It is difficult to even imagine an architectural practice more influential than OMA. Not only has Koolhaas‘ practice completed high-profile buildings worldwide, but it has also been the incubator for some of the world’s most famous architects, with many striking out alone after a period working under Rem. This article in the Wall Street Journal profiles some of the latest crop of “graduates”, including Bjarke Ingels and Ole Scheeren, who have founded their own practices in the last decade and are now acting as some of OMA’s biggest competitors. You can read the full article here.
The American Institute of Architects (AIA) has selected 18 recipients for the 2014 AIA Young Architects Award. Defined as professionals who have been licensed ten years or fewer, regardless of their age, the “young architects” will be honored for making significant contributions to the profession and providing exceptional leadership early in their careers. All recipients will be presented the award at the AIA 2014 National Convention and Design Exposition in Chicago.
Launch of Volume #37: “Is this not a pipe?”.
With the participation of Benedict Clouette (C-Lab), Jeffrey Inaba (C-Lab), Bjarke Ingels (BIG), Mahadev Raman (ARUP), Hilary Sample (MOS).
“Pipes are the physical remainder of life in buildings.” With contributions by Juan Herreros, Neil Denari, Andrés Jaque, Matthias Schuler, and many others, Volume 37: Is This Not A Pipe poses the age-old question: Tube or not Tube?
The issue will be available for purchase at the discounted rate of $10.
We cannot beat Banham, but we can update you on what happened since 1972, when Rayner Banham published his seminal The Architecture of the Well Tempered Environment. C-Lab did extensive new research on the relation between installations, buildings and architecture… “Architecture relies on machines. They make the structures of our cities liveable.” Life in buildings is supported by pipes. Ducts, conduits, water mains, and cables support biological and social life in spaces that are today held together by air-conditioning, electricity, and telecommunications as much as by form and materials. But while pipes and the machines they connect are part of buildings, they are often left out of architecture. It’s fascinating to see how architects dealt with pipes in history and what challenges they face today. How did Mies van der Rohe solve this issue, what was Norman Foster’s approach and what does someone like Bjarke Ingels have to say on this? They’ve come up with all sort of strategies, from deceitfully transparent buildings seemingly without any mechanical installation, to faux ‘oil refineries’ showcasing the machinery that makes the mechanism tick. The latest strategy is trying to do away with installations altogether and make the building itself perform without mechanical support: smart ‘downgrading’. This issue of Volume presents C-lab’s research – which will also be a part of next year’s Venice Biennale in Rem Koolhaas’ Fundamentals show – and includes contributions by Mark Wigley, Kiel Moe, David Gissen, An Te Lui, Phil Bernstein, Filip Tejchman, John Hejduk and James Stamp. Also interviews with Matthias Schuler, Neil Denari, Christian Kerez, Bjarke Ingels, Tom Wiscombe, Andrès Jaque, MOS, Juan Herreros, Philippe Rahm, Mahadev Raman, Florian Idenburg and Lothar Schwedt. Volume #37: Is This Not a Pipe?
ISBN 978 90 77966 372
Price: € 19.50
Release: November 2013
Editor-in-chief: Arjen Oosterman
Contributing editors: Ole Bouman, Rem Koolhaas, Mark Wigley
This issue’s editor: Jeffrey Inaba
Design: Irma Boom and Sonja Haller
Publisher: Stichting Archis
We cannot beat Banham, but we can update you on what happened since 1972, when Rayner Banham published his seminal The Architecture of the Well Tempered Environment. C-Lab did extensive new research on the relation between installations, buildings and architecture…
“Architecture relies on machines. They make the structures of our cities liveable.”
Life in buildings is supported by pipes. Ducts, conduits, water mains, and cables support biological and social life in spaces that are today held together by air-conditioning, electricity, and telecommunications as much as by form and materials. But while pipes and the machines they connect are part of buildings, they are often left out of architecture.
It’s fascinating to see how architects dealt with pipes in history and what challenges they face today. How did Mies van der Rohe solve this issue, what was Norman Foster’s approach and what does someone like Bjarke Ingels have to say on this? They’ve come up with all sort of strategies, from deceitfully transparent buildings seemingly without any mechanical installation, to faux ‘oil refineries’ showcasing the machinery that makes the mechanism tick. The latest strategy is trying to do away with installations altogether and make the building itself perform without mechanical support: smart ‘downgrading’.
