A new exhibition in Germany looks at the history of the architectural model in contemporary art. It begins with a legendary model by Charles Simonds, covers the 1990s with Ludger Gerdes, Hermann Pitz and Thomas Schütte, and ends up in the present day with Alicia Framis, Hinrich Sachs and Carlos Garaicoa.
Contemporary society is based on written rules or not – whether right or wrong – that influence people’s existence, thus as in everyday’s life, also the city creates its rules, offering hidden scenarios going beyond their normal ordinary perception, proposing new types of space and relation.
STUDIO#07 – ILLEGAL wants to investigate the existence of different ways do make architecture and consequent alternative processes of urban reality transformation.
The magazine is looking for contributors for their September issue. All submissions should be made via email to: firstname.lastname@example.org by August 25th (abstract is due July 20th).
With hurricanes Sandy and Katrina etched into recent memory, the need for post-disaster relief housing is now. New York City and Garrison Architects have developed a modular, prefabricated housing system to relieve displaced citizens during the next “superstorm.” At only 40′ by 100′ long, they can squeeze into the city’s smallest corners – all while having kitchen, bedroom, bathroom and storage spaces. The prototype is on display in Brooklyn – but you can see the entire design at the A/N Blog.
The results of the Royal Institute of British Architects (RIBA) Future Trends Survey for May show that the Workload Index among UK practices was slightly down in comparison to April (from +35 to +33) with the recovery in confidence levels remaining consistently “very strong” across the country. Although last month’s survey showed London as the region with the brightest outlook, confidence levels reported by architects in Wales and the West topped the index with a balance figure of +49. Workload forecasts in the private sector, public sector and community sector have all significantly increased.
The objective is to contribute to the improvement of the quality of life of Dalseong-gun’s citizens by procuring a space for health promotion and sports activities, offering the foundations by which to enjoy the benefits of sports, culture and welfare, and thus building a new gymnasium complex, replacing the small and outdated existing one.
Registration closes August 7 and the deadline for submission is September 5. You can find all the details in the competition’s official website.
Cut, Pleat, Tile, Weave. Four principles guide every project in the publication Soft Shells - a new publication that features porous, deployable, expandable and retractable architecture. Keep reading after the break to see two of the featured projects, but make sure to check out the full book here.
In one of his final interviews, Knud Lonberg-Holm quipped, “I’ve always been annoyed by rummaging through the past; the future interests me much more.” Not one to promote himself, the modernist architect all but disappeared after retirement, seemingly taking his contributions to architecture with him. After years of neglect, investigative research has finally unearthed just how influential Lonberg-Holm was. To learn about how he shaped information design (among many other things), continue reading Paul Makovsky’s exclusive article on Metropolis Magazine.
Focusing on recent acquisitions in MoMA’s Department of Architecture and Design, Conceptions of Space addresses how contemporary architects continue to embrace spatial creation as a fundamental focus of their work. The exhibition reveals how, beyond formal traits and functional needs, the conception and articulation of architectural space still defines architecture as an artistic endeavor, and a response to wider cultural issues.
In the early and mid-20th century, the concept of space was critical in defining the modern movement in architecture. Notions of architectural space related to the coherence between the interior and exterior of buildings emerged as a new feature. Counteracting previous understandings of architecture as a progression of styles, space became a privileged quest of architectural practice. In time, however, space was actively reclaimed by artists, geographers, sociologists, and others as their domain of intervention and reflection. As proposed by French philosopher Michel Foucault, ours is the epoch of space, an expanded field imbued with complex meanings.
Twenty international projects by architects and artists, in large-scale models, drawings, photographs, videos, and even a room-sized installation, survey how architecture addresses this expanded field. Spatial conceptions in the exhibition range from “assemblage” and “envelope” space, to “fictional” and “performative” space. Participants offer a global panorama of architectural practice today, from acclaimed architects such as Herzog & de Meuron, Álvaro Siza, and Kengo Kuma, to young, emergent practices such as Pezo von Ellrichshausen, Chile; Ryue Nishizawa, Japan; Ensamble Studio, Spain; and the New York-based SO-IL and MOS Architects.
Title: Exhibition / Conceptions of Space: Recent Acquisitions in Contemporary Architecture
Organizers: Pedro Gadanho, Phoebe Springstubb
From: Fri, 04 Jul 2014
Until: Sun, 19 Oct 2014
Address: 11 West 53rd Street, New York, NY 10019, USA
Hotel Fjord is the most visible big structure that was conceived and built during the Yugoslav period in Kotor and which is now waiting for more intense use again. Next to it there is at least four major sites and structures in a wide range of different material conditions, but all in a state of minimal use, which can be described as a programmatic void in the center of Kotor.
APSS 2014 will address the programmatic void in this area and work on it with students and mentors from different architectural schools in Europe. More then that, there will be a road from Venice biennale to APSS with academic work as well as expositions that deal with the topics elaborated at APSS and in-between. The team of offices behind the concept of GH Fjord Study and Program for APSS 2013 and APSS 2014 has been appointed for a curatorial team for Montenegin national pavilion in Venice Biennale. This way, we are extending our research on other topics, other buildings in need of immediate attention.
