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AD Interviews: Winy Maas / MVRDV

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We had the incredible opportunity to interview Winy Maas, the M in MVRDV, one the most influential contemporary practices, which has been able to push the boundaries of our field in different scales, from buildings to master plan, from construction to theory. In this interview Winy shares interesting thoughts on the role of the architect and how he runs this design/research practice.

Upon graduating in 1984 from the RHSLT Boskoop in landscape architecture, Winy Maas (Schijndel, 1959) resumed his education at Delft University of Technology where he completed his degrees in architecture and urbanism, graduating in 1990 with honors. Shortly after and together with Jacob van Rijs and Nathalie de Vries, Maas founded MVRDV in 1991.

Since then, the Rotterdam-based practice has earned a leading role in international architecture. ’s first commissions, both located in , included the television center Villa VPRO and the housing estate for elderly WoZoCo. Maas lectures and teaches throughout the world and actively takes part in international juries. Currently, Maas is a visiting professor of architectural design at the Massachusetts Institute of Technology and is professor in architecture and urban design at the faculty of architecture, Delft University of Technology. Prior to this, he served as professor at Berlage Institute, Ohio State and Yale University. In 2008, Maas founded The Why Factory (t?f), a thinktank on future cities at Delft University of Technology where he remains director. You can see an example on the Urban Farming In Numbers video.

Maas is also a member of the research board of Berlage Institute Rotterdam, president of the spatial quality board of Rotterdam, supervisor of the Bjorvika urban development in Oslo and advisor to the city of Almere. To add to his ever-growing list of achievements, Maas has been made honorary member of the AIA, received the international fellowship of the RIBA and the French Legion d’Honneur. In addition to being an architect, he designs stage sets, objects and was curator of Indesem 2007.

MVRDV projects previously featured at ArchDaily:

Where is LEED Leading Us?…And Should We Follow?

By — Filed under: Architecture News ,Editorial ,Featured ,LEED , , , ,

CityCenter, a LEED Gold Building in Las Vegas, demonstrates the irony of a LEED Certified, sustainable, building in the unsustainable context of the desert.

At this point, it’s fairly uncontroversial to say that the Earth is under siege. From us, from our resource-consuming ways, ultimately, from our thoughtlessness.

Green Design is not just a catch-phrase, but a mindset. As Architects, implementing the principles of Green Design means putting thoughtfulness back into our actions, conscientiously considering our built environment, and reversing the havoc we have wreaked on our resources.

To do that, we need to know what Green Design means, and be able to evaluate what it is and isn’t. Using Earth Day as our excuse then, let’s examine the single most influential factor on the future of Green Design: LEED.

To its credit, LEED has moved a mountain: it has taken the “mysticism” out of Green Design and made Big Business realize its financial benefits, incentivizing and legitimizing it on a grand scale.

But as LEED gains popularity, its strength becomes its weakness; it’s becoming dangerously close to creating a blind numbers game, one that, instead of inspiring innovative, forward-looking design, will freeze us in the past.

Read the 10 Pros & Cons of LEED, after the break…

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Youth Center in Amsterdam / Atelier Kempe Thill

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© Ulrich Schwarz

Architects: Atelier Kempe Thill
Location: Reimerswaalstraat 101, 1069 AG , The Netherlands
Client: Ymere Ontwikkeling, Jollemanhof 8 – Huys Azië, 1019 GW Amsterdam
Completion: 2011
Site area: 150 sqm
Building size: 285 sqm
Total building budget: € 550.000,- (excl. VAT)
Design Team: André Kempe, Oliver Thill, David van Eck, with Andrius Raguotis, Blanca Sanchez Babe, Ruud Smeelen, Giorgio Terraneo
Photographs: Ulrich Schwarz

  

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Whistler Residence / BattersbyHowat Architects

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© Sama Jim Canzian

Architects: BattersbyHowat Architects
Location: Whistler, British Columbia,
Site Area: 1,050 sqm
Building Area: 540 sqm
Completion: 2010
Project Team: David Battersby, Heather Howat, Tillie Kwan
Structural Consultant: Equilibrium Consulting
Envelope Consultant: JRS Engineering Ltd.
Contractor: Need Brophy Services Ltd.
Photographs: Sama Jim Canzian

