This article is a collaboration with Colectivo RE and was originally published on August 2, 2020, in the second edition of Huevo de pato, a publication that aims to share thoughts and experiences as a strategy for the democratization of knowledge and practice.
"Architecture Without Architects" is a project led by Mexican artist Sandra Calvo between 2011 and 2014 in the neighborhood of Villa Gloria—a self-built housing complex in Ciudad Bolívar, a district in southern Bogotá. Working in collaboration with a resident family, the project involved creating a thread structure that reflected their latent aspirations for their own home through design and building practices.
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In April 2021, the A8 Design Center in Chengdu presented "2-Kilometer Lakeshore: 2021 Luxelakes Cross-disciplinary Exhibition of Independent Architects from Southwest China." The exhibition invited 31 independent architects to build experimental, interactive, and experiential micro-spaces along the Luxelakes waterfront, offering 31 distinct perspectives on the world. Operating under a tight budget of 30,000 RMB, the architects infused their creations with self-reflection and their own understanding of publicness. By facilitating dialogue among the architects and between the architects and the public, the exhibition sought to further stimulate public engagement with design.
Through the works of these 31 local young architects with global perspectives, we witness the diverse values of a new generation and their multi-dimensional thinking on architecture. Limu Architectural Lab deconstructs architecture into columns, plinths, roofs, and envelopes, dissolving pure form; Uyoung Architects boldly deploys pink walls to establish relationships of "seeing and being seen" and "hearing and being heard" with the environment; Bai Yang uses 70 hemlock logs to support an "iron hat"; TEKTONN ARCHITECTS uses 150 bamboo poles to construct an accessible rest area; Fanzhu Design uses iron to create three continuous arched spaces that offer shelter and passage; 00Group creates an enclosed, mirrored space; MUDA-Architects builds a "periscope" by the lake, featuring a bubble wrap facade that invites tactile interaction.
Archivo de Ideas Recibidas is an interdisciplinary research and dissemination project that seeks to document and connect the ideas of contributors to the contemporary creative ecosystem across art, design, and architecture. It is built upon conversations between the team and various creators, delving into themes related to memory, academia, cultural context, key influences, and working methodologies.
This article by Valeria Abello Aldana and Miriam Kuehler was originally published under the title "Los inquilinatos en Bogotá: desde la problemática socioespacial hasta una propuesta arquitectónica habitacional" in the 31st issue of the Dearq journal on September 1, 2021 (DOI: https://doi.org/10.18389/dearq31.2021.06).
This article sheds light on the inquilinato (tenement/rooming house) typology as a significant form of housing for the most vulnerable populations. It describes their current situation and socio-spatial dynamics, reflecting on both negative aspects and potential opportunities to propose the hypothesis that inquilinatos are a challenge resulting from economic and social factors manifested in spatial terms. Consequently, if approached through architecture, they have the potential to become a dignified housing alternative. Therefore, the architectural project seeks to validate this hypothesis, sparking a discussion about the inquilinato as a housing solution.
We present it below as part of a joint collaboration to contribute to the dissemination of research, analysis, and opinions developed by the national and international academic community on architecture, urban issues, and related fields.
Citymakers is working with ArchDaily to publish a series of articles, conversations, and interviews with different actors in urban co-production, who are behind the Citymakers Barcelona Lab 2021, a program returning to Barcelona between November 8 and 12, 2021.
CityMakers is the global platform of experts in urban co-production best practices, seeking to connect city co-producers and influential leaders from around the world to inspire each other and drive transformation in their cities.
For this edition, Albert Santasusagna del Riu – IdRA – Barcelona Water Research Institute, presents his article "Towards a Globalization of Water Landscapes? Context Matters!".
The following article is the result of a collaboration with Arquitectas Colombianas, an initiative that seeks to promote the legacy, contributions, and activities of women in architecture and design in Colombia and around the world. Below, explore their vision and the presence of women in the local scene, accompanied by quotes from the architects behind this work.
This article by Sebastián Trujillo Torres (Universidad Nacional de Colombia/CEPT University) was originally published under the title "A Manifesto of Lightweight Infrastructures" in issue 28 (2020) of Dearq journal (DOI: https://doi.org/10.18389/dearq28.2020.03) and is part of a joint publishing collaboration.
This article by Carlos Arroyo Zapatero was originally published under the title "Artialization and Ecology: Sustainable Productive Landscapes" in issue 24 of Dearq journal on January 1, 2019 (https://doi.org/10.18389/dearq24.2019.02) and is part of a joint editorial partnership.
This self-dialogue by Francesco Careri (associate professor, Università Roma Tre), translated by Alessandra Merlo (associate professor in the Department of Languages and Culture, Universidad de los Andes), was originally published under the title Autodialogo sulla produzione di utopie concrete, in Alessandra Criconia (ed.), Una Città per tutti: Diritti, spazi, cittadinanza [Milan: Donzelli, 2019, 111-120], and previously in issue 28 of Dearq journal on 01/01/2020 under the title "Francesco Careri, Self-dialogue on the production of concrete utopias" (https://doi.org/10.18389/dearq28.2020.02) and is part of a joint dissemination partnership.
