LEESER Architecture’s design for the Museum of Moving Image has recently been announced as the winner of the 2013 Red Dot Design Award in its highly competitive Architecture and Urban Design category. Completed in 2011, the Museum of the Moving Image houses a comprehensive collection dedicated to educating the public about the art, history, technique, and technology of film, television, and digital media.The existing structure is seamlessly integrated with the substantial new addition through a grand lobby which connects the two. More information on their award after the break.
Situated in the large fun park in the suburbs of Sofia, Radionica Arhitekture‘s proposal for the Collider Activity Center, which won one of five first prizes, is a small artificial ‘mountain’. When external conditions are favorable, the facade opens and the internal atmosphere becomes external. The second layer is the hall, a kind of a “cytoplasm”. The space between the façade and the climbing surface.This is the place of entrance, where the building and the park mix, the site of overlapping where all paths intersect. More images and architects’ description after the break.
The Architectural League of New York announced early this month the award of its 2013 President’s Medal to Renzo Piano of the Renzo Piano Building Workshop.The President’s Medal is the Architectural League’s highest honor and is bestowed, at the discretion of the League’s President and Board of Directors, on individuals to recognize an extraordinary body of work in architecture, urbanism, or design. This award also exemplifies the Architectural League’s 130-year history of encouraging and honoring excellence in architecture, urbanism, and design. The medal was presented to Renzo Piano, one of the world’s most admired architects, by Architectural League President Annabelle Selldorf on April 9th at a dinner with over 350 guests in Manhattan. For more information, please visit here.
Taking place April 26-27, the ‘Strange Utility: Architecture Toward Other Ends’ Symposium will explore the following provocative questions: How is architecture’s use value defined, and by whom? How can turning to other disciplines’ unexpected utilization of architecture expand our perception of its utility? And what are the future utilities of architecture? Today, the idea of architecture’s utility is perhaps more diverse than ever, as architecture commonly mingles with other disciplines, and as new typologies of building design emerge almost daily. Organized by Portland State University School of Architecture, three keynote speakers—Philippe Rahm, Jimenez Lai and Jill Stoner—as well as eleven notable architects, artists and academics will participate. More information after the break.
Emerging from a design excellence competition held by the Parramatta City Council, the Aspire Tower, designed by Grimshaw Architects, is a landmark mixed-use tower set to establish a new benchmark for innovative, passive-environmental design in Australian high-rise developments. Designed to act as a catalyst project for Parramatta Square, the tower provides high density, urban residential living which is not only affordable but also sustainable. More images and architects’ description after the break.
We have already written about the dauntingly high rates of unemployment that are awaiting architecture-degree graduates in the profession these days, but a recent survey conducted by the AIA/NCARB Internship and Career Survey reveals an optimistic view of job growth and job placement in the two years since the “intense economic contraction” of 2010. The AIA writes, “emerging professionals have begun experiencing a rebound, with higher employment levels, more young designers getting licensed, and any remaining unemployment becoming, in most cases, mercifully short”. (more…)
Designed by TABB Architecture, their proposal for the Notre Dame de l’Assomption Cathedral in Port au Prince optimizes resources, producing designed solutions and teaming up for a change. Designing a New Cathedral for Port-au-Prince,not only will imply a beautiful, energy saving, affordable building, but a complete strategy plan to generate the labor force in order to sustain the local economy, teaching people construction techniques to support future needs. More images and architects’ description after the break.
The proposal, ‘Athens PubliCity: an urban neuron for a new city center’, for the Re-Think Athens competition organizes a public space processing system which develops and expands like an “urban neuron”. Designed by Nikiforidis-Cuomo Architects, their concept becomes an entire living framework aiming to re-activate and revitalize the urban body. The system acts as a familiar, habitable and dynamic framework able to “contain” events and situations of both collective and individual actions. More images and architects’ description after the break.
Designed by Ksestudio, their “Stage a lot” Flat Lot competition entry, which received an honorable mention, is a constantly transformative intervention that responds to the call for a temporary structure from the Flint Public Art Project. The project invents a ballet of ropes and pulleys animating four suspended rectangular pieces of white tyvek that in a neutral position hang vertically to form a topless cube. More images and architects’ description after the break.
Designed by Leeser Architecture their design concept for the Polytechnic Education Center takes its cues from the rich history of modern Russian architecture of the early part of the twentieth century. Located in the Lenin Hills section of Moscow, which play an important role in the history of Moscow as a place of radical experimentation, the new institute symbolizes this incredible energy and conflation of future inventions with past achievement as a new symbol of global importance. More images and architects’ description after the break.
