Daniel Libeskind has released images of a new “landmark” building planned for Durham University’s Ogden Centre for Fundamental Physics in England. The £10 million facility, which will house the industry-leading Institute for Computational Cosmology and Institute for Particle Physics Phenomenology, was awarded to Libeskind after the New York-based architect won a competition for the project last July. When completed in 2015, the timber building is expected to “complement” the traditional buildings that surround it while serving as an exemplar for sustainable design.
Join architectural historian Judith Dupré and renowned architects Adrian Smith and Rick Cook to explore the latest environmental innovations in skyscrapers. The look of cities is changing as designers and builders realize that the best tall buildings arise from working, as the ancients did, hand in hand with nature. Tapping into the elemental forces of the sun, wind, and water, today’s green skyscrapers are pushing the extreme frontiers of environmental, structural, and creative possibility. That sensibility is also strengthening bonds between architects and engineers who, more than ever, are joining forces to find aesthetically pleasing, environmentally astute solutions.
In the book SKYSCRAPERS: A History of the World’s Most Extraordinary Buildings, Judith Dupré takes us on a chronological tour—spanning 125 years and circling the globe—of the world’s tallest buildings, designed by such star architects as Adrian Smith, Norman Foster, Zaha Hadid, Philip Johnson, Morphosis, Jean Nouvel, Renzo Piano, and Skidmore, Owings & Merrill. Breathtaking full color photographs capture the buildings’ monumental scale and larger-than-life personalities, while the book’s design and oversize format mirrors the shape of its subject. Admire such classic masterpieces as the Chrysler Building, Willis (Sears) Tower, and the Transamerica Pyramid, and fall in love with the newest skyscrapers, including the Shard of London, International Commerce Centre in Hong Kong, and Makkah Clock Royal Tower in Mecca.
Title: Supertall, Supergreen – Architectural Explorations in Books Series Event
Organizers: New York Public Library
From: Wed, 15 Jan 2014 18:00
Until: Wed, 15 Jan 2014 20:00
Venue: New York Public Library
Address: New York Public Library, 5th Ave at 42nd St, New York, NY 10018
The AIA has given the 25 year award - for architectural projects which have stood the test of time – to the Washington DC Metro System. Designed by Harry Weese and opened in 1976, the metro system has been praised for its application of a sense of civic dignity to the function of transportation, as well as the consistency of the design across its 86 stations. You can read an accompanying article about the design of the Metro System here.
Kathryn Findlay, educator and co-founder of Ushida Findlay Architects, has been named winner of the 2014 Jane Drew Prize. This announcement comes shortly after the news of Findlay’s death, which was unknown at the time of the jury’s decision. Known as “one of the most talented people in British architecture,” Findlay will be remembered for her “outstanding contribution to the status of women in architecture.”
Slowly, and surely not lacking critique, Santiago Calatrava’s transport hub rises $2 billion over budget, SOM’s Freedom Tower — now, more mundanely referred to as 1WTC — is recognized as the tallest building in the western hemisphere and there is still a considerable amount of development yet to be done on the World Trade Center. Read Edwin Heathcote’s article on the Financial Times regarding the good, the bad and the ugly: ”Rebuilding the World Trade Center: A Progress Report.”
John McAslan + Partners, already known for their involvement in humanitarian issues thanks to their work in Haiti, are now turning their attention to Tottenham in London, as reported by The Guardian. The practice hopes that by opening a new office on the high street of Tottenham, the area notorious as the crucible of the riots that spread across the UK in August 2011, and by engaging with the community, they can help to make a change. Read the full story here.
A recent, well-written article for The Guardian chronicles the story of Sydney’s East Darling Harbour (also known as ‘Barangaroo’), from the city’s optimism in 2003 to the relative disappointment of today. David Shoebridge, a New South Wales Greens MP and the party’s planning spokesperson, recounts the series of compromises and sellouts that have turned what was meant to be a “prime public space” into – to add insult to injury – the site for a casino.You can read this cautionary tale in full here.
Recently, the Bauhaus Foundation has opened the residential block of the famous building, offering tourists the chance to spend a night. Seizing the opportunity, Olly Wainwright reports on what it feels like to stay – finding it to be a “primordial soup of originals and copies, and copied originals”, from Albers to Ikea, and coming to the conclusion that it may now be missing the party atmosphere it was once famous for. But at only €35 a night, he hopes the chance to stay will “attract crowds of architecture and design students, to reinfect the pristine white shell with the spirited energy it needs.” You can read the full article here.
