Since they first developed the typology for their Quinta Monroy project in Iquique, Chile, the "half-finished home" has become something of a signature for ELEMENTAL: they have used the technique in multiple cities in Chile, as well as their Monterrey Housing project in Mexico. The typology began life as a way of dealing with extremely low budgets, allowing governments to provide housing to citizens at incredibly low prices, but nevertheless creating homes that would provide for the needs of residents and even gain value over time. Now, they have applied the theory to their Villa Verde Housing project, published just last week on ArchDaily.
Read more about the typology, and how it has been applied at Villa Verde, after the break...
For architects, Louis Kahn's Kimbell Museum has long been hallowed ground. For Renzo Piano, who designed the museum's first major expansion, it was also an enormous difficulty to overcome. His addition to the museum could be neither too close to Kahn's building, nor too far. It had to solve a parking problem, yet respect Kahn's distaste for cars. It had to respond to Kahn's stately progression of spaces—and that silvery natural light that make architects' knees go wobbly. And yet it could not merely borrow from Kahn's revolutionary bag of tricks.
And secrets they must be because Kemp’s little company, Digital Physical, has kept under the radar, housed away in some nondescript loft space in Los Angeles. What Mr. Kemp and his bearded acolytes have developed is something so simple, so obvious, and yet utterly revolutionary. It’s one of those inventions that all architects are soon going to realize they need - and clients will soon start to expect.
Robert Miles Kemp is going to be one of 2014’s Innovators of the Year. Mark my words. If I worked for Autodesk, I’d be calling him up right about now - or at the very least trying to steal his secrets.
The “it” is Spacemaker VR, architecture’s first virtual reality system made for designers. Yes, you have to wear a VR headset, but you won’t care if you look like a dork because you (and your big clients) will be blown away by the fact that you’re looking, flying around a 3D model of a future-space - all while being firmly in the present.
UNStudio has been announced as winner of a competition to design a 60-meter residential and office tower in Munich. Planned to be the “focal point” of the Baumkirchen Mitte development, the project will feature 13,000 square meters of “neutral” office space that promotes “flexibility” and “creativity” as well as 5,500 square meters of contemporary apartment units that each share a strong, private connection with the surrounding landscape.
Japan is famous for its radical residential architecture. But as Tokyo architect Alastair Townsend explains, its penchant for avant garde housing may be driven by the country’s bizarre real estate economics, as much as its designers’ creativity.
Here on ArchDaily, we see a steady stream of radical Japanese houses. These homes, mostly designed by young architects, often elicit readers’ bewilderment. It can seem that in Japan, anything is permissible: stairs and balconies without handrails, rooms flagrantly cast open to their surroundings, or homes with no windows at all.
These whimsical, ironic, or otherwise extreme living propositions arrest readers’ attention, baiting us to ask: WTF Japan? The photos travel the blogosphere and social networks under their own momentum, garnering global exposure and international validation for Japan’s outwardly shy, yet media-savvy architects. Afterall, in Japan – the country with the most registered architects per capita – standing out from the crowd is the key to getting ahead for young designers. But what motivates their clients, who opt for such eccentric expressions of lifestyle?
Sou Fujimoto Architects has released details on a conceptual master plan for a commercial complex in a prominent, yet anonymous Middle Eastern city. Situated between an education and financial center, the modular complex reinterprets the “vibrant atmosphere and lively qualities of the traditional market” as well as the “inherent beauty of vernacular Islamic architecture” to create a “timeless” landmark for a currently underused portion of the city.