Founded in Shanghai in 2018, XISUI Design is currently a boutique, close-knit team that encourages every member to realize their full potential and enjoy a healthy work-life balance. We have accumulated extensive experience in delivering projects driven by digital design and construction technologies, encouraging practical actions that turn groundbreaking innovation and imagination into reality. In integrating digital technology into the design and construction fields, our completed works currently focus on spatial design, installation art, children's playscapes, and landscape structures. We offer schematic design, strategic planning, and construction administration services. Our office is located in the Jing'an District of Shanghai, near Jing'an Sculpture Park and within walking distance of Metro Lines 1, 2, and 13. We welcome pragmatic individuals who aspire to shape the future to join us and grow together.

Upholding the design philosophy of “Cutting-edge, Joy, and Creativity,” we leverage advanced digital design and fabrication technologies to create richer imaginative spaces and narrative environments. Our design pursuits combine pioneering modes of expression with a continuous exploration of intrinsic essence, allowing users of different ages, family structures, and cultural backgrounds to experience the genuine emotion, local heritage, and profound care for life embedded in our work.

Whether establishing greater fluidity between spaces, integrating distinct elements of an architectural design, or creating a more playful atmosphere, suspended structures in residential projects yield a wide range of spatial experiences.

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Tomás Vodanovic, mayor of the municipality of Maipú in Santiago, Chile, announced a new measure prohibiting high-rise construction along major thoroughfares, such as Pajaritos, Américo Vespucio, and 5 de Abril, in an effort to foster the aesthetic and sustainable development of the district.

In the 1940s, as director of the Division of Studies and Heritage Listing at IPHAN, Lucio Costa sent his staff into the field to identify the cultural heritage scattered across Brazil, waiting to be discovered.

“Who,” “when,” and “how” were the questions his assistants had up their sleeves. Supposedly, they were meant to reveal the characteristics of the analyzed assets, in order to then categorize them as worthy or unworthy of heritage listing.

As part of the cultural program of LIGA, Space for Architecture in Mexico City, the exhibition "Al otro lado" (On the Other Side) by Juan Campanini and Josefina Sposito opened earlier this month. Having established their studio in Buenos Aires in 2017, they have focused their practice on architectural design, teaching, and research. The intervention consists of a new facade that proposes a reinterpretation of the Mexico City landscape as a fragmented fabric composed of multiple recognizable parts.

The +Lapena Habitar project, a partnership between the Tide Setubal Foundation and BlendLab, seeks to contribute to the urban transformation of peripheral neighborhoods through a new production model for social housing (HIS). Building on a process started in 2020, the institutions have been developing a pilot housing supply and management project in São Paulo's East Zone that incorporates aspects of urban development, architecture, strategies for accessing quality housing, pre- and post-occupancy processes, social participation, a rental model, collective management, business model, and financing.

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The Museum of Popular Art in Recife (MAP), opened in 1955, was one of the first museums dedicated to the genre in the country. It was organized and conceived by Recife-born lawyer and collector Abelardo Rodrigues (1908–1971) and designed by Rio de Janeiro architect Acácio Gil Borsoi (1924–2009). Although now defunct, the museum project adapted a former kindergarten into a space with modern features for the exhibition of popular art, located at the entrance of the Dois Irmãos Zoobotanical Park. The only records of this space were captured by French photographer Marcel Gautherot (1910–1996) in the year of the museum's inauguration. Despite their individual perspectives, these three figures shared a particular interest in the popular aspect of modern narratives; for this reason, analyzing the perspectives that fueled interest in the applications of this concept is essential. 

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We can define green technology as a set of instruments that enable sustainable production. This means managing product lifecycles more responsibly, always striving for minimal environmental impact.

The production stages span from raw material extraction, manufacturing, and distribution, to end-use and disposal. Consequently, the entire lifecycle can benefit from the application of green technologies, which help reduce environmental impact by using natural resources in a sustainable and conscious manner.

Urban rivers, across their various scales, can serve as structuring axes for urbanization with high environmental quality. The focus of this article, based on concepts developed by the Fluvial Metropolis Group, is the Lageado Creek Basin, located at the easternmost edge of the municipality of São Paulo and part of the municipality of Ferraz de Vasconcelos. The Tietê River, into which the basin's waters flow, the Lageado, and its tributaries establish three scales of rivers and urbanization, accommodating distinct programs related to water use: from regional navigation and energy to neighborhood-scale fluvial parks, spanning water supply, drainage, energy, and irrigation.