New mentors and lecturers for this year include Matthias Armengaud, AWP; Bart Lootsma, University of Innsbruck; Kersten Geers, KGDVS; Joerg Stollmann, TU Berlin; Srđan Jovanović Weiss, NAO; Milica Topalović, ETH; Boštjan Vuga, SADAR+VUGA; and Simon Hartmann, HHF.
This summer, the art, architecture and design of Finland will be celebrated in London. Reason & Intuition – Alvar Aalto & Ola Kolehmainen in Soane is a new exhibition bringing together the finest works of an acknowledged great of international modernist architecture and design and three collections of images by an acclaimed Finnish photographer.
Alvar Aalto (1898-1976) was a central figure in international modernism. His sculptural, and highly functional, furniture produced in the 1930s remains influential and very popular.
Reason & Intuition will feature around forty Aalto creations, including chairs, tables, lights, glassware and textiles, as well as rarer pieces, such as a collection of original designs and plans for some of Aalto’s 500 buildings and glassware designed by his first wife and collaborator, Aino.
Title: Exhibition / Reason & Intuition: Alvar Aalto & Ola Kolehmainen in Soane
From: Fri, 04 Jul 2014
Until: Sun, 24 Aug 2014
Venue: PM Gallery & House
Address: London, UK
Architecture critic Joseph Rykwert has been rewarded for his services to criticism by the Queen, receiving a CBE in this year’s birthday honours list. The honour continues a good year for Rykwert, after being awarded the RIBA Gold Medal in September. Also included on the birthday honours list were Alan Stanton and Paul Williams, founders of the 2012 Stirling Prize-winning Stanton Williams, who each received an OBE.
From the Curators. Responding to the theme ‘Absorbing Modernity: 1914-2014’ set by the curator of the 14th International Architecture Exhibition, Rem Koolhaas, ‘Lest We Forget: Structures of Memory in the United Arab Emirates,’ presents the seminal findings of a larger initiative to archive the history of architectural and urban development in the UAE over the past century. With a concentrated emphasis on the 1970s-1980s, the exhibition examines how public and residential architecture, built within a rapidly expanding urban context, shaped the newly established federation and prepared the foundation for its emergence on a global stage.
From the Curators. The exposition with the project title Unwritten highlights issues regarding the perception, research, and conservation of Latvian post-War architecture. Unwritten chronicles, in fact, inexistent research on this.
British writer Tim Abrahams finds Shigeru Ban‘s architecture ”kooky, Middle Earthy, Hobbity” – an opinion which earns him the title of “idiot” in the eyes of newly appointed Architecture for Humanity Executive Director Eric Cesal. In an article for the Boston Review, Stephen Phelan uses the pair’s opposing opinions to illustrate the Pritzker Prize winning architect’s perceived failures and successes. Read his very engaging take, here.
Following the success of the inaugural call for entries, which produced the Pamphlets 23–30, Pamphlet Architecture, with renewed support from the National Endowment for the Arts, announces the 2014 competition.
To promote and foster the development and circulation of architectural ideas, Pamphlet Architecture is again offering an opportunity for architects, designers, theorists, urbanists, and landscape architects to publish their projects, manifestos, ideas, theories, ruminations, insights, and hopes for the future of the designed and built world. With far-ranging topics including the alphabet, algorithms, machines, and music, each Pamphlet is unique to the individual or group who authors it. This call for ideas seeks projects that possess the rigor and excitement found throughout the rich history of Pamphlet Architecture.
The deadline for submissions is September 1, 2014. The winning entry will engage important issues facing architecture, landscape architecture, and/or urban design today in a way that is as visually provocative as it is intellectually compelling. The winner will be given a grant of $2,500 to develop the proposal into an 80-page, black and white, 7-by-8½-inch book, which will be published by Pamphlet Architecture, Ltd. / Princeton Architectural Press as Pamphlet Architecture 35. The outcome of the competition will be announced on September 12, 2014, and entrants will be notified by e-mail. More information can be found here.
Towards a New Avant-Garde, Superscript’s three-part conversation series during the opening weekend of the 14th International Architecture Exhibition— La Biennale di Venezia, brought together 40 talented young architects, writers, critics, to debate issues of identity, collaboration, and economics. Over the course of three 90-minute conversations, several key themes emerged, including the need of architects to engage the public directly, the importance of evolving new forms of communication and criticism, and the value of capitalizing on opportunities to be proactive. Here’s a snapshot of what the participants had to say:
The annual RIBA Stirling Prize is set to regain its £20,000 cash prize following a year of no prize money in which Witherford Watson Mann scooped the accolade for Astley Castle. Considered to be the UK’s most prestigious architecture award, the Stirling Prize is presented annually to the “building that has made the greatest contribution to the evolution of architecture in the past year”. Brockton Capital have agreed to support the prize for the next three years starting from 2015, after which the prize will be known as the RIBA Brockton Stirling Prize. The lack of prize money in 2013 raised questions about the significance of the award.