The Boston Harbor Association, City of Boston, Boston Redevelopment Authority, and Boston Society of Architects have teamed up to launch Boston Living with Water, “an international call for design solutions envisioning a more resilient, more sustainable, and more beautiful Boston adapted for end-of-the-century climate conditions and rising sea levels.” The two-phase competition, open to all leading planners, designers and thinkers, will award the best overall proposal $20,000; the second and third best will each receive $10,000. Submissions for the first phase are due December 2, 2014. Learn more, here.
BSA Space, home to the Boston Society of Architects and the BSA Foundation, is currently accepting proposals from all designers interested in becoming a guest curator. The selected curator would be responsible for conceiving, fabricating, executing, and installing all aspects of a major exhibit within the BSA’s 5,000 square foot gallery space. Proposals should take into consideration a diverse audience and seek to capture the imagination of the public by conveying the power of design as an instrument of change within Boston. All major exhibitions will run four to six months and guest curators will receive a budget of $30-70K. The deadline for submissions is Friday, November 14 at 4:00PM. More details can be found, here.
What makes a city successful? Miami-based Knight Foundation aims to answer this question with their latest contest, the Knight Cities Challenge. Innovators across all disciplines are invited to propose their idea to improve one of 26 Knight communities, cities across the United States with an established network of support for the foundation’s initiatives. Proposals should focus on three key levers of city success: attracting and retaining talent, expanding economic opportunity, and creating a culture of robust civic engagement in the chosen community. “No project is too small — so long as your idea is big,” says Carol Coletta, Vice-President of community and national initiatives for Knight Foundation.
With just over two weeks left in the 14th Venice Biennale of Architecture, Paolo Baratta, President of La Biennale, is hosting a one day conference on the intersection between archives, exhibitions and digital integration. Focusing on the themes of the ”dissipation of memory” and the “vulnerability of digital data” in an age of ever-changing technological platforms, the conference is the third in a series of archive-themed events hosted at the Giardini in the Biennale Library, and will feature a screening of Digital Amnesia, a documentary on the lifespan of archival technology, along with a round table discussion with leading archivists and curators from around the world. Panelists include the Mirko Zardini, Director and Chief Curator from the Canadian Centre for Architecture, archive superintendents from three Italian provinces, professors from three Italian universities, and Debora Rossi, the chief archivist for the Venice Biennale.
The event will be live streamed on the Biennale website Today (November 7th) from 10:00am to 6:00pm Central European Time.
Yesterday, during the opening of a new photography gallery, Centre Pompidou president Alain Seban announced the contemporary art museum will soon open a new design and architecture gallery inside the famed Renzo Piano- and Richard Rogers-designed building. “Eventually, there should be almost no offices in the building, and we’ll keep only the technical facilities that are strictly indispensable,” said Seban. “When allocating the spaces, the works and the visitors have to take precedence.”
An international jury behind Budapest’s new National Gallery has launched a second and invited competition for a select few of the industry’s best after the first, open competition lead to “disappointing” results. Jean Nouvel, David Chipperfield, Mecanoo, Nieto Sobejano, Renzo Piano, SANAA and Snøhetta have been asked to submit proposals for a 5-building museum complex on the edge of Városliget, one of the city’s main parks. It will house the new National Gallery, the Ludwig Museum, an ethnography museum, architecture museum and photography museum.
The competition, known as the Liget Project, is being directed by jury members Wim Pijbes, the director of the Rijksmuseum, and Henri Loyrette, former director of the Louvre in Paris.
The British city of Manchester, often seen as the UK’s second city alongside Birmingham, will become the first metropolis outside of London to be given greater local autonomy over budgets and city planning. The devolution deal, which will also see the city receive the right to directly elect a Mayor (in line with large cities in the US, for example), will furnish the city with “a new housing investment fund worth up to £300million.” As it is understood that the first Mayor of Greater Manchester will be elected in 2017, there’s time to discuss how this new political environment in the UK might help boost building in what has described as a “Northern Powerhouse.”
Each year, a select group of prominent artists and architects is elected into the National Academy. As a National Academy Academician, distinguished practitioners are recognized for their “exceptional creative work and contribution to the arts.” This year’s inductees include: Ida Applebroog, Peter Bohlin, Jane Dickson, Preston Scott Cohen, Michael Manfredi and Marion Weiss, Eric Owen Moss, Antoine Predock, Martin Puryear, Charles Renfro, Edward Ruscha, and Joan Semmel.
The Architectural League and Socrates Sculpture Park invite emerging architects and designers to submit proposals for Folly, an annual design/build studio program during March and April 2015 leading to a public exhibition at Socrates opening in early May 2015.