# Number of architectural projects completed annually: 3,000
# Total length of fabric sold annually: 3,999,220 meters
#Retail price of the most expensive textile: ¥ 4,000 / meter
# Textile Brand Kvadrat
Founded in Denmark in 1968, Kvadrat is a renowned textile brand deeply rooted in Scandinavia's world-famous design tradition. The name Kvadrat means “square” in Danish, inspired by the grid paper commonly used by designers and engineers for sketching in the 1960s. Refusing to be homogenized by global trends, the company maintains its distinct Scandinavian identity. As a leader in design innovation, Kvadrat continuously explores new ideas in material and technological applications within design and manufacturing, producing high-quality contemporary textiles and textile-related products for architects, designers, and private consumers worldwide.
Since ArchDaily launched its recruitment services, we have received job listings from architecture practices of all scales across China, from Beijing and Shenzhen to Hangzhou. Characterized by their distinct design philosophies, these practices operate across diverse architectural fields, seeking talented professionals to join their teams. Concurrently, ArchDaily and its sister platform, the design and materials database Architonic, are seeking a Business Development Manager for China. Below is a curated selection of nine active openings and representative practices. We invite qualified candidates to apply.
Hiring this week is Shanghai-based Atelier I-N-D-J. Active in the fields of architecture, spatial, product, and furniture design with a highly distinct style, they welcome young talents passionate about architectural design to join their team.
'Instituto de la neoprehistoria' is the title of the exhibition organized by guadalajara90210 in the municipality of Zapopan, Jalisco, Mexico, which emerges as a fictitious entity emulating an institutional structure. The project constitutes a speculative exercise that attempts to reimagine Mexican prehistory as immense and ambiguous, in a scenario where anthropomorphic and intersex beings and endemic megafauna—now extinct—coexist in perfect symbiosis. The name of the institution is based on research by the National Museum of Anthropology's “Departamento de la Prehistoria” (Department of Prehistory), which published a series of volumes on Mexican prehistory between the 1950s and 1970s.
"Domingos Libro" is hosted by Carmelo of Enorme Studio. Every two weeks, the series takes a deep dive into forgotten architectural publications, books, and architecture magazines from the '60s, '70s, and '80s that harbor the most fascinating backstories.
In this latest episode, we explore the monograph on Japanese architect Arata Isozaki published by Rizzoli, and his obsession with Marilyn Monroe—an obsession that led him to replicate her body's geometry across several of his buildings.
What is madness, and who is the subject that embodies it, the mad individual? What are the boundaries of normalcy, and how has it been dialectically constructed alongside the idea of sanity throughout history? What place does the mad subject occupy in society? To contemplate madness and its relationship to space—whether physical or social—it is essential to recognize the ethical and epistemic concepts that define it.
Galería RGR presents for the first time in Latin America the exhibition You Are Everything by Danish artist Jeppe Hein, which creates a space for social interaction and intercultural dialogue. This space aims to activate the works through visitor engagement, offering opportunities for exchange among them and fostering a form of interaction that emerges between the artwork and the audience.
The Bicentennial Argentine Credit Program for Single-Family Housing, commonly known as PRO.CRE.AR, is a program created in 2012 by the national government of Argentina to support and incentivize the construction of new housing in the country through subsidized loans. Through this program, many families gained the opportunity to build their first home of their own, which in turn generated an increase in the demand for local design and construction. Consequently, these housing loans also opened doors for young firms and studios to produce and build local architecture, navigating the limitations imposed by the loan's financial framework and its constraints on floor area and timeline.
The contributions of Mayumi Watanabe de Souza Lima to Brazilian architectural production in the second half of the 20th century constitute a fertile and still under-explored territory in academic studies on the history of the built environment. Her practical and theoretical perspectives on popular participation and the industrialization of construction form the guiding thread of the research from which this essay emerges, focusing primarily on the 1980s and 1990s—the final period of a trajectory tragically cut short in 1994.
Veracruz is a state located in eastern México, bordered by the states of Tamaulipas, Tabasco, Chiapas, Oaxaca, Puebla, Hidalgo, and San Luis Potosí, and facing the Gulf of Mexico. Covering an area of 71,820 km², it is the country's third most populous state.
Massimo Paolini shares the following article titled 'Barcelona: Destructions of Use.' It presents the latest projects and debates surrounding the future of the city.
'Des-Armar: Heritage Rescue Through a System of Parts and Components' is Valentina Verdugo's thesis project, selected as the Grand Winner of the 2021 National Thesis Project Competition (CNPT), an event organized by Grupo Arquitectura Caliente to recognize and reward the best student projects in Chile.
This second year of the pandemic offered a tremendous opportunity to continue reflecting on and debating the most urgent issues in architecture. To this end, we wanted our readers to actively participate by contributing their experiences and knowledge. Throughout the year, we invited them each month to share their comments and insights on a wide range of topics—from the future of cities, automation, and multidisciplinary design, to green infrastructure, adaptive reuse, migration, equity, and well-being.
After reading and compiling all the submissions received—from construction professionals and students to architecture enthusiasts—it is now time to present the key perspectives. Thank you very much for sharing your opinions!
Founded in 2001, Lacime Designs has grown over nearly two decades to comprise a team of nearly 800 architects, accumulating extensive experience in large-scale projects both domestically and internationally. Operating under an integrated architecture and landscape design model, the firm focuses on planning and design across various sectors, including real estate, commercial, and cultural projects. Within this framework, Lacime Designs' Fourth Design Department places the highest value on the creative and innovative spirit of its designers.
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