Tokyo-based architect Edward Suzuki has launched another petition against Zaha Hadid‘s design for the 2020 Tokyo Olympic Stadium, claiming it is “overwhelmingly large for the context” and ”will desecrate the ‘sacred grounds’ of Meiji Shrine Outer Gardens”. This is the second petition against the design and is intended to support the earlier petition by Toyo Ito and Fumihiko Maki by providing an equivalent targeted primarily at English speakers, aiming to “pressure our government not only from within but also from outside of our country.” You can see the petition in full here.
If you haven’t heard of CyArk yet, make sure to check out their recent Kickstarter project. The not-for-profit company digitally preserves some of the world’s most important sites: including Easter Island, Mt. Rushmore and The Pantheon, to name a few. Now the group is headed to New York to preserve Philip Johnson and Lev Zetlin’s 1964 World’s Fair New York State Pavilion. Since the fair ended, the pavilion has fallen into disrepair and been heavily vandalized. With assistance from the University of Central Florida, they plan to release the digitally preserved 3D files to the public, for free. To help preserve this “National Treasure,” check out their Kickstarter page.
This summer, the American Institute of Architects New York Chapter (AIANY) and the Center for Architecture Foundation will present Open to the Public: Civic Space Now, an exhibition exploring why people gravitate to (or avoid) civic spaces – the places between buildings where people can assemble. Curated by Thomas Mellins and designed by Athletics, the exhibition opens Thursday, June 12, 6:00 PM and runs through Saturday, September 6 in the main galleries at the Center for Architecture, 536 LaGuardia Place.
Open to the Public: Civic Space Now will be complemented by an international, day-long symposium on Saturday, May 14 that will also develop the ideas of other concurrent exhibitions at the Center for Architecture. For more information, please click here.
Title: Exhibition / Open to the Public: Civic Space Now
From: Thu, 12 Jun 2014
Until: Sat, 06 Sep 2014
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
The Mapo Oil Depot is a valuable industrial legacy of Seoul but has been forgotten for quite some time since its original purpose was terminated. In an era of economic growth in Korea, a fresh approach is needed regarding this industrial legacy, which, ironically can survive in having been forgotten.
Deviating from conventional attitude, demolishing the old city and constructing the new, it is time to try to keep the memory and history of this old structure and to revive its uniqueness. As an attempt to get back not only the old structure but also the territory having been closed for decades to the people of Seoul, this project will be a meaningful beginning. The competition expects proposals that recover the existing facilities and territory, not only grant a series of programs onto the old structure. In this sense, the organization hopes that the International Competition for Culture Depot Park by Rehabilitating Mapo Oil Depot can show the direction to where architecture in Seoul should go.
The jury includes Toyo Ito, and the winning entry will be awarded with a design contract. Entries can be submitted until August 12. For more information please go to the competition’s official website.
The results of the Royal Institute of British Architects (RIBA) Future Trends Survey for April show that confidence among UK practices remains high at a Workload Index of +35, the same as in March. The positive figures came from across the board, with practices of all sizes and from all regions of the UK predicting increased workloads in the near future. However, after last months’ survey showed Scotland as the region with the brightest outlook, the balance of power has shifted back to London, where architects reported the highest index of +45.
Studio Magazine has released their latest issue: POWER. The relationship between architecture and power has been the main character in the urban transformation with no space-time boundaries. In which way nowadays the pair Power-Architecture consciously or unconsciously transforms our cities and the spaces we inhabit?
More on the latest issue here.
Construction is slated to begin in August (2014) on an expansion project that will transform the lower level of Tadao Ando’s Pulitzer Arts Foundation building in St. Louis into a public space for exhibitions, new programs and artist-driven activities. Previously used as offices and storage, the two new galleries, also designed by Ando, will expand the Pulitzer’s programable space by nearly 50 percent. This will be the building’s first major renovation since opening in 2001.