This program was established in 2011 to explore the intersections and divergences between architecture and sculpture through the framework of an architectural folly. The program includes the design, realization, and exhibition of a public work, including a two-month on-site studio residency. Now in its fourth year, the program seeks to more deeply examine the concept of folly while continuing to challenge architects to create a fully realized public space.
By the end of 2015, one in three of the world’s tallest buildings will be in China. With its government planned cities, the Chinese policy often favors high-density development, and some of the most radical and experimental urban design ideas can be applied in China – take for example the recent joint winner of the Shenzhen Bay Super City competition, Cloud Citizen, which takes on a more integrated and interconnected approach to vertical cities. In this article on The Guardian, Nicola Davison investigates how at this critical time in the country’s development, architects and urban planners may choose to move away from previous urban models of isolated skyscrapers, towards a more humane environment that seeks to emulate nature and create diverse public spaces. Read the article in full here.
The French government has cancelled its £8 million contribution towards the £43 million Musée des Beaux-arts by David Chipperfield Architects, causing the Reims’ mayor to “shelve” the museum for being too costly. As reported by the Architects’ Journal, the funds will be reallocated towards the redevelopment of a recently closed sports complex. The museum, originally awarded to Chipperfield following an international competition, was intended to be built on an excavation area and display mediaeval relics. You can review the design, here.
The relationship between immortality and architecture is ancient one. Writing in The New Yorker, Alexandra Lange discusses the past and future of cemetery design in relation to a new exhibition on display in New York. Featuring a selection of 1300 individual mausoleum designs stored in Columbia University’s archives, Lange notes how “patrons weren’t picky about originality. In the late nineteenth century, memorial companies might just bring back a shipment of angels from Carrara to be distributed among future clients.” These “rural estates in miniature” eventually gave way to more contemporary designs which dabbled in Realism and Cubism. What will the people of today house their remains in? For Lange, “the design we take personal pleasure from everyday is now less likely to be architecture and more likely to be an interface.” Read the article in full here.
On Wednesday, November 5, Diana Balmori will visit the Strand to chat about Drawing and Reinventing Landscape with the MoMA’s architecture curator, Barry Bergdoll. Diana’s book examines digital, analog and hybrid methods of representing landscape and places the contemporary landscape architecture within its fascinating historical context. This exclusive Strand chat will investigate crucial aspects of the design process. Join as these two experts discuss this important design topic at a moment of increasing global environmental change. More information here.
Europe 40 Under 40 has announced its 40 architects selected for 2014. Hosted by the European Centre for Architecture, Art, Design and Urban Studies, the annual awards program aims to select the next new talented generation of European architects.
The program aims “to support new and emerging design talent that will influence the near future of European architectural design, thinking, and theory with the direct consequence of impacting future environments and future European and international cities,” reads the press release. Architects under the age of 40 ( as of December 1, 2015) were allowed to submit both built and unbuilt projects for consideration.
Check out the full list of Europe’s 40 Under 40 after the break.
The City of Kyiv has launched an international design competition aiming to commemorate the lives lost in Ukraine‘s Maidan Revolution, both through a memorial to their memory and through implementing the ideals of the revolution in the urban space surrounding Maidan Nezalezhnosti. The competition, honed through months of public discussions and consultations, is being organized by the Kyiv City State Administration and Ukraine’s Ministry of Culture. More details after the break.
In 2012, the TED Prize was awarded to an idea: The City2.0, a place to celebrate actions taken by citizens around the world to make their cities more livable, beautiful and sustainable. Now, on the newly relaunched TED City2.org website, you can find inspiring and informative talks on topics like housing, education and food, and how they relate to city life. Preview a sampling of these city centric talks, featuring eight ideas for the future of cities, here.
Scaring people is an art, a lucrative art if done right; the haunted house industry makes $300 million a year in the US. Fast Company recently interviewed the designers behind some of the nation’s most notorious haunted houses to learn just how to design architecture that truly terrorizes. A hint: Set the stage; reclaim an existing, preferably already “haunted”, historic building, add fog, and always “scare people forward.” With this in mind, what famous building would you choose to transform into a terrifying haunted house? Let us know in the comment section below and read all of FastCo’s design tips, here.
Since winning the Pritzker Prize in 2004, the first woman and Muslim to do so, Hadid’s career has been on an exponential trajectory. Before the prize, Hadid was better known for her extraordinary sketch-paintings of unbuilt works; particularly, her competition-winning entries for “The Peak” in 1982 and the Cardiff Bay Opera House in 1994. Zaha’s “flying” forms were so revolutionary, that some questioned if they could even be made reality – hence why the Opera House was ultimately rejected, for supposed ”uncertainties.” Indeed, before 1994, the only built project she could boast was the complex, deconstructivist Vitra Fire Station.