This guide shows how to use a D5 Render a free live-sync plugin to improve SketchUp workflow.

Adaptive reuse allows architects to conserve resources, reduce waste, and extend the life of existing structures. By working with what already exists, architects lessen the need for new materials, lower energy consumption, and limit demolition debris. This approach protects natural habitats and green spaces by reducing the demand for new land development. Through reuse, cities become more sustainable and less carbon-intensive while preserving the material and cultural value of the built environment.

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For over 125 years, Tarkett has been manufacturing linoleum flooring based on its original 1898 formulation. Trusted by architects worldwide, this natural floor covering is a benchmark in sustainability, durability, and timeless design. Today, Tarkett Linoleum is not only known for its heritage but also for its innovative application in modern architecture — particularly in the education sector. Learn more about the impact of Lino Materiale by Tarkett on today's spaces.

Amid the orderly grid of the Giardini della Biennale, the Swiss Pavilion appears almost reticent. Its low white volumes, completed in 1952 by Bruno Giacometti, seem to withdraw from the surrounding display of national pride. The building embodies a form of modernism that resists monumentality, where precision and restraint replace spectacle, and architecture becomes less an object than a framework for encounter.

Emerging from a Europe rebuilding itself, the pavilion reflects a time when nations were reimagining how to appear in the world. For Switzerland, neutrality had long been both a political stance and a cultural condition, and Giacometti translated this identity into a sequence of measured rooms arranged around an open courtyard, defined not by what they contain but by how they hold light, movement, and pause. The result is an architecture that does not speak loudly of belonging but invites attention through balance and care.

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This curated selection of projects from the 2025 Venice Architecture Biennale explores how architects and designers are rethinking the relationship between the built environment and water in response to the global climate crisis. As sea levels rise and extreme weather events increase, water is no longer a distant threat but an immediate design condition. Rather than resisting it, these projects look at how architecture can coexist with, adapt to, and even regenerate through natural forces. Together, they suggest a shift toward working with the elements, acknowledging water not as a limit to construction but as an active participant in shaping future environments.

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The history of the Olympic Games, while marked by athletic achievement, is consistently contrasted by infrastructure challenges. Across host cities, from Athens to Rio and Beijing, similar issues arise: significant cost overruns and the complex issue of legacy. The big question is: What is the best viable long-term use for purpose-built sport venues? Montreal's 1976 Games shared this fate after building an Olympic Park that faced heavy criticism for cost overruns and debt from specialized construction. Post-Games, venues like the Montreal Velodrome risked becoming a financial burden. However, the city demonstrated a proactive response by proposing the transformation of the building into a thriving civic asset that now stands as an internationally recognized example of successful Olympic venue repurposing.

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Architecture is being reshaped by artificial intelligence, climate change, and shifting social structures. At SCI-Arc, students learn to face these challenges head-on, using design to shape a rapidly changing world.

This fall, SCI-Arc's upper-level Vertical Studios bring the world into the studio. Each is led by a practicing architect working at the forefront of the field—from experimental fabrication to urban and environmental design. Drawing on real projects and professional experience, faculty challenge students to engage with the realities of the present and to design with precision, empathy, and imagination.

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Behind layers of plaster, paint, and finishes lies an intricate network of pipes, electrical conduits, beams, and other structural elements that make a building function and stand, yet remain invisible to the everyday eye. Within these layers, traces of different periods accumulate: replaced systems, improvised adaptations, and technical solutions that once responded to specific contexts and urgencies. In adaptive reuse, the greatest challenge often begins before construction even starts, which is understanding what lies within when little or no reliable documentation exists. During a renovation, pleasant or unpleasant surprises are inevitable. The unexpected is part of the process, but it also represents cost, delay, and risk factors that often discourage investors and professionals from engaging in this type of project.

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Buildner has announced the results of its Portugal Vez River SPA international competition.

This international competition invited architects to design a boutique wellness retreat along the serene banks of the Vez River in northern Portugal. The project challenged participants to propose a space of tranquility and renewal that would harmonize with its extraordinary natural setting and complement a restored historic watermill already on site. The project partner, the site landowner, plans to construct one of the winning entries.

Biodiversity, defined by the World Wide Fund for Nature (WWF) as the different kinds of life found in an area, is in a state of crisis all across the world, with declines in the numbers of organisms and many species declared as at risk of extinction. All types are affected, from plants and fungi to large mammals, and there is a clear link to human activity being the cause. Although farming methods and climate change due to greenhouse gases play a major role, cities and buildings can play a small but important role in countering this decline.