The city of Cape Town has adopted a new strategy for improving informal settlements – re-blocking, “the reconfiguration and repositioning of shacks in very dense informal settlements in accordance to a community-drafted spatial framework.” Re-blocking serves to create communal spaces, make neighborhoods safer, and improve dwelling structures – among many other things. To see how it has been implemented and where, head to Future Cape Town and continue reading here.
Sokolniki Park of Culture and Rest and the ArchPolis Centre for Territorial Initiatives, with support from the City of Moscow Department of Culture and the City of Moscow Agency for Parks and Recreation (Mosgorpark), announce a competition to generate a conceptual framework for the development of Sokolniki Park.
Developing green space and parks has been an important aspect of Moscow government policy in recent years. Among the most prominent examples are the comprehensive renovation of Gorky Park and its connected river embankments, current reconstruction of the historic VDNKh exhibition centre and a completed design competition for the new Zaryadye Park next to the Kremlin. Reconstruction of Sokolniki Park is the most recent step toward widespread transformation of public space in the capital.
For more information please visit the competition’s official website.
Social Housing in Spain is intended to be the first of a series of international programs by the AIANY Housing Committee, highlighting exemplary housing design around the world. For the first program of the series, AIANY have invited three leading architects from Spain who are currently teaching in the tri-state area: Carmen Espegel, Iñaqui Carnicero, and María Hurtado de Mendoza. The panelists will present and comment upon innovative projects that follow the country’s strong social commitment to housing.
The first decade of the XXI century was a landmark of quality and diversity in social housing in Spain.During those years, Spain built more collective housing than the production of England, France, and Germany combined. Approximately 4 million of units were built between 2000 and 2008. The municipal housing companies promoted, by means of open design competitions, a large number of significant works that championed research to new ways of living, hybrid typologies, construction systems linked to prefabrication and industrialization methods, and towards finding new explorations of shared space for new communities. The right to housing is guaranteed by the Spanish Constitution. Publicly protected housing in Spain represents a peculiarity compared to social housing models in other EU countries, in that it is housing provided almost entirely for owner-occupation.
Title: Conference: Social Housing in Spain
Organizers: AIANY Housing Committee
From: Thu, 29 May 2014 18:00
Until: Thu, 29 May 2014 20:00
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
In celebration of the 50-year anniversary of the 1964 New York World’s Fair, Onishi Project and Kipton Cronkite are pleased to present World’s Fairs: Lost Utopias, the debut exhibition of Jade Doskow’s groundbreaking 7-year photography project. The exhibition will also include a 1968 triptych by Robert Rauschenberg and a dynamic group show—featuring Alexandra Posen, Greg Haberny, Naomi Reis, and Mark Freedman— inspired by the cultural zeitgeist that surrounded this event.
Jade Doskow’s large-scale color photographs illustrate utopian iconic architecture and art remaining after the close of 1960’s world’s fairs, and the arbitrary nature of what has been preserved, discarded, or repurposed on these sites. In the cities represented here, New York dominates, in celebration of the 50-year anniversary. The crowning glory that still remains is the New York State Pavilion, an unusual, dynamic carousel-like structure designed by Philip Johnson.
Title: Exhibition: World’s Fairs / Lost Utopias
From: Wed, 28 May 2014
Until: Tue, 10 Jun 2014
Venue: Onishi Project
Address: 521 West 26th Street, New York, NY 10001, USA
Summer DLAB experiments with the integration of algorithmic / generative design methodologies and large scale digital fabrication tools. Continuing its color based agenda, Summer DLAB immerses in ‘white’ for its 2014 cycle, as a starting point to investigate natural formation processes and interpret them as innovative architectonic spaces. ‘White’ becomes the means of looking into extreme natural conditions which it is associated with. Concepts of emergence, differentiation, and complexity shape the theoretical framework of this investigation. Natural structures of differing scales are observed, which are then abstracted and interpreted into elaborated design proposals. The computational process of Summer DLAB is based on generative design algorithms, as can be seen in natural growth patterns such as the Lindenmayer system and fractal theory. These concepts are carefully interwoven with interaction and participatory design in order to create full-scale working prototypes.
