Photographer Patricia Parinejad has shared with us her images from the Japanese Pavilion at the 13th Venice Architecture Biennale. Presenting “Architecture. Possible here? Home-for-all”, the exhibition tells the story of three emerging architects collaborating with the exhibit’s curator, Toyo Ito, to design for the Rikuzentakata residents who lost their homes during the devastating 2011 tsunami. “The humanity of this project” impressed the Biennale jury and was awarded the top honor of the Gold Lion.
Check out our previous coverage on the exhibit for more information and continue after the break for more images.
The Japan Pavilion for the Venice Biennale (designed by Takamasa Yoshizaka in 1956) presented the exhibit “Architecture. Possible here? Home-for-all”, curated by Toyo Ito, with the participation of architectural photographer Naoya Hatakeyama, and architects Kumiko Inui, Sou Fujimoto and Akihisa Hirata.
The exhibition, which was awarded with the Gold Lion at the Biennale, takes us through the process where these three emerging architects collaborated with Toyo Ito to design the “Home-for-all”, a project for the inhabitants of Rikuzentakata who lost their homes during the tsunami in 2011.
In the walls we find Hatakeyama’s photos from before and after the tsunami, along with a visual registry of the architects visiting the location. Around the pavilion, several study models reveal the process to design this unique type of house.
The jury stated at the award ceremony that ”the presentation and the storytelling in the Pavilion are exceptional and highly accessible to a broad audience. The jury was impressed with the humanity of this project.”
In the next days we will feature an exclusive interview with the curator, Toyo Ito. More photos and text from Toyo Ito after the break:
The Koloro Exhibition by Torafu Architects features their complete range of ‘koloro-desk / koloro-stool’, including versions which they collaborated with Mina Perhonen. Shown in CLASKA Gallery and Shop “DO” in Tokyo, the name ‘koloro’ is an Esperanto word, meaning color, many colors are used at the exhibition. They also display many colorful “airvase” throughout the space, including a new version where we collaborated with photographer Mikiya Takimoto, and a special version of“airvase”, which is enough large to cover your whole body, floating up and down with the help of a motor. More images and architects’ description after the break.
Designed by MUS Architects, their proposal for the Tokyo Fashion Museum was recently named the winner of the World Architecture Awards 20+10+X. The whole structure of the building, from the entry yard to the top of the tower has been wound with a homogenic lether relating to the basic fabric of every fashion designer and constituting the base of every collection. Fibers of the fashion museum are lead in two rows – one layer of fiber winds around the building clockwise, the other one counter-closkwise thus resulting in a kind of a plaiting. Due to the small dimensions of the parcel being located in the intensely urbanized city tissue of Tokyo, the wide program of the fashion museum has been set up vertically on 22 levels (19 of which above the ground level). The result is a functional ‘pile’ of layers – ‘program squares’. More images and architects’ description after the break.
Architects: Ishimoto Architectural & Engineering Firm, Inc
Location: Yawata city, Kyoto, Japan
Architect In Charge: Kou Ohashi
Project Team: Tsutomu Kobayashi, Yoshihiko Taniguchi, Kou Ohashi, Hiroyuki Nagaoka, Hiroki Tanaka, Toshihiko Sawamura, Mitsuo Ichikawa
Project Year: 2012
Project Area: 3,069.88 sqm
Photographs: Daici Ano