Please join us on an excursion to Finland in the 1970s! This was a decade when the Finnish nation dreamed of economic growth, prosperity and equality. The suburbs became the new home for many of those who had moved to the city in search of work. They were able to enjoy the increasing amount of free time sat in their modern living rooms, watching television. In architects’ studios, society’s dreams were given a concrete form – and more effectively than ever before.
ECO Solidarity 2023 brings together emerging European designers and studios represented by EUNIC NY, the European Union National Institutes for Culture. This year’s edition focuses on design with empathy, addressing some of the world’s most pressing conditions of human health and wellbeing.
Images Taken by Alan Barry at DIFFA by Design 2023
DIFFA by Design (DBD)—one of the design industry’s most celebrated fundraisers—is returning with an exciting new home at ICFF + WantedDesign Manhattan, May 21–23 during NYCxDESIGN. DIFFA’s signature event promises to be spectacular—local and international brands and designers will showcase extraordinary installations in support of DIFFA’s mission to raise awareness and funds treatment, education, and assistance for people impacted by HIV/AIDS, homelessness, hunger, and mental health issues. DIFFA BY DESIGN will be open to ICFF + WantedDesign Manhattan badge holders during all three days of the show, which is open to trade professionals Sunday, May 21 and Monday, May 22 and to both trade as well as consumers on Tuesday, May 23. There will be a ticketed entrance for consumers/non-badgeholders and a number of features including a pop-up shop, auction, and events, including a ticketed Gala on Monday, May 22 from 6-10pm. Tickets and more information are available at diffa.org.
Créé en 1988 et composé d’une dizaine d’architectes, l’Atelier Pierre Thibault place en dialogue constant le territoire québécois, ses paysages, ses saisons et son architecture vernaculaire de manière à créer des projets intimement ancrés dans le milieu naturel et culturel. Fortement influencé par les lieux qui l’entourent, l’Atelier a su se démarquer sur les scènes nationale et internationale grâce à son approche sensible, empirique et intuitive. Cet univers intriqué et poétique de lieux, d’images et de typologies qui l’habitent se matérialise dans le cadre de l’exposition, proposant aux visiteurs une immersion littérale et figurative dans l’imaginaire architectural québécois et des territoires qui le compose. Scénarisée en un archipel composé de plusieurs ilots-territoires, l’exposition utilise le corpus distinctif de Thibault et son équipe pour interroger les différents rapports entre un projet d’architecture, son site d’implantation, son contexte culturel et naturel. En résulte une constellation architecturale distillant l’essence du travail de l’Atelier, brillant à la fois par sa constance et sa capacité de renouvellement, et ce depuis une trentaine d’années. Articulée autour des médiums de prédilection de l’agence - maquettes et croquis - l’exposition s’ancre dans une volonté de construire des ponts entre différentes approches architecturales et paysagères et de stimuler des échanges durables et lumineux entre cette profession, les territoires qu’elle construit et le grand public.
29ddm Mourning Station #4, Dominic Di Mare, hawthorn, handmade paper, silk, bone, bird's egg, feathers, gold and wood beads, 13" x 7" x 7", 1981. Photo by Tom Grotta
Acclaim! Work by Award-Winning International Artists, presented by browngrotta arts The exhibition features 45+ artists whose diverse bodies of work, in addition to being acquired into important collections, have achieved formal art recognition — lifetime achievement awards, artist-of-the-year designations, a Legion of Honor award and even an Order of the British Empire. browngrotta arts will produce a catalog for Acclaim! —its 56th.
"Datament", a monumental installation to be presented at the Polish Pavilion for the 18th International Architecture Exhibition of La Biennale di Venezia, will allow visitors to experience data in its ‘physical’ form. The space of the pavilion will be filled with the frames of four life-size houses. These seemingly chaotic and absurd structures faithfully reproduce the source data. The exhibition is intended as a starting point for a discussion about how, while new technologies may not offer us ready-made solutions, they can help us ask better questions.
Professor Neelkanth Chhaya, Ar. Tony Joseph, Dr. Soumini Raja and Students
Avani Institute of Design conducted its first mid-semester exhibition for their first-year students on February 22nd, 2023, with the theme "Dhi" - Reflection. The students from the foundation studio displayed projects they completed as part of the programme. It included exercises in ink, pencil, and color. It also included perception drawings and film analysis.
New Horizons: Through Darkness comes Light showcases the the Perth-based émigré Iwan Iwanoff alongside a collective chorus of artists, designers, architects and creatives of European origin and education who practiced in Melbourne. Explore a wealth of exhibition materials including archival drawings, interviews, print media, 3D models and film that demonstrate how these practitioners explored new horizons and created prolific legacies.
The Dragon Tree of Icod de los Vinos, in Tenerife, is the oldest specimen of Dracaena Drago, which is preserved in the Atlantic archipelago, a tree 16 m high with a 20 m circumference at the base. An endemic species of the Canary Islands, with a slow growth, the dragon tree has a strong symbolism since, in the past, it was considered the protector of the islands, but, at the beginning of the 1980s, the one who needed protection was precisely the dragon tree. Visitors - about 1 million a year - flocked to visit it, and the intense activity that tourism brought around it put its life in danger. It was necessary to stop the visits and find solutions so that the drago tree did not die of success.
Designed directly by the internal Research & Development office, the new showroom becomes the focal point of Linvisibile’s presence in the Piedmont area.
This exhibition stages a meeting point for scientific predictions and futuristic fantasies that were manifested in architecture and art from the 1960s to the 1980s. Bringing together authors from Eastern Europe and the West, the exhibition will display works that emerged from the new technological reality that followed the Second World War, and which took it along unexpected paths: foreseeing the replacement of work with games and collective pleasures in computerised societies, turning away from the overarching machine logic and replacing it with myths and romantic ideas of the human being, or looking for traces of other civilizations from space, instead of conquering it. A utopia of quantification and of scientific planning, of the separation of life and work, was replaced by a striving towards harmony between the machine and nature, the mind and the body. These projects are extensions of a technologicised world, ironic and absurd situations that present a critique of rationalism and speak of the contradictions of late modern society, demonstrating at the same time both its intellectual horizons and the limits of its utopian fantasies.
Harry Seidler: Painting Toward Architecture Exhibition at the National University of Singapore College of Design and Engineering Department of Architecture February 16 – March 8, 2023