Architects: Dominique Coulon & associés
Location: 1 Avenue de Stalingrad, 92220 Bagneux, France
Architect In Charge: Dominique Coulon, Benjamin Rocchi, Architects, Arnaud Eloudyi, Sarah Brebbia, Gautier Duthoit, Architects assistants
Area: 3431.0 sqm
Photographs: David Romero-Uzeda, Clément Guillaume, Courtesy of Dominique Coulon Architecture
Eugène Viollet-le-Duc, the French architect most famous for the ‘restoration’ of Notre-Dame de Paris, is a person we unequivocally associate with 19th century Gothic Revival. Although there is no doubt that his interpretive restorations of medieval French monuments were some of his greatest achievements, a new exhibition at Paris’ Cité de l’architecture et du patrimoine seeks to uncover a “well-connected character who pursued an uninterrupted career drawing, building, teaching, restoring, and many other things.”
In a review for Domus, Léa-Catherine Szacka examines this first major retrospective dedicated to the designer, theorist and artist since 1980 in celebration of the bicentennial of his birth. According to Szacka curator Jean-Michel Leniaud has, in this exhibition, shifted focus to Viollet-le-Duc’s artistic output, thereby presenting “the less known and the more unexpected aspect” of his career.
Location: Paris, France
Design Team: Winy Maas, Jacob van Rijs and Nathalie de Vries with Frans de Witte, Bertrand Schippan, Catherine Drieux, Victor Perez, Delphine Borg, Billy Guidoni
Co Architect: North by North West, Paris, FR
Area: 19000.0 sqm
Photographs: Philippe Ruault
Thibaudeau Architecte & Agence d’Architecture Guiraud-Manenc Design Sculptural Tourism Office in France
French firm Thibaudeau Architecte & Agence d’Architecture Guiraud-Manenc has earned second place for a competition to design the new tourism office for “Les Pays de Fontenay le Compte France.” Designed to encourage tourism in South Vendée, the design merges a contemporary style with a consideration for the historic and artistic identity of the area.
Fundamentals, the title of the 2014 Venice Biennale, will close its doors in a matter of days (on the 23rd November). From the moment Rem Koolhaas revealed the title for this year’s Biennale in January 2013, asking national curators to respond directly to the theme of ‘Absorbing Modernity 1914-2014’, there was an inkling that this Biennale would be in some way special. Having rejected offers to direct the Biennale in the past, the fact that Koolhaas chose to act not only as curator but also thematic co-ordinator of the complete international effort, was significant. This announcement led Peter Eisenman (one of Koolhaas’ earliest tutors and advocates) to state in one interview that “[Rem is] stating his end: the end of [his] career, the end of [his] hegemony, the end of [his] mythology, the end of everything, the end of architecture.”
Widening the debate on whether or not Paris should preserve its 19-century skyline or “embrace innovation,” Parisian city council members have rejected the controversial, 180-meter “Triangle Tower” designed by Herzog & de Meuron. Despite the 83-78 vote, the fight carries on; Mayor Anne Hidalgo has declared the veto to be invalid and hopes a new round of balloting will rule in favor of the tower. Though, in a city that fears of loosing its “existing urban fabric to skyscrapers,” it seems unlikely that the tower will be built.
Architects: Debarre Duplantiers AssocieÌs Architecture & Paysage
Location: Henri Descot Street, 33150 Cenon, France
Architect In Charge: Martin Duplantier Architectes, Laurent Duplantier Architect
Project Manager: Jean-Baptiste Monthiers
Area: 7280.0 sqm
Photographs: Yohan Zerdoun, Arthur Pequin