When working with clients, architects are bound to change, update and reiterate projects. Revisions are deeply ingrained into the design process, and as projects become more complex and updates become more frequent, keeping the most up-to-date versions of your designs can be a challenge.
As a part of Building Information Modeling (BIM), computational design is a burgeoning trend, based upon the idea that any design problem can be described as an abstract model with clear and logical guidelines, which can then be solved through computation. This design process is especially gaining popularity among architects and engineers who want to explore a multitude of designs and iterations to quickly discover the best solutions for their needs.
In the past, creating and updating responsive, dynamic models proved much more time-consuming and difficult than it should be. Luckily though, an industry-proven visual programming environment powered by Dynamo helps combat this problem.
Similarly to last year, while the five shortlisted projects were selected by a jury of architects, the final winning design will be chosen by a non-architect. This year Kaija Saariaho, an internationally renowned Finnish composer, will select the 2015 winner. “I’ve always taken a keen interest in architecture and of course concert halls," said Saariaho. "When visiting the buildings now proposed for the prize, I gave much thought to how deeply architecture affects our lives on a daily basis."
Learn more about the five shortlisted projects, after the break.
English Heritage has announced the six teams shortlisted in the two-stage competition to design a new bridge at Tintagel Castle. Situated on the Island of Tintagel on the Northern coast of Cornwall, the new bridge will strengthen the medieval castle's connection to the mainland, spanning 72 meters at a height 28 meters taller than the existing pedestrian footbridge.
When the competition was announced in June, the organizers Malcolm Reading explained that teams should "envisage an elegant, even structurally daring, concept which is beautiful in its own right and sensitively-balanced with the landscape and exceptional surroundings." The six winners were chosen unanimously from a list of 137 candidates which Chair of the Jury Graham Morrison said reflect "a mix of great talent and experience." Read on for the six teams to go through to the next stage of the contest.
Archifest, the annual architecture festival organised by Singapore Institute of Architects, returns with the thought-provoking theme 'What Future?'. The two-week-long festival features more than 30 events.
For his latest project, Federico Babina teamed up with architect Federico Ortiz Sanchez to imagine, illustrate and sculpt 12 “symbolic and symbiotic micro-architectures,” each representing a different component of a house and together making up the “DNA of the House.”
The project was inspired by the Fundamentals theme of the 2014 Venice Biennale, “but instead of dissecting a catalogue of components we composed a collection of images,” writes Babina. “We wanted to highlight the specific personality of each one of the artifacts we proposed, every single one uses its own set of symbols in order to address their different issues in this diverse compendium of spaces of the intimate.”
Learn more about the project and view the 12 illustrations after the break.
Back in 2012, a dispute arose between the Renzo Piano-designed Nasher Sculpture Center in Dallas and the adjacent Museum Tower, a 42-story residential building which was accused of reflecting so much glare through the museum's glass roof that it risked damaging the art inside, and made the museum's garden areas so warm they were unusable. Last week, that 3-year long dispute appears to have been brought to a close - with nothing happening, as the owners of the Museum Tower, the Dallas Police and Fire Pension System (DPFP), voted nearly unanimously that it is no longer their responsibility to find a solution.
London-based Feilden Fowles has been selected to design a new visitor center for the Yorkshire Sculpture Park (YSP). To be located on the southern entrance of the park on a hillside that used to be part of a quarry, the rammed-earth building will arise from the ground. The center aims to increase the park’s capacity, which currently receives over 400,000 visitors every year, and will include a 140-square-meter restaurant, a 125-square-meter gallery space, an 80-square-meter public foyer and a 50-square-meter shop.
Japanese design has long had a defining impact on other cultures from all over the world; as early as the mid-nineteenth century, fashionable collectors in Europe exchanged artifacts from Japan, and Frank Lloyd Wright was famously influenced by their distinctive architecture after a trip to the country in 1905. In recent decades, Japan has been one of architecture's superpowers, producing seven Pritzker Prize laureates in under 30 years. And, while Japan's Pritzker winners are widely revered, they are far from the only players on the scene, with a new wave of young Japanese architects now emerging behind internationally acclaimed names such as Sou Fujimoto.
In this new series of interviews titled "Japan's New Masters," Ebrahim Abdoh speaks to both the established and emerging architects of Japan's dynamic architectural scene. The first interview of the series is with Yuko Nagayama, founder of Yuko Nagayama and Associates.