  

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Ewha Womans University / Dominique Perrault Architecture

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© André Morin / DPA / Adagp

Architects: Dominique Perrault Architecture
Location: , Korea
Partners: Baum Architects, Seoul
Engineering: Perrault Projets, (Architectural Engineers); VP&Green Ingenerie, (Structural Engineers); HL-PP Consult, Munich (Building Services); Jean-Paul Lamoureux, (Acoustic), Rache-Willms, Aix-la-Chapelle (Facades)
Consultant: Jeon and Lee Partners, Seoul (Structural Engineer), HIMEC, Seoul (Mechanical Engineer), CG E&C, Seoul (Civil Engineer), CnK Associates, Seoul (Landscape)
Built Area: 70,000 sqm
Completion: 2008
Photographs: André Morin

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Eco-Sustainable House / Djuric Tardio Architectes

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© Clément Guillaume

Architects: Djuric Tardio Architectes
Location: Paris,
Completion: 2012
Surface: 246 sqm SHAB
Photographs: Clément Guillaume

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Spira Performing Arts Center / Wingårdh Arkitektkontor

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© Ulf Celander

Architects: Wingårdh Arkitektkontor – GertWingårdh, Jonas Edblad, Ingrid Gunnarsson
Location: Kulturgatan 3, 553 24 , Sweden
Design Team: Andreas Henriksson, Peter Öhman, Claes Berglöf, Viktoria Wallin, Josefine Kastberg, Foued Hajjam, Therese Ahlström, Aron Davidsson, Anna Palm, Dan Danielsson, Helena Toresson, Sara Helder, Viktor Alm, Björn Nilsson, Anna Nyborg Lafveskans, Charlotta Rosell, Jennie Stolpe, Daniel Frickeus, Fredrik Gullberg, Pål Ericksson, Ola Frödell, Robert Hendberg, Peter Sierts
Client: Landstingsfastigheter, Jönköping County
Contractor: PEAB
Gross area: ca 15,000 sqm
Completion: 2011
Photographs: Ulf Celander , Lindman Photography, Gert Wing Ârdh

   
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Archipelago Cinema / Buro Ole Scheeren + Film on the​ Rocks Yao Noi Foundation

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© Piyatat Hemmatat

Architect: Buro Ole Scheeren + Film on the Rocks Yao Noi
Location: , Thailand
Year: 2012
Photographs: Doug Bruce, Film on the Rocks Yao Noi Foundation, Piyatat Hemmatat, Sixtysix Visual

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MUSEVI / TEN Arquitectos

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© Luis Gordoa

Architect: TEN Arquitectos – Enrique Norten
Location: , Tabasco, Mexico
Completio: 2011
Design Team: Enrique Norten, Salvador Arroyo, Marisol Moreno, Carolina Angeles, Joe Tarr, Natalia Lomelí, Marina Muñoz
Structure: Alonso y Asociados.
MEP: AKF México
Lighting: Luz en Arquitectura
Landscape: W Architecture and Landscape Architecture
Client: H. Ayuntamiento de Centro
Contractor: Grupo Orhnos
Area: 1,445 sqm
Photographs: Luis Gordoa

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Stickwork / Patrick Dougherty

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Disorderly Conduct; Courtesy of

Patrick Dougherty is best known for his sculptures that break down over time.  You may have seen one of his temporary works without realizing it.  Built primarily from tree saplings woven together, each sculptures is approximately a three-week construction project where Dougherty and his group of volunteers carefully create the habitat or environment of this a tangled web of all natural materials.  Because the sculptures are made of organic matter they disintegrate, break down and fall apart, becoming part of the landscape once again.  Most people see habitats and shelters in his work – which is what many of them are meant to be – but “castles, lairs, nests and coccoons” isn’t what usually comes to mind.  In an interview with Dougherty for the New York Times, Penelope Green discusses his only permanent work and the origin of his interest in what is referred to as Stickwork, now available through Princeton Architecture Press.

