Pritzker laureate Shigeru Ban has won an international competition to design the future Tainan Museum of Fine Arts. With an agenda to promote arts culture and tourism in Taiwan’s cultural capital, the museum will foster the research of arts, literature and history, while exhibiting local talent.
Cascading volumes featuring an auditorium, classrooms and exhibition galleries will be capped with a pentagonal roof canopy and softened with lush terraces and landscaping. An outdoor sculpture park and public recreation area will allow the museum’s inner contents to bleed into its surroundings and activate the city.
It is a common complaint among architects that, unlike other manufacturing systems, the way we build has remained essentially the same for hundreds of years. This presents a huge number of challenges, not only to architects but also to their clients and to contractors, with disputes over unexpected costs and time overruns - resulting in a system where contractors, clients and architects often see each other as adversaries rather than as members of a team.
The world of commercial architecture has at least gone some way to a solution: many large projects financed by developers or by the government are covered by construction bonds, which tie all parties down to a contract, and provide insurance against unexpected expenses and overruns. But what about the architects who work for small private clients? Now, thanks to a company called Bolster, designers on smaller projects can have the insurance used to streamline major projects - as well as a client matching service which can help architects and contractors find work.
Find out more about Bolster, and what it can offer architects, after the break
http://www.archdaily.com/543322/bolster-offers-architects-a-new-way-to-simplify-practiceAD Editorial Team
The following is a re-print from the newly relaunched Harvard Design Magazine. The new approach to the 17-year-old publication is the vision of recently appointed editor in chief Jennifer Sigler and associate editor Leah Whitman- Salkin, in collaboration with creative director Jiminie Ha (With Projects, Inc.). “Do You Read Me?” invites “reading” across disciplinary boundaries, and stakes out an expanded arena for architecture and design dialogue. In her Editor's Note, Sigler explores "When Walls Are Doors." Read on to find out how you can win a subscription to HDM.
My favorite book as a child was called Story Number 2. Written by the absurdist playwright Eugene Ionesco, it tells the tale of the logical Josette and her enigmatic father, who gives her a lesson in “the real meaning of words”:
“The ceiling is called floor. The floor is called ceiling. The wall is called a door,” Papa explains matter-of-factly.
“A chair is a window. The window is a penholder. A pillow is a piece of bread. Bread is a bedside rug.”
In this extended interview between Bernard Tschumi and The Architectural Review's Paul Finch, the pre-eminent Swiss-born architect discusses his education, writing, design and wider critical position. Speaking candidly, Tschumi explains how a visit to Chicago when he was seventeen years old sparked a life-long passion for architectural design - something that had been somewhat repressed due to his father who was, at that time, one of the world's most highly respected architects. His friendship with British architect and theorist Cedric Price led to the start of a career that saw his proposals for Paris's Parc de la Villette foreshadow the age of Deconstructivism. Ending with his take on the future of the profession, Tschumi also offers advice to students and young practices looking to make their mark.
Rem Koolhaas, Steven Holl, Jean Nouvel and Boeri Studio are the masters behind five skyscrapers competing to be crowned the “World’s best.” Chosen as finalists for the 2014 International Highrise Award (IHA), the four practices are in the running for a prestigious title and €50,000 prize.
Award organizers from the City of Frankfurt/Main, Deutsches Architekturmuseum (DAM) and DekaBank at Frankfurt’s Paulskirche will announce a winner in mid-November. The chosen skyscraper will be selected by an esteemed, multidisciplinary jury based on the criteria ranging from future-oriented design and innovative building technology, to the building’s integrative urban development scheme and cost-effectiveness.
“Good architecture requires a willingness to take risks and a desire to try things out. All the finalists took this approach – there can be no innovation without experimentation. Our shortlist comprises three different prototypes of the future,” commented Jury Chairman Christoph Ingenhoven.
View all five of the competing highrises and the jury’s comments, after the break…
The introduction of protected bike lanes in many cities usually raises objections from motorists who believe that devoting an entire road lane to cyclists will restrict the flow of cars and add to congestion in cities. However, a study of New York's streets, which has been ongoing since the first protected bicycle lanes opened in 2007, has recently shown that the opposite is actually true: by separating different types of traffic, cars can actually get around faster.
That's before we even begin to discuss the safety benefits of protected bike lanes, with the study showing the risk of injury to cyclists, drivers and pedestrians all falling on streets where the protected lanes were installed.
Read on after the break for more results of the study
On September 3, 2014, urban design consultancy URBED was announced winner of the 2014 Wolfson Economics Prize. The competition has spurred unprecedented conversation and debate over the concept of Garden Cities in the UK, while the finalists call for the development of theoretical ideas and implementation of practical solutions. ArchDaily brought you the winning proposal earlier, and The Building Centre, an independent forum of the built environment, teamed up with the Wolfson Prize organizers to bring you an exhibit further exploring the broad range of design solutions from over 200 brilliant entries.
Already one of the most remarkable examples of China’s urban growth in the last 30 years, Shenzhen will soon also host a bustling new financial district. The Shenzhen Bay Super City Masterplan aims to create a new city center with top headquarter offices for global corporations and related venues for international conferences, exhibitions, and cultural programs. KAMJZ Architects has recently revealed their competition entry with a plan that proposes a more sustainable city center through the design of a radical new typology for office towers. Read on after the break to learn more about the proposed masterplan.