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On January 13, the City of São Paulo, through the Municipal Secretariat of Urban Development and Licensing, published the draft bill for the mid-term review of the Strategic Master Plan (PDE)—the city's primary urban planning and development tool. In the draft, which is open for online public consultation and civil society feedback until February 17, the most controversial aspect involves changes to the parameters determining the number of parking spaces allowed in new residential developments near public transit infrastructure, such as subway and train stations, and bus corridors.

The Project Strategies Methodology (M.E.P.) is a process that has been under development since 2013 within the Architecture and Urbanism program at Mackenzie Presbyterian University (FAUMACK). It has been applied by the Project Strategies in Urban, Degraded, and Port Territories research group (LAB-STRATEGY) through international workshops, conferences, academic outreach, and educational materials across various geographical regions of Latin America and the Caribbean.

weico is a newly established architecture firm founded by a group of highly experienced industry professionals. Located in a small courtyard near the East Gate of the Temple of Heaven in Beijing, the studio currently comprises about 20 team members. Beyond building design, weico’s practice spans interior design, urban design, architectural programming, and large-scale project management. The firm places a strong emphasis on the cross-disciplinary integration of design with technology, industry, economics, and the humanities, and has recently begun incorporating graphic design into its project workflows. Led by Principal Architect and Partner Sun Wei, weico—established just over a year ago—has already won bids for and taken on major projects, including the T3 Headquarters, Hengli International Headquarters, the Hongqi High-End Customization Center, and consulting for the Hong Kong University of Science and Technology (Guangzhou) Phase II. The firm was also shortlisted for the CGN Scientific Research Base and the Bay Area University, drawing significant attention within the domestic industry.

Although we are an architecture firm, we do not view design as the end of our work, but rather as the starting point. We hope that all our work can serve as a medium to express our understanding of the world, and even as a tool to drive change.

Designated by the United Nations (UN), June 17 was established as the World Day to Combat Desertification and Drought, a date that serves to raise awareness about these phenomena while promoting initiatives to address them. Broadly speaking, desertification refers to the process of land degradation in arid regions, caused primarily by human activities and climatic variations. This phenomenon leads to the loss of vegetation cover, soil erosion, and reduced agricultural productivity, among other negative consequences. Drought, on the other hand, is a prolonged period of abnormally low rainfall resulting in water scarcity, which can have severe impacts on ecosystems, agriculture, and human livelihoods.

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The concept of the circular economy is increasingly prominent in discussions on architecture and urbanism—especially as cities are home to around 55% of the world's population and continue to grow. The goal of circularity is to reduce the environmental impact of current production and consumption models through the efficient use of material resources and waste reduction. But how can this idea actually be implemented in cities?

Burnout Syndrome, or professional exhaustion syndrome, is an emotional disorder characterized by extreme exhaustion, stress, and physical depletion resulting from demanding work environments that entail intense competition or high levels of responsibility. Particularly during and after the pandemic—essentially our current reality—burnout rates have surged. Yet, the topic remains under-discussed. Given the significant role of spatial design in the lives of employees, how can neuroarchitecture support quality of life and help mitigate burnout?

Although the architecture and construction industry has advanced in recent years into new areas such as artificial intelligence (AI), parametric modeling, virtual reality (VR), and other cutting-edge tools, their integration and systematization within the design process remains slow. In an increasingly connected and constantly evolving world, digital tools and emerging technologies are revolutionizing how architects design and build, rewriting the rules and expanding creative horizons. Therefore, it is essential to continue discussing how these tools are being integrated and how their potential can be further unlocked within the discipline.

This July, ArchDaily is exploring the topic of the design process. Within this framework, we want to open up the discussion to hear about your experiences, learn from your successes, challenges, and mistakes—and explore together how these new tools are transforming the practice of architecture.

Modernism in Brazil was shaped by various facets and conceptions of progress. In architecture, one of the primary aesthetic languages used to express this was ceramic tile panels, as seen in the work of artists such as Athos Bulcão, Cândido Portinari, and Burle Marx.

In the northern region, specifically in the state of Pará, the Modernist movement arrived adapted to local standards. This was reflected in the widespread use of parapets to conceal roofs, gardens featuring native plants, wooden window frames, and facades clad in ceramic tiles, among other features. Furthermore, engineers and architects of the era, such as Ruy Meira and his nephew Alcyr Meira, designed several murals across the region using both whole and broken tiles. 