There are many sustainable technologies designers can utilize these days to make a project more Earth- and people-friendly, but smog-eating cement isn’t the most talked-about – until now. The City of Chicago is pioneering the use of a revolutionary type of cement that is capable of eradicating the air around it of pollution, potentially reducing the levels of certain common pollutants by 20 – 70% depending on local conditions and the amount of exposed surface area.
A 1970 graduate of Cooper Union‘s architecture program, world-renowned architect Daniel Libeskind will be delivering ‘The Art of Memory’ lecture, a free event, on Tuesday, April 30th, at 6:00pm. The master planner for Ground Zero and the architect of one of Europe’s most visited museums, the Jewish Museum Berlin, will discuss the role that memory played in his work on those projects and others, such as the Danish Jewish Museum in Copenhagen, Denmark; the Imperial War Museum in Manchester, England; the Military History Museum in Dresden, Germany; and the Contemporary Jewish Museum in San Francisco. He will also talk about the acute sense of responsibility he feels, when accepting commissions for projects addressing Jewish history, to create work that honors not only the harsh realities, but also the resilience of the Jewish spirit. For more information, please visit here.
Peter Wilson, co-founder and director of Bolles+Wilson, was awarded the Australian Institute of Architects Gold Medal, their highest accolade, at a ceremony last month in Canberra. The Institute bestows the medal upon architects who have designed, or executed, exceptional buildings, promoted the knowledge of architecture, or have made some defining contribution to the field.
The Architecture Foundation recently launched their annual international Open Call for innovative independent exhibitions and installations for its central London Project Space. Intended as an incubator for independent positions and architectural experimentation, projects selected through the Open Call will punctuate the AF’s ongoing curated program. This program, competitively selected through a jury process, will give space to individuals or organizations to activate the AF Project Space as a testing ground for modes of exhibition and 1:1 scale spatial experimentation, an open studio, a public residency or other diverse formats. The foundation’s recent initiative, ‘We Made That’, was a project selected through the 2012 Open Call. The deadline for submissions is May 10. For more information, please visit here.
TEX-FAB recently announced the SKIN International Digital Fabrication Competition which asks designers and researchers to speculate, or if they so choose – to present existing research – on the role of the building envelope by exploring new methods to enable the performative and aesthetic qualities of a façade. A building’s skin has the potential to synchronize form and illustrates the totality of the project, while driving how the building responds to its context, its role and ultimately its utility. Design submissions may develop any context they choose, real or virtual, at any scale and on any building type so to present a complete thesis. The deadline for entries in June 30. For more information, please visit here.
Peter Wilson, partner in the Münster based office of BOLLES+WILSON, was recently awarded the AIA‘s (Australian Institute of Architects) highest honor, its 2013 Gold Medal. The recognition acknowledges Peter Wilson’s role as remarkable statesman for Australia as well as an outstanding body of architectural works of great distinction, widely published and exhibited over more than thirty years. The Gold Medal also cites Wilson’s longstanding contribution to the development of architectural drawing as a tool of representation and research. More information on Wilson’s award after the break.
In July 2012, the AA, in partnership with the Adriano Olivetti Foundation and Gehry Technologies, launched Factory Futures: A three year research program aimed at exploring innovative architectural responses for the productive landscape of the future. The mission of Factory Futures is to connect the realms of contemporary urban theory with computational design techniques for the affirmative re-empowerment of the architectural practice within contemporary conditions of production. This year, the Ivrea Visiting School will develop design tools and research concepts to confront this phenomenon, which is challenging the conventions of both architectural design and urban theory during their workshop which takes place July 1-12. More information after the break.
In 2010, SMoCA initiated a series of three exhibitions exploring the trajectory of Paolo Soleri’s art, architecture and philosophy. Paolo Soleri: Mesa City to Arcosanti is the second in the series. This exhibition begins in the early 1960s when Soleri shifted his focus from bridges and residences to large-scale urban planning based on environmental accountability. Soleri’s first comprehensive vision of a community is Mesa City, an example of what he calls an “arcology,” or an architectural project based on the synthesis of architecture + ecology. In Mesa City, Soleri combines the goals of high-density living, a vibrant urban space, respect for natural resources and a commercial sector based upon creativity. The exhibition will end with Arcosonti (arcology + Cosanti), a project built in the 1970s near Mayer, Arizona.