The proposal for the New Keelung Harbor terminal building by Synthesis Design + Architecture (SDA) focuses on the synthesis of three core concepts into a coherent, elegant, and iconic solution which signals the formation of a new identity for Keelung Harbor. Inspired by the geometric patterns of Taiwanese Hen Cages and the structural shells of luxury racing yachts, the building takes shape in a dynamic gradient form that transitions from exo-skin to exo-skeleton in response to programmatic content as well as performative requirements. More images and architects’ description after the break.
The international competition for a new service building in Taiwan’s major port city Keelung called for the design of a modern passenger and cargo terminal transfer station and maritime gateway art plaza. The objective is to improve the quality of the services for passengers and cargo, accelerate the development of surrounding areas, and ultimately promote local prosperity of the region. The new service building design is to be a new “Gateway to the Nation” – one that could become a form of Landmark Architecture of Keelung. The site of the new building should be integrated with the other commercial buildings in an effort to develop the entire area. The diverse programs cover an area of 82,615 m2 and include car and coach parking.
The two-stage competition was announced in early May 2012 and recieved thirty one submissions from twelve countries in the first stage. On July 19th the jury unveiled five nominated groups to continue to the second stage whose deadline is in September.
Follow us after the break for details on the five shortlisted firms.
WOHA‘s traveling exhibition, ‘Breathing Architecture’, is on its way to Taichung, Taiwan after a successful run at the acclaimed Deutsches Architekturmuseum (DAM) in Frankfurt. Taking place at the Taichung Info-Box July 26-September 23, the exhibition features concepts of open structures which embrace aspects of community and permeability of form in response to climate and nature.
The second prize winning vision for the Urban Redevelopment Project at Tainan Main Station Area responds to the extending aim of positioning Taiwan in general, and Tainan city in particular, as a major historical based tourism destination. Designed by Maxthreads, their strategy attempts to contribute to Taiwan’s economic diversification from its current infrastructure lead planning system. More images and architects’ description after the break.
Architects: FCHY Architect Lab, C2H3.ch
Location: Yunlin, Taiwan
Projecta Area: The main building: 1152 sqm, The secondary architecture 400 sqm
Photographs: FCHY Architect Lab, Mimax Digital Technology Co.
Architects: Kris Yao | Artech Architects
Location: Kaohsiung, Taiwan
Clients: China Steel Corporation (CSC)
Design Team: Willy Yu, Hua-Yi Chang, Nai-Wen Cheng, Jun-Ren Chou, Yen-Hsun Li
Site Area: 11,037 sqm
Lot Coverage Area: 2,590 sqm
Total Floor Area: 81,054
Completion: Expected 2012
Photographs: Jeffrey Cheng
Architect: Kris Yao | Artech Architects
Location: Yilan County, Taiwan
Clients: Yilan County Government
Design Team: Glen Lu, Hua-Yi Chang, Fei-Chun Ying, Chih-Hao Chiang, Shun-Hui Chen, Tien-Kai Yang, Chii-Chang Jong, Christina Tseng, Lei Wang, Nina Yu, Jun-Ren Chou, Tien-Yu Lo
Site Area: 39,426 sqm
Total Floor Area: 12,472.74 sqm
Completion: March 2010
Photographs: Jeffrey Cheng, Chi-Yi Chang
Architects: J. J. Pan & Partners
Location: Taichung, Taiwan
Project Team: Joshua J. Pan, Jason Chen, Chih Ming Chang, Sheng Tien Yeh, Sheng-ping Lin, Wen Chih Wang, Chien Yuan Liang, Chia Jung Hsieh, Shih-Fang Huang.
Building Contractor: Kong Chou Construction Enterprise
Photographs: Wei-Shih Hsieh, JJPan
Placing second, behind Sou Fujimoto Architects’ winning proposal, the Austrian practice soma proposed a new tower typology, titled Fibrous Tower of Multiple Natures, for the Taiwan Tower International Competition in Taichung, Taiwan. The conceptual drive for this tower comes from the desire to create a cultural landmark whose associations are multiple and dynamic, adapting with changing ideas about the nature of a skyscraper in an urban environment. Soma writes, “the tower should not state a fixed message, but trigger people to invent their own interpretations of the tower’s meaning”. How does soma accomplish this? Read on to find out.
The world-renowned architect, engineer and artist, Santiago Calatrava was recently commissioned by Yuan Ze University in Taiwan to design an ambitious new building complex for its campus. The ambitious project, which will consist of a Performing Arts Center, a new Art and Design School and the Y.Z. Hsu Memorial Hall, which is dedicated to the university’s founder, Mr. Yu-Ziang Hsu, will mark Mr. Calatrava’s architectural debut in the country. More project description after the break.
Nearly two years after OMA was announced winner of a two-stage international competition, the construction of the new Taipei Performing Arts Center has commenced. This ambitious project, led by OMA partners Rem Koolhaas and David Gianotten, generated a lot of debate among architects when it was announced back in 2009 due to its particular form. Morphed by a series of programatic operations, the form intersects three types of theater in order to accommodate a variety of performances.
The main theater, which seats 1,500, is expressed on the exterior as a large sphere while the two smaller theaters, each capable of seating 800, are represented as peripheric cubes. All the stage accommodations are brought together within the central cube, allowing for more flexibility as theaters can be used independently or combined, thus expanding the possibilities for experimental performances – an art which is very strong inTaiwan. At the same time, and in a similar way as OMA’s CCTV building in Beijing, China, a “public loop” channels circulation through the building, exposing the spaces that make the TPAC work, areas typically hidden from the public but are as revealing as the performances themselves.
In this aspect, the building is like a machine at work with its engine exposed, somehow reminding me of OMA’s Prada Transformer – a machine-like building (the anti-blob) that changed its configuration to host different types of events.
The 180 million dollar project is set to be completed in 2015. More details, including sections and updated renders, after the break:
Architect: Marco Casagrande
Location: Taipei City, Taiwan
Project Managers: Delphine, Peng Hsiao-Ting / JUT Group, Nikita Wu / C-LAB
Casagrande Laboratory for Cicada: Frank Chen, Yu-Chen Chiu, Shreya Nagrath, Arijit Sen
Measures: 34 m long, 12 m wide, 8 m high
Interior space: 270 sqm
Project Year: 2011
Anemone is an art/architectural installation by Oyler Wu Collaborative aimed at weaving together aesthetic experience and tactile engagement, a combination generally considered off limits within the world of contemporary art. All too often, art installations are considered precious, almost sacred objects; while they are meant to be appreciated for their aesthetic beauty, they offer little in terms of human interaction. In other words, they are meant to be seen, not felt. Recognizing that human engagement is one of the key factors in creating a rich experience, Anemone has been designed with the idea of interaction as one of its key design objectives. More images and project description after the break.
10 Design architects has recently been awarded a 93 ha Masterplan for a CBD in Pingtan, a New Cross-Strait District for China and It’s Trading Partner, Taiwan. Pingtan is planned as a new commercial hub to drive communication and commercial trade between China and Taiwan. Part of the competition included the design of a new Cross Straits Forum including theatre, convention, exhibition and auxiliary commercial and cultural facilities. More images and project description after the break.