This issue of Volume presents C-lab’s research – which will also be a part of next year’s Venice Biennale in Rem Koolhaas’ Fundamentals show – and includes contributions by Mark Wigley, Kiel Moe, David Gissen, An Te Lui, Phil Bernstein, Filip Tejchman, John Hejduk and James Stamp. Also interviews with Matthias Schuler, Neil Denari, Christian Kerez, Bjarke Ingels, Tom Wiscombe, Andrès Jaque, MOS, Juan Herreros, Philippe Rahm, Mahadev Raman, Florian Idenburg and Lothar Schwedt.
Volume #37: Is This Not a Pipe?
The City of Tampere, the Finnish Transport Agency, the VR-Group and Senate Properties are organizing an international design contest for the Tampere Travel and Service Centre and its environs. The design contest for the travel and service centre is looking for a shared vision for the area’s development as well as shared view on the guidelines for future measures.
The competitors’ task is to create an overall plan for the travel and service centre area that is of high quality in terms of its services and congruence with the cityscape. The travel and service centre area must incorporate the following elements: a travel and service centre that serves different modes of public transport; easy accessibility by different modes of travel; pleasant urban spaces as well as high-quality office, service and housing construction. This is an ideas competition.
On the twentieth anniversary of South Africa’s re-birth, the UIA Congress will celebrate the African profession as a meaningful contributor to world architecture and thought leadership in city development; as well as the continent’s contribution in the affairs and evolution of architecture globally.
Architects, engineers, designers, technologists, planners, thinkers and writers from all over the world will gather, with the public, for a week of lively and challenging talks, workshops, events and happenings.
South Africa’s concerns are strongly linked to Africa’s concerns. 2014 acknowledges the link between urgent human need for housing, infrastructure, basic services, employment and social development are acknowledged as being strongly linked to political decisions and economies. UIA 2014 is an opportunity for African architects to make their mark in the debate that perceives poverty eradication as a first unavoidable step in human progress. 2014 will explore how architects might play a pivotal role in addressing social inequalities. 2014 also explores concepts of sustainability through links to OTHER global initiatives and refers to COP 17 (Built Environment Charter) and RIO+20 (Soil Programme) – with a focus on urbanisation and the agricultural opportunities in and on the peripheries of cities.
The 2014 RIBA Norman Foster Travelling Scholarship has launched and is inviting applications from schools of architecture around the world. A £6,000 grant will be awarded to one student by a panel of judges which includes Lord Foster and the President of the RIBA.
First established in 2006, the scholarship is now in its seventh year and is intended to fund international research on a topic related to the survival of our towns and cities, in a location of the student’s choice. Past RIBA Norman Foster Scholars have travelled through the Americas, Europe, Africa, South East Asia, the Middle and the Far East, and Russia.
Proposals for research might include: learning from the past to inform the future; the future of society; the density of settlements; sustainability; the use of resources; the quality of urban life; and transport.
The deadline for submissions is Friday 25 April 2014. Further details and an application form can be downloaded from the RIBA website architecture.com/fosterscholarship.
Architecture for Humanity New York (AfHny) is accepting submissions for construction, interior design, landscape, and other design-related projects for the AfHny Community Design Competition 2014. AfHny will select one winning project that will be judged based on its alignment with AfHny’s mission, its perceived impact on the New York community, the submitting organization’s ability to fund the project, and proof of the organization’s ability to impact New York City’s neighborhoods based on past results. The winning project will receive a design competition hosted by AfHny that will result in several schematic design solutions developed by our membership base, which represents some of the top talent in the New York City design community. At the end of the design competition process, the winning organization will select their favored schematic design.
The Apple Store’s iconic 5th Avenue Store, designed by Bohlin Cywinski Jackson, came into unfortunate contact with a snowblower yesterday, reports Buzzfeed. The incident has left one panel of glass shattered; it’s estimated that fixing it will cost about $445,000. More images, after the break…
TEX-FAB extends its reach to Austin, this year adding the University of Texas School of Architecture as a member organization. In doing so, the UT SOA is supporting the largest and most complete event to date with Michel Rojkind as our Keynote lecture with 6 speakers and 4 moderators. Moderators will delve into techniques to highlight the differences between working methods, while within the workshops, session leaders will further develop those topics as functional methods for the production of design solutions.
As an intensely focused symposium which expands the workshop offerings from Grasshopper, Revit to Processing and newer productive methods, the scope and range is truly substantial. In addition the UT SOA will concurrently exhibit the SKIN competition fabricated winner and entries. SKIN is generously supported by the A. Zahner Co. in the fabrication of 3xLP by Christopher Romano and Nick Bruscia.
For more information and registration, please click here.
