Architects: Original Design Studio
Location: Nantong, Jiangsu, China
Architect In Charge: Zhang Ming, Zhang Zi, Li Xuefeng, Sun Jialong, Zhang Zhiguang, Su Ting
Design Company: The Architectural Design and Research Institute of Tongji University, Original Design Studio
Investor: Nantong University
Area: 7028.0 sqm
Photographs: Yao li-Su Shengliang
“Three floors in a day is China’s new normal,” says a representative for this 57-floor skyscraper that was built in just 19 days. Known as the “Mini Sky City” tower in Changsha, the 180,000-square-meter mixed-use building was built in record speed with modular, “LEGO-like” blocks. The process also claimed to have required less materials and significantly reduced the amount of air pollution commonly caused by dusty construction sites.
A time-lapse of the construction process, after the break.
These days, many of China‘s largest urban areas are easily recognizable to people from all over the world, with the skylines of coastal mega-cities such as Shanghai and Beijing taking their place in the global consciousness. Far less known though is the inland city of Chongqing - another of China’s five top-tier “National Central Cities” – where in 2010 the Chinese government embarked on a plan to urbanize a further 10 million of the region’s rural population, with around 1,300 people now moving into the city every day.
Since his first visit to the city in 2009 photographer Tim Franco has been on a mission to document the rapid change in what he believes is “maybe the most widely unknown megacity in the world.” The result is Metamorpolis, a forthcoming photographic book by Franco with text by British journalist Richard Macauley, which documents the colossal scale of development juxtaposed against the people of Chongqing – many of whom still live an incongruous rural lifestyle among the concrete sprawl. Read on after the break for more images from the book and an interview with Franco about the experience of documenting one of the world’s fastest-growing cities.
“If we look at architecture from a cultural point of view, we see we are in a special moment where we are trying to figure out our identity. I think we are too focused on how to transform old Chinese architecture into contemporary architecture; but in no way can you transform it, you can see it with your own eyes. For instance you cannot transform a Roman building into today’s buildings! Sometimes you have to forget about history to create contemporary and unique architecture.”
- Zhu Pei, Beijing, 2013