Ohio State University assistant professor Justin Diles has been announced as winner of the TEX-FAB Plasticity International Design Competition for his proposal, Plastic Stereotomy. Selected from 70 entries by a jury consisting of Craig Dykers, Bill Kreysler, Roland Snooks and Greg Lynn, Diles’ entry received top honors for its “approach to blending structural capacity with anthropologic sensitivity,” and for being “aesthetically interesting.”
More about the potential of Plastic Stereotomy, after the break.
A new technology developed by researchers at Ohio State University has the potential to increase the efficiency and decrease the cost of generating and storing the sun's energy. Led by professor of chemistry and biochemistry Yiying Wu, the team has created a combined solar cell and lithium storage battery with an efficiency of electron transfer between the two components of almost 100%, in a design which they believe will reduce costs by up to 25%.
“The state of the art is to use a solar panel to capture the light, and then use a cheap battery to store the energy,” Wu said. “We’ve integrated both functions into one device. Any time you can do that, you reduce cost.”
Inspired by the 13th International Architecture Exhibition‘s theme Common Ground, Peter Eisenman has formed a team to revisit, examine and reimagine Giovanni Battista Piranesi’s 1762 folio collection of etchings, Campo Marzio dell’antica Roma. Derived from years of fieldwork spent measuring the remains of ancient Roman buildings, these six etchings depict Piranesi’s fantastical vision of what ancient Rome might have looked like and represent a landmark in the shift from a traditionalist, antiquarian view of history to the scientific, archaeological view. Eisenman’s team consists of Eisenman Architects, students from Yale University, Jeffrey Kipnis with his colleagues and students of the Ohio State University, and Belgian architecture practice, Dogma. Each group has contributed a response to Piranesi’s work through models and drawings that stimulate discourse on contemporary architecture. In particular, they explore architecture’s relationship to the ground and the political, social, and philosophical consequences that develop from that relationship.
Described as “precise, specific, yet impossible”, Piranesi’s images have been a source of speculation, inspiration, research and contention for architects, urban designers and scholars since their publication 250 years ago. Continue after the break to learn more.