In a provocative article,The Atlantic Cities explores the dilemma which Portland currently finds itself in: the Michael Graves-designed Portland Building, one of the most important examples of early postmodernism, requires renovation work to the tune of $95 million; unfortunately, most residents of Portland “really, really hate” the building – as they have since it was constructed in 1983. Should the city spend so much money renovating a building which is unpopular, dysfunctional and poorly built just because of its cultural significance? Read the original article for more.
The 361° Conference, an initiative by Indian Architect & Builder to create a relevant platform for dialogue on architecture in India, will take place on February 19th to the 21st in Mumbai. This year’s edition, based on the theme of “Architecture and Identity,” will include renowned speakers, including Steven Holl and Dr. B V Doshi. More details, after the break…
Designers & Books editors Stephanie Salomon and Steve Kroeter sat down with Denise Scott Brown for a conversation centered around Learning from Las Vegas, the seminal work penned by Scott Brown, Robert Venturi, and Steven Izenour in 1972. The must-read interview reveals some fantastic insight into Scott Brown’s personal and professional life – her unending love of neon (one which led her to Las Vegas), her distaste for the “tyranny of white paper” (which gravely afflicted the design of the first edition of Learning from Las Vegas),as well as her – rather surprising – position on awarding group creativity. Read the full interview here and check out some select quotes from the interview, after the break.
New York Times architecture critic Michael Kimmelman puts forward his opinion on what should be done about the new breed of supertall residential buildings threatening to place Central Park ”inside the world’s biggest chessboard”. While he accepts that they may be an important factor in bringing wealth (and tax revenue) to New York, he offers some simple changes in legislation that could protect the city’s famous skyline from abuse by high-power development firms. Read the full article here.
For the second year in a row, Indexnewspaper will organize ‘Porto Academy’ at the Faculty of Architecture of the University of Porto (FAUP) in Portugal from the 21st to the 28th of July 2014.
The academy will consist of a weeklong workshop in which students will have the chance to work closely with: Antón Garcia-Abril, Cecilia Puga, Diogo Seixas Lopes (Barbas Lopes), Emilio Marin, Jan De Vylder (Vylder Van Vinck Tallieu), José Paulo dos Santos, Nuno Valentim, Paulo Providência, Smiljan Radic and Tetsuo Kondo. Participants will attend twelve lectures from those architects as well as three master classes from Valerio Olgiati (and two more architects soon to be revealed).
Porto Academy will take place in the FAUP’s famous building, designed by Álvaro Siza. More details, after the break…
In an interview with Spanish newspaper El País, Lu Wenyu defends her husband Wang Shu for solely receiving the Pritzker Prize in 2012. Despite the fact that the couple co-founded Amateur Architecture Studio and have worked side by side ever since, Wengyu maintains that her husband would have shared the Prize with her – she just didn’t want it.
She confides to El País: ”In China, you lose your life if you become famous. I want a life and I prefer to spend it with my son. Over there I don’t accept interviews. And not in English-speaking countries either [...] I’m happy to be able to do architecture that I believe helps our towns and cities to be better. I’m convinced that to talk about this awakens interest in others – not being famous.” Read the full interview at El País
“Architectural education is very abstract.” Virginia Tech professors and Rural Studio alumni Keith and Marie Zawistowski sat down to talk about the importance of a hands-on experience, suggesting a fundamental restructuring of curriculums. With projects such as the Masonic Ampitheater, they — together with their students — set out to prove that somethings are simply solved by building. Read the full article here, “What Architecture Schools Get Wrong”.
As part of their coverage of the Global Agenda Council on Design and Innovation, Grasp Magazine interviewed Joi Ito, director of MIT‘s Media Lab. He voices his opinion that current strategies for masterplanning do not work, as designers struggle to reliably “predict and cause a future to occur” (a better approach is to enable and empower innovation on a grass-roots level); that designers need to find the right balance between intuition and data; and that new technologies should not just improve existing systems, but preferably overhaul them entirely. You can read the full article here.
In this interview with Grasp Magazine Tim Brown, the CEO of IDEO, explains his belief that in order to develop solutions to the complex problems found in cities, the only successful approach is from the bottom-up. In order to make this possible, he says, we need to democratize the design process by encouraging and empowering more people to engage in design, by operating with ‘codes’ rather than ‘blueprints’ which invite further contribution. Platforms like Kickstarter are one way that this process is already in motion. You can read the full article here.
UPDATE: REM’s Kickstarter campaign was successfully funded!
There are only three days left for you to help fund the most highly-anticipated documentary film about the legendary Rem Koolhaas: REM. Directed by the architect’s son, Tomas Koolhaas, the film will explore an unprecedented perspective on what gives Koolhaas’ work function and purpose: how it is used by people. Learn more and donate to Koolhaas’ campaign here on Kickstarter.