Focusing on recent acquisitions in MoMA’s Department of Architecture and Design, Conceptions of Space addresses how contemporary architects continue to embrace spatial creation as a fundamental focus of their work. The exhibition reveals how, beyond formal traits and functional needs, the conception and articulation of architectural space still defines architecture as an artistic endeavor, and a response to wider cultural issues.
In the early and mid-20th century, the concept of space was critical in defining the modern movement in architecture. Notions of architectural space related to the coherence between the interior and exterior of buildings emerged as a new feature. Counteracting previous understandings of architecture as a progression of styles, space became a privileged quest of architectural practice. In time, however, space was actively reclaimed by artists, geographers, sociologists, and others as their domain of intervention and reflection. As proposed by French philosopher Michel Foucault, ours is the epoch of space, an expanded field imbued with complex meanings.
Twenty international projects by architects and artists, in large-scale models, drawings, photographs, videos, and even a room-sized installation, survey how architecture addresses this expanded field. Spatial conceptions in the exhibition range from “assemblage” and “envelope” space, to “fictional” and “performative” space. Participants offer a global panorama of architectural practice today, from acclaimed architects such as Herzog & de Meuron, Álvaro Siza, and Kengo Kuma, to young, emergent practices such as Pezo von Ellrichshausen, Chile; Ryue Nishizawa, Japan; Ensamble Studio, Spain; and the New York-based SO-IL and MOS Architects.
Title: Exhibition / Conceptions of Space: Recent Acquisitions in Contemporary Architecture
Organizers: Pedro Gadanho, Phoebe Springstubb
From: Fri, 04 Jul 2014
Until: Sun, 19 Oct 2014
Address: 11 West 53rd Street, New York, NY 10019, USA
Hotel Fjord is the most visible big structure that was conceived and built during the Yugoslav period in Kotor and which is now waiting for more intense use again. Next to it there is at least four major sites and structures in a wide range of different material conditions, but all in a state of minimal use, which can be described as a programmatic void in the center of Kotor.
APSS 2014 will address the programmatic void in this area and work on it with students and mentors from different architectural schools in Europe. More then that, there will be a road from Venice biennale to APSS with academic work as well as expositions that deal with the topics elaborated at APSS and in-between. The team of offices behind the concept of GH Fjord Study and Program for APSS 2013 and APSS 2014 has been appointed for a curatorial team for Montenegin national pavilion in Venice Biennale. This way, we are extending our research on other topics, other buildings in need of immediate attention.
New mentors and lecturers for this year include Matthias Armengaud, AWP; Bart Lootsma, University of Innsbruck; Kersten Geers, KGDVS; Joerg Stollmann, TU Berlin; Srđan Jovanović Weiss, NAO; Milica Topalović, ETH; Boštjan Vuga, SADAR+VUGA; and Simon Hartmann, HHF.
This summer, the art, architecture and design of Finland will be celebrated in London. Reason & Intuition – Alvar Aalto & Ola Kolehmainen in Soane is a new exhibition bringing together the finest works of an acknowledged great of international modernist architecture and design and three collections of images by an acclaimed Finnish photographer.
Alvar Aalto (1898-1976) was a central figure in international modernism. His sculptural, and highly functional, furniture produced in the 1930s remains influential and very popular.
Reason & Intuition will feature around forty Aalto creations, including chairs, tables, lights, glassware and textiles, as well as rarer pieces, such as a collection of original designs and plans for some of Aalto’s 500 buildings and glassware designed by his first wife and collaborator, Aino.
Title: Exhibition / Reason & Intuition: Alvar Aalto & Ola Kolehmainen in Soane
From: Fri, 04 Jul 2014
Until: Sun, 24 Aug 2014
Venue: PM Gallery & House
Address: London, UK
Architecture critic Joseph Rykwert has been rewarded for his services to criticism by the Queen, receiving a CBE in this year’s birthday honours list. The honour continues a good year for Rykwert, after being awarded the RIBA Gold Medal in September. Also included on the birthday honours list were Alan Stanton and Paul Williams, founders of the 2012 Stirling Prize-winning Stanton Williams, who each received an OBE.
From the Curators. Responding to the theme ‘Absorbing Modernity: 1914-2014’ set by the curator of the 14th International Architecture Exhibition, Rem Koolhaas, ‘Lest We Forget: Structures of Memory in the United Arab Emirates,’ presents the seminal findings of a larger initiative to archive the history of architectural and urban development in the UAE over the past century. With a concentrated emphasis on the 1970s-1980s, the exhibition examines how public and residential architecture, built within a rapidly expanding urban context, shaped the newly established federation and prepared the foundation for its emergence on a global stage.
