This article is the sixth in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints.

Artificial Intelligence is at the genesis of creating fundamental changes in the way we design and construct buildings and cities. Some of these changes will be abrupt and disruptive to normative practice.  Others will take more time to feel the effect of this new technology, but the change will be pervasive.  When combined with the Metaverse, AI will also offer vast opportunities for the profession to expand and grow.  The kinds of spaces and environments we design in the Metaverse will be, in some aspects, very different from what we currently design in the physical world alone. AI evolves every day, and we are compelled to learn while we innovate. AI has proven it is a powerful tool to assist designers and offers the potential to challenge us to alter our design process. Combining AI with narrative design is one of those challenges.

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Six years ago, the 2017 earthquake left deep scars across various parts of the country, including Mexico City, where several buildings suffered severe structural damage and were subsequently evacuated. One of these is the SCOP Center (Centro SCOP). Designed by architects Carlos Lazo, Augusto Pérez Palacios, and Raúl Cacho, this integrated sculptural and pictorial complex features murals by Juan O'Gorman, José Chávez Morado, Francisco Zúñiga, and Rodrigo Arenas Betancourt. Today, it stands as one of Mexico's most significant 20th-century artistic monuments. Spanning over 6,000 square meters of gross floor area, it is widely considered one of the most successful examples of the *Integración Plástica* (Plastic Integration) movement. 

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In its quest to develop circular products, Chinese company Yi Design has been creating various bricks from recycled materials. These products offer construction alternatives to address a major industry challenge: the generation of ceramic waste.

According to Yi Design, approximately 18 million tons of ceramic waste are produced every year in China. Headquartered in Jingdezhen, the country's ceramics capital, the group developed YiBrick, a permeable brick made of over 90% recycled ceramic. The material's production also incorporates wastewater and the fine dust from crushing raw waste.

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Copenhagen-based philanthropic association re:arc institute has announced the cohort of nonprofit organizations, people, and practices they will support throughout 2024. The organization founded in 2022 works at the intersection of climate action and architectural philanthropy, aiming to support the development of solutions that address the root causes and consequences of climate change.

The architectural field often adheres to conventional industry models, either client-based or competition-based, which can perpetuate problematic or extractive motivations. The re:arc institute hopes to rethink the architecture discipline’s potential for addressing social and environmental concerns by providing a blueprint for pioneering philanthropic projects. To do so, they provide funding to nonprofits, individuals, and community-led projects exploring innovative approaches that prioritize planetary well-being. Their focus is on hyper-local, grassroots initiatives that address climate crises with a strong emphasis on the unique needs of specific places and communities.

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