Martino Stierli, a Swiss architecture and art history professor interested in ”how architecture is represented in the media and intersects with art,” has been named Barry Bergdoll’s successor as the chief curator of architecture and design at the Museum of Modern Art (MoMA).
In a Press Release, Stierli comments upon his appointment: ”Since its inception, MoMA has presented groundbreaking exhibitions that promote and critically reflect upon modern and contemporary architecture. By continually expanding its comprehensive collection, the Department of Architecture and Design has been pivotal to the preservation of modernism for the future, and to making that heritage accessible to scholars and the broader public alike. I am excited to continue this tradition at MoMA and look forward to working with the Museum’s extraordinary team to contribute to shaping the current discourse on architecture and the city—locally, nationally, and globally.”
He will begin his new role in March 2015. Learn more about Stierli, and how his appointment will influence the MoMA’s exhibitions, at The New York Times’ Arts Beat Blog.
The series of earthquakes that began on 4 September 2010 altered the Canterbury landscape and had a huge impact on the people. Now it’s time to create a place to remember.
The Canterbury Earthquake Memorial will honour the lives of those who died in Canterbury’s earthquakes and provide a place for individuals and groups to pay respect. It will acknowledge the shared trauma experienced by the people of Canterbury.
It will also give recognition to the people who participated in the rescue and recovery operation, and provide a special place for holding events, such as the annual memorial gathering on 22 February. Design ideas must be submitted by 12 noon (New Zealand Standard Time) on 22 August 2014.
For more information, please click here.
At its debut at the Venice Architecture Biennale 2014, Indonesia offers a peek into the country’s past 100 years of architectural history in its pavilion: “Craftsmanship: Material Consciousness.” Moving images projected onto glass panels tell Indonesia’s story through the development of six materials, traced over time: wood, stone, brick, steel, concrete and bamboo. See images of the pavilion and enjoy a statement from the curators after the break.
Rafiq Azam is the principal of SHATOTTO architecture for green living, based in Dhaka, Bangladesh. He will introduce us to his work and city, which is also home to works by Louis Kahn. Azam’s “green” is not about global ratings or the current sustainability trend. It is his response to the sky, water, and vegetation that surround him and his city. There is an apparent simplicity in Azam’s work that disguises and belies a complex fabric revealing the wonders of the cosmos.
“Shatotto” in Bangla means “doing something continuously.” Azam creates spaces and structures for one’s senses and thoughts in the context of South Asia’s past and future. His presentation will coincide with the New York introduction of his monograph by SKIRA, the first ever published about a Bangladeshi architect.
Title: Lecture: Architecture as a Way of Life and Placemaking
Organizers: Asia Society New York
From: Mon, 28 Jul 2014 17:30
Until: Mon, 28 Jul 2014 20:00
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
Some people hate Paul Rudolph‘s Orange County Government Center in Goshen, New York, while others love it. Despite the Brutalist building’s eligibility for landmark status, its current fate is up in the air. Gene Kaufman, a partner at Gwathmey Siegal Kaufman Architects, has offered to buy and repurpose the building. To learn about his proposal, head to the New York Times to by clicking here.
Considering Julia Morgan was overlooked for over 100 years and has been dead for over 50, naysayers may consider her recent accolade as the first woman to receive the AIA Gold Medal something of an empty gesture. However, the prestigious group of supporters who compiled her nomination package – among them Michael Graves, Frank Gehry, and Denise Scott Brown - would beg to differ. To find out how and why the trio championed Morgan’s case, check out this article on SFGate.
While other cities in the United States are shrinking, the world’s largest retirement community – The Villages - is booming. Completely devoid of crime, traffic, pollution, as well as children, the fastest growing metropolitan area in the country raises serious questions about the concentrated demographic’s future infrastructural needs. After all, by 2050, the over-60 set is expected to almost triple to 2 billion. To learn more, check out this fascinating article on Bloomberg.
Urban farming is nothing new, but Aprilli Design Studio‘s proposal for a completely open-air skyscraper does put a novel spin on the sustainable ideal. Instead of tacking greenery onto roofs and balconies, they incorporate agriculture into cities by dedicating entire buildings to the cause. To learn more about the tree-like design, check out Fast Company’s article here.
It is a curious fact that architects do not put their signature on buildings. While even a novice architecture enthusiast can pick out a Frank Gehry building in any given city, there is no physical statement within that building identifying Frank Gehry as the designer. But why not? This article by Planetizen asks explores this interesting question.
Before George Lucas found a home for his museum in Chicago, the mayors of other cities were desperately vying for the honor (see Los Angeles Mayor Eric Garcetti above). If they are still disappointed about losing out, a new study about the aftermath of building cultural centers might offer some consolation. To learn about the planning fallacies and negative outcomes often associated with these building types, check out CityLab’s recap.
ECOWEEK is a non-governmental NGO with the mission to raise awareness on environmental issues and Climate Change and to promote the principles of sustainability. ECOWEEK has been organizing conferences and workshops across Europe that inspire and empower young architects to be active designers for the benefit of their communities.