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Water is the foundation of life. It shapes landscapes, regulates climates, and sustains every living organism. Yet on the only known inhabited planet, this essential resource faces a growing crisis: although 70% of Earth's surface is covered by water, less than 1% is actually available for human use. Most of it is consumed by agriculture and industry, while in households, activities like bathing and flushing use vast amounts of drinking water for non-essential purposes. The bathroom, therefore, has become a key space for innovation, where technology and design can help redefine how we use and reuse this vital element.

The practice of combining materials to achieve better performance has accompanied humanity since the earliest constructions. One of the first known examples emerged over five thousand years ago, when civilizations in Mesopotamia and Egypt mixed mud and straw to mold sun-dried adobe bricks. Light and fibrous, straw prevented cracking and increased strength, while mud acted as a binder and protection. This simple yet ingenious invention can be considered the first composite in history, illustrating the ancestral intuition that distinct materials, when combined, can become something stronger and better.

Based in Florianópolis, Brazil, Eduardo Souza brings a nuanced perspective to architecture shaped by his lifelong engagement with design, research, and editorial practice. Growing up in an environment deeply connected to architecture—his father a civil engineer and professor—Eduardo developed an early fascination with creativity, craftsmanship, and spatial thinking. This foundation naturally led him to study architecture, and later, to explore the editorial realm where writing and curation became extensions of his architectural passion.

Eduardo joined ArchDaily as a translator in its early years and gradually grew into various editorial roles, developing a keen interest in the intersection of materials, technologies, and construction systems. His editorial work focuses on uncovering innovations that challenge traditional modes of making architecture, emphasizing coherence between concept, execution, and context. He pays close attention to sustainable practices such as circularity, local material use, and vernacular reinterpretations that respond to today's environmental and cultural challenges.

Faced with the combined forces of population growth, economic prosperity, and urban expansion, cities are witnessing a significant rise in the movement of people and goods—mirroring the evolution of diverse mobility systems within urban environments. As technologies advance and modes of transport evolve, the adaptive reuse of train carriages, airplane cabins, and other service infrastructures reveals opportunities to explore their creative potential. Materials, technologies, and design tools converge around a shared goal: refurbishing and repurposing disused structures to give them new life.

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In the low-lying deltas of Bangladesh, water defines both life and loss. Every year, millions are forced to rebuild after floods wash away their homes, crops, and livelihoods. In these precarious territories, the act of building has become an act of resilience. It is here that Khudi Bari emerges as a modest yet radical proposal. Designed by Marina Tabassum Architects, the project provides a lightweight, modular, and affordable dwelling for communities displaced by climate change. Recognized as one of the winners of the 2025 Aga Khan Award for Architecture, it represents a form of architecture that empowers rather than imposes.

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Edinburgh, Scotland's capital, has long been recognized for its rich cultural history and intricate urban fabric. The city thrives within its museums, tenement housing, and shops nestled in Georgian buildings. In 2022, Time Out ranked Edinburgh as the world's best city, citing its efficiency across community building and urban systems such as public transport. However, as climate change makes its effects progressively visible at an urban level, the city inevitably runs into a pressing dilemma: how to sustain this quality of life in increasingly difficult conditions.

The journey toward this balance unfolds through several interconnected strategies, such as retrofitting, adaptive reuse, circular design, and community collaboration, each contributing to Edinburgh's evolving vision of a sustainable urban future.

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The new Muskiz Secondary School building (Vizcaya), designed by BAT Architecture studio, has become a leading symbol of sustainable architecture for educational centers. Designed in accordance with Passivhaus criteria and built using cross-laminated timber (CLT), the project combines innovation and comfort with environmental care.

In this equation, Faveker's tiled ventilated facade, tailor-designed using its GA16 system as a basis, plays a key role. This precise, luminous tiled skin enhances the building's energy efficiency and infuses it with a unique architectural personality that harmonizes with the surrounding natural setting.

It is undeniable that, at first glance, the idea of a Louvre in Abu Dhabi or a Centre Pompidou in Brazil may seem somewhat disconcerting. The image of these museums, internationally renowned, appears in many ways inseparable from their original cultural contexts. And to some extent, it truly is. The Louvre, deeply rooted in the history of France as a former fortress and later royal residence, embodies a set of invaluable heritage values, further amplified by I. M. Pei’s iconic glass pyramid intervention in 1989. The Pompidou, meanwhile, is remembered as a historic turning point: by redefining the concept of public infrastructure through radically unconventional architecture, it marked the first time culture drew in mass audiences.

