Digital spaces and fabrication technology have become as prominent as ever within the current state of our post-pandemic society, becoming increasingly more accessible and enabling quick and spontaneous acts of iteration and evolution. These technologies have resulted in the ability to mass-produce non-standard, highly differentiated building components within the same facility as their standardized counterpart, transforming how buildings and their respective components are conceived, designed, and represented, and how they are manufactured, assembled, and produced.

The beauty of digital fabrication is its ability to blend aspects of mass and artisanal production to the point where costs nearly disappear. Technology’s capacity to fabricate so simply and almost seamlessly raise the issues for its potential to significantly alter our current perception of architecture, thus producing the question: has the influence of mass production in architecture resulted in a loss of intentional design?

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The design for what was then called the Ministry of Education and Public Health was developed during 1936 by a team comprising architects Oscar Niemeyer, Affonso Reidy, Jorge Moreira, Carlos Leão, and Ernani Vasconcelos, under the coordination of Lucio Costa. At the request of the then-Minister Gustavo Capanema and with guidance from Le Corbusier, the team of young Brazilian modernists was tasked with giving a national identity to the building that would become one of the greatest icons of Brazilian architecture, in direct opposition to the dominant aesthetic of the time. The decision not to commission the original design, which had won the public competition held for this purpose, is just one part of this incredible story.

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Designing a limited space like an apartment can be a genuine challenge. Creating new layouts and projects over what has already been imagined by someone else is an exercise that demands a keen eye and respect for the existing structure. In addition to this, there is the need to bring character to the space through interior design without overlooking spatial functionality, ensuring the best possible quality of life for its residents. 

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Wood is an incredibly common material in the construction industry, utilized across various stages and for multiple purposes. Below, we explore its potential to shape residential facades through 17 examples of Brazilian houses.

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Videos

All buildings move — of course, some more than others. There are a host of design considerations that architects keep in mind that allow for, or even promote movement in almost every building. But some architects fall back on their training as broad-based thinkers and problem solvers to devise solutions that literally roam the earth. From tiny homes on wheels, to train-based educational institutions, to design programs in a truck, sometimes buildings and architecture need to travel to the people it serves or to other environments. This video features a few examples on this spectrum, beginning with how architects typically deal with movement in structures and foundations, to Cedric Price’s Potteries Thinkbelt, and finally Chicago Mobile Makers, a traveling maker workshop for children founded by Maya Bird Murphy.

This article begins with the premise that cities are not neutral spaces. Territories, much like architecture, urbanism, literature, culture, and politics, are conditioned by the values of a given society at a specific point in time. Consequently, the configuration of these spaces is shaped by societal values—in this case, those of a patriarchal, racist, and capitalist society. As a result, this lack of neutrality in the production of urban space leads to different ways in which cities are used and experienced by their inhabitants. These unique experiences, in turn, are deeply intertwined with issues of social class, race, and gender.

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