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The Exhibition Pavilion for the 2023 Chilean Biennial of Architecture and Urbanism was located in the Plaza de la Constitución, just steps from the Palacio de La Moneda. The structure references and reinterprets a pavilion designed on this very site in 1972 by architect Montserrat Palmer for the Ministry of Public Works (MOP) to mark the opening of UNCTAD III—the headquarters of the Third United Nations Conference on Trade and Development in the Third World.

Pool design is an opportunity to create sophisticated, relaxing spaces that complement and enhance their surroundings. When choosing materials, it is essential to look for options that are not only aesthetically appealing but also durable and wear-resistant. One material that meets all these criteria is Sukabumi stone.

This natural stone is quarried in the region from which it takes its name, Sukabumi, Indonesia. In addition to its visual appeal and emerald green color, Sukabumi stone has slip-resistant properties and is highly resistant to erosion. These qualities make it a popular choice for pool projects and decorative accents with a natural aesthetic worldwide.

In the dawn of humanity, communities instinctively organized themselves based on local conditions, available resources, and their way of life. While nomadic groups created solutions for temporary occupation—often carrying shelters among their belongings—settled groups also developed ways to occupy available spaces, establishing construction techniques that have evolved to this day.

One such way of dwelling, which conventional architecture eventually sidelined—to the point of it acquiring a fantastical status in popular culture—was the occupation of cavernous or excavated spaces. Yet, this remains an ancient practice that leverages vernacular techniques to adapt to climate conditions and expand architectural possibilities.

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As part of the agenda of What Design Can Do (WDCD)—an international organization that seeks to accelerate the transition to a sustainable and just society using the power of design—a series of events and conferences took place in Amsterdam during 2022, bringing together speakers from all over the world to present their projects and perspectives on the current challenges facing the design community today.

The last few decades have yielded a renewed conception of the ruin, shaped by the logic of contemporary society. These ruins can be found, for example, in the demolition of industrial buildings on a colossal scale. Yet they are stripped of their historical and enigmatic values, since we have witnessed their birth and coexisted with them in the present.

DDB Architects (Shanghai) was founded in 1998 by Professor Xiang Bingren. Since its inception, influenced by a strong academic background, the firm has adhered to the core philosophy of "culture-led design, creative value enhancement." This approach manifests as a multifaceted contemplation of culture across diverse design typologies, driving continuous creative momentum. Positioning itself as a highly specialized, professional, and lean, top-tier architectural design team, the firm is committed to pursuing both academic and artistic excellence in architecture. Over more than 20 years of deep industry engagement, the firm has maintained an urban perspective. It has accumulated extensive project experience, professional expertise, and a robust client base across seven key sectors: supertall complexes, offices and corporate headquarters, urban renewal, commercial spaces, cultural landmarks, bespoke hospitality spaces, and customized residential spaces. Through high-caliber design creativity, professional quality, and attentive, personalized service, DDB has established an outstanding market reputation.

The firm features a mature innovation and research system, a lean design methodology, and an integrated design workflow.
Innovation and Research System: Centered on talent development and brand building, the firm has conducted a series of distinctive explorations and practices across platforms such as R&D, team knowledge management, and media communication. By integrating R&D platforms with design practice, design and management are closely linked to drive iterative upgrades.

Lean Design System: Utilizing its proprietary, meticulous curtain wall control methodology, the firm manages façade design with scientific rigor, allowing for highly targeted cost optimization.

Integrated Design: With an integrated design matrix, the firm possesses design capabilities across architecture, landscape, and interior design, alongside the perspective and capacity to address related technical challenges. Additionally, by collaborating with a network of leading domestic technical partners and consultants, DDB has formed a multidisciplinary design matrix to deliver highly professional solutions tailored to clients' specific needs.

The Centro de Estudios Superiores de Diseño de Monterrey (CEDIM) presented "Cámara Clara," an installation that seeks to dialogue with the sun within the semi-arid landscape of the northern city of Monterrey, Mexico. This ephemeral installation, created by CEDIM students, does not fight against the sun, as architecture so often does, but rather celebrates its presence and orbital rhythms, allowing viewers to contemplate it through its skin from a precise central vantage point within the structure.