Since 2005 ECOWEEK has hosted keynote lectures by leading professionals and thinkers including award-winning architects, such as Shigeru Ban, Ken Yeang, Bjarke Ingels, Francis Kere, Francoise-Helene Jourda, Michael Sorkin and landscape architect Julie Bargmann.
The ECOWEEK International Conference & Sustainable Design Workshops is scheduled to take place in London in September 14-21, 2014. The event is expected to attract young architects, landscape architects, designers and architectural students from the UK and abroad.
SuperPuesto is a temporary pavilion by Terence Gower commissioned by The Bronx Museum of the Arts in collaboration with the Andrew Freedman Home for Beyond the Supersquare, the first U.S. museum exhibition to examine the complicated legacies of modernist architecture in Latin America and the Caribbean through the perspectives of 30 contemporary artists. With the goal of providing an immersive space for visitors to experience the exhibition’s artistic and architectural themes, SuperPuesto also serves as an annex for educational and public programs related to Beyond the Supersquare.
In his interesting profile of the young London-based practice Assemble, Rowan Moore of the Observer investigates the work of arguably the best collective of designers to emerge from 2010′s “Autumn of Pop-Ups” – examining how they have stayed true to the more noble aspects of pop-up architecture despite the concept’s increasing commercialization. From their first project, a temporary cinema in a petrol station, to their recent Yardhouse project in Stratford, Moore finds an architecture that values exuberance and fun, yet is mature and refined. You can read his article in full here.
The Museum for Architectural Drawing presents Lebbeus Woods, ON-line, an exhibition of the finest works of architectural theorist, draftsman, educator and architect, Lebbeus Woods (1940–2012). Curated by his longtime friend and partner Christoph a. Kumpusch, the exhibition brings together a collection of Woods’ visionary works that have never been exhibited before. The intensely rendered architectural and urban environments produced early on in Woods’ career are exhibited together for the first time. These ink and pencil drawings cover a wide range of Woods’ research and re-imagination of cities both real and fictive and support Woods’ longstanding desire to show the capacity of architecture as a transformative and eloquent force.
Raymond Moriyama FRAIC, the Royal Architectural Institute of Canada (RAIC) and the RAIC Foundation have created the Moriyama RAIC International Prize to raise the international stature of the RAIC and the Canadian architectural profession.
The Moriyama RAIC International Prize will be awarded every two years. It will consist of a monetary award of CAD $100,000 and a handcrafted sculpture designed by internationally renowned Canadian designer Wei Yew. Every edition of the prize will feature a new piece by Wei Yew, each based on a separate and unique interpretation of the Canadian landscape.
The prize is awarded to an architect, team of architects, or architect-led collaboration, based anywhere in the world, in recognition of a single work of architecture that is judged to be transformative within its societal context and expressive of the humanistic values of justice, respect, equality and inclusiveness.
Three finalists will be identified in an open, juried selection process, and invited to attend a formal gala where the Moriyama RAIC International Prize winner will be announced and the prize presented. The inaugural gala will take place in Toronto on October 11, 2014. More information can be found here.
The Cauldron, designed by the internationally renowned Heatherwick Studio, is one of the most enduring and creative symbols of the London 2012 Olympic and Paralympic Games. 204 unique copper elements, each alight and representing every competing nation, were arranged in sublime concentric formation at the tips of slender mechanised steel stems. Slowly pivoting sequentially, they converged to form the Cauldron, in which the Olympic, and later Paralympic flame, would burn brightly for the duration of London’s summer of sport.
Designing a Moment: The London 2012 Cauldron, a new gallery at the Museum of London, tells the story of this moment, and celebrates the London 2012 Cauldron.
In the courtyard of the museum, a bespoke new pavilion to house the exhibition has been specially designed and built by Stage One – the creative engineers behind the London 2012 Cauldron. The permanent addition is the first new gallery in the museum since 2010, coinciding with the two year anniversary of the Olympic opening ceremony, when an audience of over one billion people first set eyes on the Cauldron.
Title: Exhibition / Designing a Moment: The London 2012 Cauldron
From: Fri, 25 Jul 2014
Until: Sun, 28 Sep 2014
Venue: Museum of London
Address: 150 London Wall, London EC2Y 5HN, UK
This July 9th, the winners of the inaugural Mies Crown Hall Americas Prize (MCHAP) – for which 36 outstanding projects have been shortlisted - will be announced in Santiago, Chile. Our editor-in-chief, David Basulto, has been named a founding member of the International Advisory Council of MCHAP, and ArchDaily will be covering the event. Read on after the break for details of the event.
Unable to afford architectural services, many abortion clinics in the US constantly struggle to create a buffer between themselves and the often radical anti-abortion protesters outside their walls (indeed, physical barriers – such as sprinkler systems – are often the only things that make clinic workers and their patients feel safe). To learn more about how architecture can help protect them, head over to Fast CoDesign for their fascinating article.