Architects: Neri & Hu Design and Research Office
Location: 7 Mengzi Road, Huangpu, Shanghai, China, 200231
Architect In Charge: Lyndon Neri, Rossana Hu
Associate In Charge: Nellie Yang
Project Manager: Jerry Guo
Desing Team: Begoña Sebastian, Anqing Zhu, Kelvin Huang, Brian Lo, Zhao Yun, Litien Poeng
Area: 620.0 sqm
Photographs: Dirk Weiblen
Modeled after its dense urban surroundings, Chu Hai College of Higher Education’s new campus in Hong Kong meets a complex program while giving students a fantastic view of the ocean. Designed by Rocco Design Architects Limited, the building’s geometry stacks different programmatic uses on top of each other and connects them with a vertical boulevard. The result is a sculptural entity, partially inspired by Chinese calligraphy, that seeks a balance between solid and void.
The Beijing city district of Wanjing has traditionally been a gateway for people entering the city. Its name literally translates as “Looking Towards Beijing.” J. J. Pan and Partners seek to renew that title with the design of Beijing Automotive Group’s new Research and Development Center. Taking inspiration from the character 北 (bei), which signifies openness, as well as Beijing itself, this mixed use building is meant to become a symbolic landmark both for Wanjing and for the company it houses.
The Pritzker Prize-winning architect Fumihiko Maki has revealed early designs for China‘s “first major design museum”, a project in the Shekou district of Shenzhen commissioned by China Merchants Group (CMG) in collaboration with London’s V&A Museum. The design model was unveiled yesterday at the Foreign & Commonwealth Office in London, where representatives of CMG and the V&A signed a collaboration agreement to deliver the museum, which is hoped to open at the end of 2016.
Maki’s design for the Shekou Museum features three severely cantilevered volumes atop a deconstructed plinth; a staircase at the corner of the building also leads to the green public space on the roof.
More on the project after the break
Biennale Exhibit Examines the “Chinese Condition” – What Happens When 1% of the World’s Architects Design 33% of its Buildings
“Chinese architects account for 1% of the world total, but the turnover from building work is 1/10 of the world total. In other words, one hundredth of the world’s architects must design 33% of all buildings and they must do this for just 1/10 of the profit. How does this condition effect architecture?”
This is the question that motivates THECONDITIONOFCHINE
From the Curators. By making space the manifestation of content and content an insight of the space, space and content are correlated in the China Pavilion in that content provides an explicit timeline of China’s 100 years’ of architectural thinking (dual theme threads), while space presents an implicit theme of Yi Xiang (imagery-scape) through the history of Chinese architecture.
The Pre-Fabricated Skyscraper & The Clean-Tech Utopia: Two Game-Changing, Sustainable Proposals in China
How can the city be reinvented to save the world? Chinese business magnate Zhang Yue and Finnish professor Eero Paloheimo are two men with very contrasting answers to this loaded question. Zhang Yue’s answer puts trust in pre-fabricated, high-density vertical development, whereas Paloheimo envisions a built-from-scratch, clean-tech sprawling utopia. Their grand ideas, met with both skepticism and excitement, are documented in a new film by Anna-Karin Grönroos. To watch the trailer and learn more about the bold proposals, continue after the break.
Location: Qingdao, Shandong, China
Project Team: Ben van Berkel, Hannes Pfau, Gerard Loozekoot with Markus van Aalderen, Joerg Petri, Milena Stopic, Yu-Chen Liu and Cong Ye, Irina Bogdan, Xing Xiong, Maud van Hees, ShuoJiong Zhang, Philipp Mecke, Maya Alam, Junjie Yan, Gilles Greis, Subhajit Das, Erwin Horstmanshof, Faiz Zohri, Andrew Brown, Patrik Noomé, Amanda Chan, Nanang Santoso
Area: 35,000 sqm
Photographs: Edmon Leong