Title: TEX-FAB Skin: Digital Assemblies
From: Wed, 19 Feb 2014
Until: Sun, 23 Feb 2014
Venue: UT School of Architecture
Address: 310 Inner Campus Drive, The University of Texas at Austin, Austin, TX 78705, USA
In this in-depth article on Design Observer, Belmont Freeman examines the resurgence of interest in the Institute for Architecture and Urban Studies, Peter Eisenman‘s radical, theory-based school that existed from 1967-1985, and questions: what has been the Institute’s legacy in the 30 years since its demise? Read Freeman’s thoughts in the full article here.
The British Government will showcase Britain’s distinctive qualities of creativity and enterprise to millions of international visitors through the UK Pavilion at Milan Expo 2015.
Competing with pavilions from 140+ countries, the UK Pavilion will address the overall Expo theme, Feeding the Planet, Energy for Life, which asks the question: is it possible to ensure sufficient, good, healthy and sustainable food for everyone on the planet? While the Expo’s central theme is nutrition, explored in terms of food production and consumption, participating countries are also asked to examine how to nurture the environment and celebrate the life-enhancing and social aspects of food.
The new Pavilion should build on the perception of the UK established by its Pavilion at Shanghai Expo 2010 and the London 2012 Olympic Games. As one of the most entrepreneurial countries in the world and currently benefiting from a strongly-growing economy, Britain’s unique global contribution flows from its values and attributes − as an open, innovative, collaborative and diverse nation.
The challenge is to invent a structure that represents a British take on the Expo theme. The Expo organisers have asked for pavilions which are designed in relation to their content and add to their significance. The overall concept needs to be original, visually compelling and memorable. The project presents a fascinating opportunity for an exceptional team to come to world attention.
This is a fast-track competition – Expressions of Interest by 19th February 2014. For all the details regarding submission, please go to the competition’s official website.
d3 has unveiled the 2013 winners of Unbuilt Visions, a competition designed to “promote critical debate about architecture and design by acknowledging excellence in unbuilt projects.” Get a glimpse of the four grand prize projects, which were awarded $750 each for their winning contributions, and the eleven special mentions after the break.
In this article on the Atlantic Cities, Richard Florida delves into recent research by Edward Glaeser, the author of Triumph of the City, which investigates the emergence in recent decades of mega-cities in developing nations. Though cities have long been connected to prosperity he points out that in these new cities, residents remain poor. The answer it seems is linked to our globalized economy, as well as the under prepared governments in these countries. However Glaeser and Florida don’t see this as a reason for panic, or to abandon urbanization, but rather to ensure that urbanization is supported more effectively by government. You can read the full article here.
UPDATE: This year’s jury for the Wheelwright Prize will be: Mohsen Mostafavi, Iñaki Ábalos, Sílvia Benedito, Pedro Gadanho, K. Michael Hays, Linda Pollak, Shohei Shigematsu, and Jorge Silvetti.
“A New Online Marketplace for Mobility,” an innovative proposal by city planner Philip Parsons and mobility expert Federico Parolotto that aims to optimize mobility in megacities, has been named the first participant in the Audi Urban Future Award 2014. Selected from a shortlist of three, the winners will now assemble a team of urban designers in order to pursue their visionary idea. Read more about their winning proposal, here.
Shenzhen is located in the south of Guangdong, China, facing Hong Kong across the river. In 2012, it had a permanent population of 10.54 million and its GDP, standing at RMB 1,295 billion, ranked the fourth amongst cities in Mainland China for years. After more than thirty years of reform and opening up, it has developed from a small town in the southern coast of China to a modern metropolis, becoming a miniature of China’s reform, opening-up and modern construction.
According to the latest comprehensive urban planning of Shenzhen, areas surrounding the Shenzhen Bay will become the most important section in the broader area of Shenzhen and Hong Kong. Shenzhen Bay will be the power house for Shenzhen, inspiring the city to be one of the best in the world. From the west to the east, it will have a Shenzhen-Hong Kong cooperation section for the modern service industry at the front, a business district at the back and the Shenzhen Bay Super Headquarters Base.
The main content for the competition is urban and architectural design plans for the central area of the Super Headquarters. The scope of the design covers all land plots encircled by the red line and the surrounding roads and the park (see attached graphs for details). It is planned that 35.2 hectares of land will be used with a building area of 1.5-1.7 million square meters.
In response to the death of former Israeli Prime Minister Ariel Sharon last week, Eyal Weizman has written an interesting investigation into how the controversial politician used architecture and urban planning as a tool in the ongoing Israeli-Palestinian conflict, deploying settlements like military tactics rather than simply as housing strategy. The piece is an insightful examination of how power and even violence can be manifest in design, as evidenced by Sharon’s “architecture of occupation”. You can read the full article here.