One of the major objectives of Summer DLAB is to demonstrate the continuity of the workflow between computational software and digital assembly procedures leading to physical fabrication. In this respect, the programme is formulated as a two-phase process. During the initial phase participants benefit from the unique atmosphere and facilities of AA’s London home. The second phase shifts to AA Hooke Park campus and revolves around the fabrication and assembly of a full-scale architectural intervention which unifies the design goals of Summer DLAB.
To mark the 30th anniversary of Prince Charles‘ famous “Carbuncle Speech”, last week the RIBA held a discussion focusing on the speech’s impact on British architecture. The speech in which the prince protested the design of a proposed extension to the National Gallery has been seen by some as expanding the debate around architectural quality, but the panelists on the night disagreed with this view: Owen Hatherley said “The idea he broadened the debate is curious. He shut it down.” Similarly, Charlie Luxton commented “He turned the debate from one of quality to one of style – and architecture suffered.” You can read more of the panelists’ views on BD Online.
AA Greece Visiting School is a mobile workshop series which travels and reaches cities outside the country’s capital. It functions as a ‘satellite’ of education that promotes the Architectural Association’s exclusive, intensive form of teaching and learning around the country. AA Greece VS aims on visiting a different city each year and construct a single large-scale model which will act as an active nod of communication among the various locations. In 2014, the School will initiate its design agenda with an architectural approach that is focused on the aspect of connection. The city of Patras which is the starting node of AA Greece VS was chosen by the European Commission to be the European Capital of Culture for the year 2006. The concept of the event revolved around the main theme of “Bridges” and “Dialogues”, drawing benefit from the city’s rich history and its position as a “Gate to the West”, to underline the essence of the productive interaction of culture and civilizations in Europe. The AA Greece Visiting School will investigate how well existing buildings with various sightlines and variant spatial grammars perform according to human perception. In sync with the flexible and adaptive concept of parasitical structures, the research focuses on the making of transformable large-scale creations that accentuate prominent architectural features of existing buildings. The research looks at how cultural factors, personal preferences, experiences, and expectations can lead to the transformation of architectural parasitical structures.
During this year’s Architecture Biennale in Venice, homes rented through AIRBnB (although not the company itself) will host an independently curated pavilion. AIRBnB is a six-year old platform through which home owners can rent out rooms, apartments, and entire houses, allowing “the fortress of the family and the individual” to be infiltrated. The pavilion will take advantage of this “infiltration” and how it reveals “the house, the home and today’s life.” To learn more, follow @airbnbpavilion on instagram and twitter.
The Dedalo Minosse International Prize for commissioning a building, which takes place in Vicenza, the city of Palladio, is promoted by ALA-Assoarchitetti, the association for professional architects, in collaboration with the Regione del Veneto.
The Prize comes from the idea that the framework for creating good architecture works is not only determined by the quality of the Architect’s project but also by the positive and stimulating role played by the client.
The enrollment is free and anyone involved in the building processing (private or public client, architects, building firms, companies supplying materials, etc.) is entitled to enter the competition. The works must have been completed between the 1st of January 2009 and the 31st of December 2013.
You have until June 10 to enroll. For more information regarding the Prize or how to submit, please click here.
A report uncovered by the Architects’ Journal has revealed that an experimental housing project by Rogers Stirk Harbour + Partners has developed major problems just seven years after construction. The low cost factory-built Oxley Woods scheme won the RIBA Manser Medal for housing in 2008 but a report commissioned by the scheme’s developer has shown faults in the detailing are causing some parts of the construction to rot. Rogers Stirk Harbour + Partners have distanced themselves from the defects insisting that it was “Taylor Wimpey and Wood Newton responsible for the final detailed design”. You can find out more about the controversy at the Architects’ Journal and the Financial Times.