Architects: be baumschlager eberle
Location: Lustenau, Austria
Project Architect: Jürgen Stoppel
Assistance: Hugo Herrera Pianno, Markus Altmann
Structural Engineer: Mader &Flatz
Light Planning: Ingo Maurer
Energy Optimization: PhD. Lars Junghans
Area: 13138.0 sqm
Photographs: Eduard Hueber
The winners of the 2013 Interior Design Excellence Awards and the Great Indoors Awards have been announced, showcasing an innovative range of projects from around the world. We’ve rounded up some of the best of these award-winning interiors just for you, including: the origami-inspired, timber battens of Assemble Studio; the fantastic basketry of the Cinema Center in Matadero de Legazpi, by Churtichaga & Quadra Salcedo Architects; OHLAB’s golden Relojería Alemana; El Equipo Creativo’s PAKTA Restaurant of looms; and Breathe Architecture’s rebellious metallic and wooden Captain Melville. Enjoy!
The Kolkata Museum of Modern Art (KMOMA), Herzog & de Meuron’s first project in India, has broken ground in the new district of Rajarhat. The new museum seeks to embrace the city’s renowned cultural past and ultimately transform it into India’s “Art City”. Programs ranging from high-end gallery and art restoration facilities, to artist studios and an outdoor performance theater aims to empower local artists so they may play a critical role in the evolution of their community.
Architects: VON M
Location: Andreaskirchplatz 7, 06295 Eisleben, Germany
Architect In Charge: Myriam Kunz, Dennis Mueller, Matthias Siegert
Collaborators: Silke Hänssler, Christoph Patzelt, Grit Ruschinzik, Silke Schreier, Sabrina Fliegerbauer, Kristin Weinrich, Antonia Blaer, Charlotte Eller
Site Management: agn
Photographs: Zooey Braun, Dennis Mueller
Young architects and designers are invited to submit work to the annual Architectural League Prize Competition. Projects of all types, either theoretical or real, and executed in any medium, are welcome. The jury will select work for presentation in lectures,…
In an exclusive interview with TIME, Zaha Hadid has finally responded to the claims – voiced most notably by John Stewart - that her design for the Al Wakrah Stadium (what will be Qatar’s stadium for the 2022 World Cup) resembles female genitalia (Stewart in fact called Hadid the “Georgia O’Keeffe of things you can walk inside“).
“It’s really embarrassing that they come up with nonsense like this. What are they saying? Everything with a hole in it is a vagina? That’s ridiculous.” Hadid also goes on to suggest that “if a guy had done this project,” these “lewd” comparisons would not have been made. Read the full story at TIME.com.
In Design Intelligence‘s annual rankings of US Architecture Schools, released earlier this month, there is certainly a lot to talk about. Of course, plenty will be said about what is shown immediately by the statistics, and rightly so – but just as interesting is what is revealed between the lines of this report, about the schools themselves and the culture they exist within. By taking the opinions of professional architects, teachers and students, the Design Intelligence report exposes a complex network which, when examined closely enough, reveals what some might see as a worrying trend within architectural education.
One of Detroit’s most prominent vacant sites is slated to become one of its most iconic buildings. SHoP Architects will partner with Detroit-based Hamilton Anderson Associates to transform the site formerly occupied by Hudson’s Department Store. Located at Grand River and Gratiot in the city’s Central Business District, the two-acre site has remained a scar in the urban landscape since the implosion of the Hudson’s building in 1998.
This four part series (originally published on Aggregate’s website) examines the Gherkin, the London office tower designed by Foster + Partners, showing how the urban icon engaged and leveraged perceptions of risk. In part one, author Jonathan Massey introduced the concept of “risk design” to describe how the Gherkin’s design managed the risks posed by climate change, terrorism, and globalization. In parts two and three, Massey examined the building’s treatment of risks associated with climate change and terrorism. In this final installment, Massey concludes by addressing the building’s engagement with risks posed to the City of London by globalization.
Unlike New York and other cities in which zoning codes entitle landowners to some kinds of development “as of right,” the City of London regulates property development through case-by-case review by planning officers, who judge how well the proposed construction conforms to City-wide plans and guidelines regarding factors such as building height, development density, access to transit, and impact on views and the visual character of the area. In order to develop the Gherkin, the property owners and Swiss Re had to secure planning consent from the City Corporation through its chief planning officer, Peter Wynne Rees. The review and permitting process that culminated in the granting of planning consent in August 2000 spanned the planning office as well as the market, the courts, and the press. Rees brokered a multilateral negotiation so intensive that we could almost say the building was designed by bureaucracy. Part of that negotiation entailed imagining and staging risk: climate risk, terrorism risk, and, especially, the financial risks associated with globalization.
Melbourne Now celebrates the latest art, architecture, design, performance and cultural practice to reflect the complex creative landscape of Melbourne.
This ambitious and far-reaching exhibition across The Ian Potter Centre: NGV Australia and NGV International presents the various ways in…