From the Curators. The exposition with the project title Unwritten highlights issues regarding the perception, research, and conservation of Latvian post-War architecture. Unwritten chronicles, in fact, inexistent research on this.
British writer Tim Abrahams finds Shigeru Ban‘s architecture ”kooky, Middle Earthy, Hobbity” – an opinion which earns him the title of “idiot” in the eyes of newly appointed Architecture for Humanity Executive Director Eric Cesal. In an article for the Boston Review, Stephen Phelan uses the pair’s opposing opinions to illustrate the Pritzker Prize winning architect’s perceived failures and successes. Read his very engaging take, here.
Following the success of the inaugural call for entries, which produced the Pamphlets 23–30, Pamphlet Architecture, with renewed support from the National Endowment for the Arts, announces the 2014 competition.
To promote and foster the development and circulation of architectural ideas, Pamphlet Architecture is again offering an opportunity for architects, designers, theorists, urbanists, and landscape architects to publish their projects, manifestos, ideas, theories, ruminations, insights, and hopes for the future of the designed and built world. With far-ranging topics including the alphabet, algorithms, machines, and music, each Pamphlet is unique to the individual or group who authors it. This call for ideas seeks projects that possess the rigor and excitement found throughout the rich history of Pamphlet Architecture.
The deadline for submissions is September 1, 2014. The winning entry will engage important issues facing architecture, landscape architecture, and/or urban design today in a way that is as visually provocative as it is intellectually compelling. The winner will be given a grant of $2,500 to develop the proposal into an 80-page, black and white, 7-by-8½-inch book, which will be published by Pamphlet Architecture, Ltd. / Princeton Architectural Press as Pamphlet Architecture 35. The outcome of the competition will be announced on September 12, 2014, and entrants will be notified by e-mail. More information can be found here.
Towards a New Avant-Garde, Superscript’s three-part conversation series during the opening weekend of the 14th International Architecture Exhibition— La Biennale di Venezia, brought together 40 talented young architects, writers, critics, to debate issues of identity, collaboration, and economics. Over the course of three 90-minute conversations, several key themes emerged, including the need of architects to engage the public directly, the importance of evolving new forms of communication and criticism, and the value of capitalizing on opportunities to be proactive. Here’s a snapshot of what the participants had to say:
The annual RIBA Stirling Prize is set to regain its £20,000 cash prize following a year of no prize money in which Witherford Watson Mann scooped the accolade for Astley Castle. Considered to be the UK’s most prestigious architecture award, the Stirling Prize is presented annually to the “building that has made the greatest contribution to the evolution of architecture in the past year”. Brockton Capital have agreed to support the prize for the next three years starting from 2015, after which the prize will be known as the RIBA Brockton Stirling Prize. The lack of prize money in 2013 raised questions about the significance of the award.
The Mies van der Rohe Award, today one of the most important and prestigious prizes for architecture within the European competition, was first set up in 1987 by the European Union, the European Commission, the European Parliament and the Fundació Mies van der Rohe – Barcelona. This prize which involves a total sum of 80.000 EUR is organised and awarded every two years.
In 2013 five finalists were chosen from 335 projects nominated by European institutions and international experts – ultimately the eminent members of the jury chose the new Harpa Concert Hall and Conference Centre in Reykjavik designed by the Danish architectural firm Henning Larsen in collaboration with the Islandic practice Batteríið and the artist Olafur Elíasson, which was opened in 2011.
The travelling exhibition presents a total of 39 exceptional buildings from throughout Europe using plans and photographic material as well as numerous models. In the Architekturzentrum Wien the exhibition is augmented by the virtual presentation of 15 additional nominations with Austrian involvement. A catalogue with the projects selected by the jury – prizewinners, finalists and shortlist – will be presented in the context of the exhibition.
More information on the exhibition can be found here.
Title: Exhibition: Europe’s Best Buildings / Mies van der Rohe Award 2013
Organizers: Fundació Mies van der Rohe
From: Thu, 10 Jul 2014
Until: Mon, 15 Sep 2014
Venue: Architekturzentrum Wien
Address: Museumsplatz 1, 1070 Vienna, Austria
Written to accompany the minimal exhibition of the Israeli Pavilion at the Venice Biennale, “The Urburb – Patterns of Contemporary Living” tells the story of the Urburb, a built condition which is neither urban nor suburban, that dominates the contemporary Israeli landscape. Edited by Architect Ori Scialom and Dr. Roy Brand, the book brings together architectural photography and photographs of the installation interspersed amongst theoretical texts and short stories which address the cultural, political, and social aspects of the “Urburban” way of life. Learn more about the book, published by Sternthal Books, here.
