Team Shishka shared with us their 1st prize winning proposal in the International Art Residence Design Concept Competition in Nikola Lenivets, Russia. As stars in the cosmos, buildings and residences are spread on the site while connected with basic infrastructure. This system takes maximal advantage of the landscape, yet has minimal impact on nature. Within the flexible framework of plan, Nikola Lenivets can be experienced during every moment of the day, the whole year long. More images and the team’s description after the break.
Delicately crafted models by twelve students at Eindhoven University of Technologywill be the feature of an exhibit on Rudolf Olgiati called Die Sprache der Architektur (The Language of Architect). Oligiati was a Swiss Architect of the mid-20th century whose work has been attributed to the New Objectivist Movement. His work, which largely featured single family homes, brought a modernist aesthetic to the tradition of the mountainous Grisons of eastern Switzerland.
More on this exhibit after the break.
Nearly 50 years have passed since his death, but Le Corbusier can still make waves in the design world.
Corbu has become the talk of the Design Miami showrooms. Not only has a 1:1 model of Le Corbusier’s 1952 seaside villa, the Cabanon, been one of the most popular exhibits at the show (by Italian furniture company Poltrona Frau and the Le Corbusier Foundation), but another Corbu exhibit has also been one of the most hotly-contested.
Event-goers have cried foul at the Galerie Patrick Seguin, a gallery that sold chairs, tables, and sofas from Corbu’s government complex in Chandigarh (the Indian city Corbu helped design and plan) as part of its exhibition. While the gallery claims all the furniture (designed by Corbu and his cousin Pierre Jeanneret) had been neglected in India and now rescued, scholars are less than pleased that the furniture pieces have been removed from their intended buildings. As one scholar, Jean-Louis Cohen, an architectural historian and a curator for MOMA, told Architecture Record, “I’m revolted.”
Story via Architecture Record.
In November, the 6 shortlisted firms for the Flinders Street Station competition each received a letter. The letter, written by Major Projects Victoria, a division of the Victoria city government, warned them of a certain act that would not only result in their disqualification, but would also bring the entire competition into “disrepute.”
What potential act could deserve such a warning? Attending an exhibit of the rejected design entries.
On November 22nd, Fitzroy-based architecture firm Edwards Moore organized the “Long-Listers” exhibit to build on the public excitement for the competition, using the momentum to generate more conversation and debate about the project. As architect and organiser Juliet Moore put it: ”We wanted peer collaboration . . . too often these things are done behind closed doors. By the time the designs are revealed [a year later] the moment has passed.”
More after the break…
Images of the transformation of the Shell Centre Campus, which include 8 towers to be designed by six different architects in London’s South Bank, have been released and submitted for approval by the local authority, Lambeth Council.
The project, under a Masterplan by Squire and Partners and co-developed by Canary Wharf Group and Qatari Diar, is a 5.25-acre mixed-use scheme between Waterloo Station and Hungerford Bridge. While the famous 27-story Shell Tower will be preserved, the plans show eight new residential and office buildings will be constructed by six architectural firms: an office and two residential towers by Squire and Partners, one office tower by Kohn Pedersen Fox Associates (KPF); a residential block by Patel Taylor; another by Stanton Williams; and two more residential towers by GRID Architects.
In total, about 800,000 sq ft of office space (which includes the existing Shell Tower), 800,000 sq ft of residential space (translating to 790 new homes, including affordable housing), and 80,000 sq ft of new retail units/restaurants/cafés will be created. As Michael Squire of Squire and Partners told The Architect’s Journal: “We make no apology, this is a dense development, it sits next to one of the busiest train stations in Europe. This is a massive sustainable move that will allow people to live and work in the same area.”
More on the proposed plan for London’s South Bank, after the break…
The Biomuseo, or Museum of Biodiversity, in Panama City is Frank Gehry’s first project in Latin America. The building, situated on the mouth of the Panama Canal , is a colourful design of metal-plated canopies sustained by concrete columns. It will house eight galleries and tell the story of Panama’s diverse biological culture and its global impact. It is projected that, once finished, the 4000 m2 space will play a significant role in Panamanian society, culture and education. Here, one of the museum’s exhibit coordinators, Darien Montañes, explains the work involved in bringing a project of this scale to life.
Designed by Torsten Ottesjö…, with Christian Strömqvist and David Relan, Kloster is a strip of land on the west coast of Sweden where they have conceptualized an idea of luxury. Two houses are situated above a slope leading down
For architects, Oslo has become a safe haven from Europe’s economic turmoil. According to an article by J.S. Marcus for The Wall Street Journal, dozens of new architectural projects currently under construction are not only changing the city’s humble skyline, putting the city on the cutting-edge of architectural design, but are also pulling in a base of buyers that are eager to call the city’s waterfront home (no wonder Norway was voted our #1 country for architects to find work). And nowhere can Oslos’s transformation be better seen than in the new quarter of Operakvarteret, where a 20,000 square-meter, mixed use development project has brought various, innovative architects together to design a new face for Oslo.
More after the break.
The works of Sou Fujimoto resist any form of conventional categorization. This young Japanese architect stands for unconventional buildings that cannot be described by standard criteria and definitions such as inside/outside or public/private. Clear divisions such as between floor levels and rooms are shattered by his complex ground plans and interlocking structures which—in a reference to the idea of the cave—he describes as “Primitive Future.” With this approach he creates forms that are committed to a playful interaction between user and space. Alongside private residences, such as the well-known N House, his library for Musashino Art University has achieved particular recognition. In addition he was represented at the 2010 Venice Biennale with a design for a house.