona have expanded to the point where political boundaries merely represent the lines of administrative jurisdiction—which, in satellite imagery or everyday experience, often virtually cease to exist or are barely recognizable. On the other hand, a contemporary reading of its Metropolitan Area, stretched between mountain ranges, rivers, and the sea, demonstrates that this progressive expansion has always been shaped by its unique geographical enclave.
From April 11 to June 30, the Young Architects Festival (YAF), developed by Constructo, is taking place at the Ruinas de Huanchaca Park and Museum in Antofagasta, Chile. Within this space, Siglo 22 Arquitectos has created an immersive architectural installation activated by a series of events, including international lectures and a free public exhibition.
Over the years, interior design has evolved in response to changing needs, and above all, to the experiences it seeks to evoke for the user. Over the last two years, we have witnessed a radical shift and a heightened interest in this field, as the pandemic forced us to pay closer attention to how we configure the spaces we inhabit. This has brought about much more holistic designs aimed at user well-being, combining colors, sensory experiences, technology, and natural elements that promote health.
When we speak of social production, we refer to processes where community leaders are adults who represent and make decisions for their community; however, we often overlook children, who also enjoy and live in these spaces. They are the ones with limitless imagination and creativity, who create scenarios on Mars on a basketball court. They are the ones who hold the best car races in the loose sand of their backyards. They are children who, due to various family or economic circumstances, cannot write a letter, but instead express what they feel and want through the lines they draw.
Italian law never explicitly denied women access to university. Nevertheless, their minimal presence in the 19th century—only 224 women graduated in Italy between 1867 and 1900—demonstrates how a double discrimination, based on both gender and social class, operated through an inherently elitist and dualistic educational system.
Today, understanding the properties of materials used in vernacular construction is essential to ensuring a better quality of life and spatial habitability, both of which have evolved alongside new technologies in the market. Spatial design now represents a commitment to the natural environment and, consequently, to improving quality of life.
Barcelona is a city that has been studied countless times—for the blocks of the Cerdá Plan, its chamfered corners, its historic center, the wars waged there, and the architecture of the Modernistas and their monumental buildings. However, there is little record of it ever being studied in depth through the lens of a traditional cladding material and artistic medium like sgraffito.
It is well known that the construction industry is one of the largest producers of CO2. Although significant progress has been made in technology and in design and construction processes, there is still a long way to go to minimize or nearly eliminate carbon emissions in the development of the built environment.
Indeed, as revolutionary as the construction industry may seem today, it remains responsible for nearly 40% of global carbon dioxide emissions, 11% of which result from the manufacturing of building materials such as steel, cement, and glass.
What are the latest trends in reducing emissions in both design and material manufacturing? How should the industry transition toward net-zero architecture? These are some of the questions we want you to help us answer.
Charles-Édouard Jeanneret-Gris, better known as Le Corbusier, is one of the leading figures and great masters of the Modern Movement. Directed by Gerardo Panero, the feature-length documentary “Plan for Buenos Aires” explores the architect's attempts to shape the layout of the city of Buenos Aires with his ideas.
Following the 60th anniversary of the iconic Casa en Jean Mermoz—a precursor to the ideas of Ciudad Abierta in Ritoque—Igor Fracalossi, PhD, proposed a reconstruction of its wooden formwork system. He knows the building well; since 2012, he has dedicated his research to studying "the most complex residential project in Chile to date.”
While walking through the exhibition of the reconstruction in the gardens and galleries of the Centro Cultural Las Condes in 2022, he explains in detail the innovative and unique construction aspects of this demolished work. The house was originally designed by Fabio Cruz Prieto, architect and founding master of the School of Architecture and Design at the Pontificia Universidad Católica de Valparaíso.
Many of us agree with Roman Mars of 99% Invisible when he says that "we tend to not notice well-designed things"—yet many also agree that design is often perceived as being for only a select few. Consequently, we must ask ourselves what is truly democratic when it comes to design, and from there, help define and contribute our vision toward a more just society.
From the perspective of design and architecture, we can approach the democratization of design from various angles—from incorporating design into everyday needs to designing inclusively. At the core of it all lies the search for solutions that improve accessibility and livability in our daily lives.
El colectivito came into being about five years ago. Lacking both a name and a defined shape, it brought together, in an almost casual way, a group of students interested in critically reflecting on architecture and territory. Its name ironically references the historical moment of its birth: it views itself as just one of countless architectural collectives, adopting a diminutive suffix to reflect its awareness of its own budding development. Today, it serves as a meeting space where architects and architecture students from the province of Misiones, Argentina, share and discuss interests and concerns regarding the architectural culture of the unique region they inhabit.
The construction industry is one of the largest producers of pollutants and waste globally in its daily operations. To put this into perspective, in the mid-1990s in Great Britain, construction processes generated nearly 10 million tons of post-industrial waste. Approximately a decade ago, over 3.5 billion new bricks were used annually, while around 2.5 billion were demolished; of that total, only about 140 million were reused, with the rest sent to landfills.
When addressing the recycling process of construction materials, several obstacles stand in the way of achieving a comprehensive and effective outcome. First, careless demolition can make the process highly complex, as materials destined for different recycling streams are often mixed together. Furthermore, not all materials can be recycled or processed efficiently, as many still require costly or overly complex processes. However, the construction industry—a major contributor to waste production and greenhouse gas emissions—has also developed multiple new technologies to improve its practices. This is where the WOOL2LOOP project comes in, aiming to resolve one of the greatest challenges in applying a circular approach to construction and demolition waste.
The growing focus on sustainable architecture drives architects to explore alternative sustainable construction materials that can be implemented in new buildings. The research “Totora as a Thermal Insulation Material: Properties and Potential” was published by architect Leyda Aza Medina as a master's thesis in 2016 and won the ADUS 2021 academic practice award. The study offers a sustainable alternative, utilizing the renewable resource of totora reeds to develop thermal insulation for buildings in the Peruvian highlands.
Founded in 2013 and based in Mexico City, David Pompa is a studio comprising designers, engineers, and makers established in Mexico and Austria. David Pompa grew up in both countries and studied product design in London. Over time, the studio has shown a strong interest in traditional materials and techniques, maintaining a commitment to Mexican culture since its inception—a dedication reflected in the creation of aesthetic and accessible design objects. On this occasion, they are presenting a new collection for Milan Design Week 2022 on Via Simone Saint Bon as part of Fuorisalone from June 5 to 12.
.jpg?1645988130 "Esgrafiado a dos tendidos. Capa superior con pigmento natural extraído de tierras y arenas rojizas. Image Cortesía de Manuela Muñoz Restrepo")