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Nearly three years after artificial intelligence captured the world's attention, architecture is still searching for stable ground in the conversation. Between confident claims and cautious trials, many professionals still question whether—and how—AI is truly changing everyday practice.

A new white paper from Chaos addresses this through practitioner interviews and in-depth internal research, revealing how the technology is beginning to reshape productivity, authorship, and creative identity across the industry.

The white paper offers a closer look at where AI creates value, where it falls short, and how architects can navigate what comes next.

Chimneys are among the most quietly persistent elements in architectural history. Yet their presence persists in nearly every cultural and climatic context, serving as a technical feature and a spatial, atmospheric, and symbolic device. It populates dense city skylines and anchors rural horizons alike, its vertical silhouette as ordinary as a window or a doorframe. This apparent ordinariness is deceptive. The chimney is one of the few architectural components that links the intimate scale of interior life with the expansive forces of the environment. For architects and designers, the necessity of the chimney presents a choice: to let it recede quietly into the building's functional fabric or to amplify it as a central, expressive element that shapes a project's identity.

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Dedicated to high-end lighting specification, the UK's trade show LiGHT 25 will return to the Business Design Center in Islington, London, on November 19–20, 2025. Following LiGHT 24, which attracted more than 5,500 visitors, this year's edition will feature an expanded program of innovation, education, and networking opportunities. Key highlights for 2025 include the introduction of the Technical Zone, the return of the Associations Lounge, and a new large-scale immersive light art installation.

Few commissions allow architects to focus on non-human users, and fewer still involve horses. While domestic pets like cats and dogs are common muses, the particular needs of horses present a unique challenge when designing stables. Since the horses, who are the stable's primary inhabitants, cannot articulate their needs, design relies on the rigorous requirements dictated by human caretakers, requiring a balance between streamlined human operations and maximized horse comfort and safety. Architects often seem to address this through three core principles: Equine Comfort & Well-being, Contextual Materiality, and Operational Efficiency. Thus, the resulting layouts are characterized by rigorous zoning that clearly separates the programs into residential (stalls), service (tack, storage, wash, feed), and training spaces (arenas, walkers). The designs also address visual well-being: Horses are social animals, so they strategically position stables to promote sightlines between animals and to the exterior, often employing louvered or open-frame systems. Furthermore, lighting is kept diffuse using materials such as translucent panels to prevent sharp, stress-inducing shadows in arenas. Similarly, circulation paths are designed for the safe, efficient movement of both people and animals.

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In contemporary interior design, acoustics have evolved from an afterthought into a defining design language. Architects and specifiers are increasingly seeking materials that perform both visually and functionally – where surface texture, light interplay and sound absorption converge to shape human experience. As open-plan workspaces, hospitality interiors and education hubs embrace more tactile, sustainable finishes, the market for high-performance acoustic materials has surged. Within this landscape, Woven Image has emerged as a global leader, continually pushing the boundaries of what acoustic surfaces can achieve.

Infrastructure has long defined the backbone of cities by linking people, landscapes, and economies through systems that often go unnoticed until they fail. Today, as global challenges demand more adaptive and human-centered responses, architects are rethinking what infrastructure can be: not just a framework for movement and utility, but a catalyst for ecological restoration, cultural continuity, and civic imagination. The following unbuilt projects, submitted by the ArchDaily community, explore this expanded role of infrastructure, where airports, bridges, industrial parks, and pedestrian networks become architectural expressions of connection and care.

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As the late urban planner Jaime Lerner once argued, the future of architecture lies not in building new cities but in updating those that already exist. In a world where resources are finite and urban space is increasingly saturated, his statement feels more urgent than ever. It calls for architects to look inward, to rethink what truly needs to be built, and to recognize the creative potential of what is already there. Within the constraints of existing structures lies an opportunity to design differently: to repair, adapt, and reuse. Or, as French poet Louis Aragon would have it, to reinvent the past to see the beauty of the future.

This month, ArchDaily explores Building Less: Rethink, Reuse, Renovate, Repurpose, a theme that examines the growing shift in architecture toward working with what already exists. As urban spaces grow denser and land becomes scarce, architects are rethinking the impulse to build anew. Instead, they are extending the life of existing structures, embracing retrofit and adaptive reuse as strategies for sustainability and creativity. The question guiding this exploration is simple, yet urgent: How can architecture redefine urban futures by building less?

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