Located at the entrance of the embassy, the three foot tall, 120 m² temporary structure will be a place where people can meet after the games since, due to the time difference, the games will not be broadcast on site.
Live Work Play, an exhibition organised as part of the Hampshire Festival of Architecture 2014 (UK), showcases over 100 projects from “within the country, the UK, and beyond.” Featuring a range of “thoughtful, robust, elegant and ingenious designs”, the show will include designs from local practices such as PAD Studio, Design Engine, AR Design Studio, Design ACB and John Pardey Architects. The exhibition will be open seven days a week between the 14th June and the 16th July. Find out more from RIBA Hampshire.
Natural systems offer architects and designers significant potential as alternative, ecologically performative architectonic strategies. The d3 Natural Systems competition invites architects, designers, engineers, and students to collectively explore the potential of analyzing, documenting, and deploying nature-based influences in architecture, urbanism, interiors, and designed objects.
Established in 2009, the annual d3 Natural Systems competition has grown to become a leading voice in sustainable architecture. Recently published in London-based Wiley-Blackwell AD journal’s theme issue “The New Pastoralism: Landscape into Architecture” as a leading example of environmental innovation, the annual d3 Natural Systems competition is an emerging voice in ecological architecture and one of the most notable awards in speculative, performance-based design. It recognizes exemplary ideas that redefine architecture as an ecological project through the implementation of advanced programs, technologies, materials, and social interventions that engage adaptability, globalization, and emergence.
The 2014 competition calls for innovative proposals that advance sustainable thought and performance through the study of intrinsic environmental geometries, behaviors, and flows. By identifying, examining, and applying their structural order on form and function–bottom-up, performance-based solutions for limitless building typologies, functional programs, and material conditions may be realized.
For more information, please go to the competition’s official website.
Yesterday the Frick Collection announced its plans for a 6-story extension to its gallery in New York, designed by Davis Brody Bond. This article by Robin Pogrebin in the New York Times outlines the details of the extension, as the Frick adds itself to the list of post-recession cultural building projects – a list which includes the Museum of Modern Art, the Whitney Museum of American Art, and Miami‘s Pérez Art Museum. The article also outlines the challenges the Frick will have in expanding its landmarked 1914 building. Read the article in full here.
Architecture for Humanity, the non-profit responsible for propagating designers and designs around the world that “give a damn,” has named its latest Executive Director. After co-founders Kate Stohr and Cameron Sinclair announced their decision to step down in September of last year, the organization began a global search for the person who would replace them. Today, the Board of Directors has announced the appointee: Eric Cesal, an experienced designer and author of the memoir/manifesto Down Detour Road: An Architect in Search of Practice who first joined Architecture for Humanity in 2006 as a volunteer on the Katrina reconstruction program and later established and led Architecture for Humanity’s Haiti Rebuilding Center in Port-au-Prince from 2010 to 2012.
The Parrish Art Museum is pleased to present Soft Footprints: Works by SO – IL as the fourth installment of Architectural Sessions—an ongoing series co-presented with AIA Peconic that explores the connection between art and architecture, and how both disciplines elicit conversation about space, form, materials and aesthetics. On June 6, host architect Maziar Behrooz, AIA, will moderate a discussion with SO – IL co-founders Florian Idenburg and Jing Liu about their design philosophy, inspiration, and interdisciplinary approach to architecture and designing spaces for art.
Winner of the MoMA/MoMA PS1Young Architects Program in 2010, SO – IL is a Brooklyn-based, idea-driven design firm with a global reach that brings together extensive experience from the fields of architecture, academia, and the arts. By approaching its projects with an intellectual and artistic rigor, fueled by a strong commitment to realizing its ideas in the world, SO – IL functions as a creative catalyst involved in all scales and stages of the architectural process. Recent projects include the exhibition and events spaces for the first Frieze Art Fair, NYC, the Kukje Art Center in Seoul, South Korea (2012), and the UC Davis Museum of Art, completion expected in 2016.
Title: Conversation / Soft Footprints: Works by SO – IL
From: Fri, 20 Jun 2014 18:00
Until: Fri, 20 Jun 2014 20:00
Venue: Parrish Art Museum
Address: 279 Montauk Highway, Water Mill, NY 11976, USA