Patrick Dougherty has made over 200 sculptures in the 25 years that he has been creating .  But his construction work began when he was 28, working for the Air Force in the health and hospital administration.  He decided to buy property in North Carolina and build his own house from the materials on the site.  Collecting fallen branches, rocks and old timber, Dougherty was able to construct his home, in which he still lives with his wife and son, with a few additions.  By 36, Dougherty decided to return to school for sculpture and attended the art program at the University of North Carolina.  His interest in what nature had to offer led him to develop his tangled sculptures.  Each sculpture is different and depends greatly on the site.  Each project is different and depends on the volunteers that participate and the public that never fails to stop and watch the sculptures being woven together.

View some of his projects after the break. read more »

Infographic: The Bauhaus, Where Form Follows Function

By — Filed under: Architecture Infographics ,Featured , , , , , , , ,

From the “starchitect” to “architecture for the 99%,” we are witnessing a shift of focus in the field of architecture. However, it’s in the education system where these ideas really take root and grow. This sea change inspired us to explore past movements, influenced by economic shifts, war and the introduction of new technologies, and take a closer look at the bauhaus movement.

Often associated with being anti-industrial, the Arts and Crafts Movement had dominated the field before the start of the Bauhaus in 1919. The Bauhaus’ focus was to merge design with industry, providing well designed products for the many.

The Bauhaus not only impacted design and architecture on an international level, but also revolutionized the way design schools conceptualize education as a means of imparting an integrated design approach where form follows function.

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Mestia Police Station / J. Mayer H. Architects

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Architects: J. Mayer H. Architects
Location: , Georgia
Design Team: Jürgen Mayer H., Christoph Emenlauer, Hugo Reis, Danny Te Kloese
Completion: 2012
Clients: Ministry of Internal Affairs, Georgia
Photographs: Courtesy of J. MAYER H. Architects

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The Indicator: Moby, Part 2

By — Filed under: Featured ,The Indicator , , ,

Courtesy of

I once saw a video of David Hockney discussing a Chinese landscape scroll. A provocative little art-geek film (or so it seemed at the time) entitled, ”A Day on the Grand Canal With the Emperor of China (or Surface Is Illusion but So Is Depth)”.

On the surface, the film’s subject is a 17th-century Chinese scroll painting. The depths, however, are personal and make the film more about the artist himself, a target for his projection. So, if surface is illusion but so is depth, then what we have is an interesting problem.

In this sense, he wasn’t trying to lay down any absolute truth or theory about Chinese landscape painting, or even himself. But merely his understanding at that moment in time—a moving target exploring another moving target. What would Hockney say about the scroll now?

When I first noticed Moby blogging about architecture, this film, long-buried in my art history memory, was one of the first reference points that came to mind. Like Hockney with the scroll, Moby is seemingly unrolling and winding his way through it’s weird little buildings and spatial complexities. The hills–and one does not always associate hills with –are uncannily similar to the hills in the Chinese scroll. read more »

Private House In Barcelos / Rui Grazina

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© Nelson Garrido

Architects: Rui Grazina
Location: Cambeses, Barcelos,
Project Years: 2008 – 2011
Area: 300 sqm Total Area; 290 sqm Gross Building Area; 3300 sqm Total Plot Area
Construction: Engiaço Construções Técnicas, Braga
Photographs: Nelson Garrido

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Kilden / ALA Architects

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© Iwan Baan

Architects: ALA Architects
Location: Kristiansand,
Completion: July 2011
Competition Team: ltd, Juho Grönholm, Antti Nousjoki, Janne Teräsvirta, Samuli Woolston
Project Team: ALA Architects ltd / Helsinki, Kristians
In Collaboration With: SMS Arkitekter AS / Kristiansand
Client: Teater- og Konserthus for Sørlandet IKS
Photographs: Iwan Baan

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Jean Cocteau Museum / Rudy Ricciotti

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© Agence

Architects: Rudy Ricciotti
Location: Menton, France
Year: 2006
Area: 2,700 sqm
Photographs: Agence Rudy Ricciotti, Lisa Ricciotti, Olivier Amsellem

 

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Is Zaha’s Latest Prize Really an Advancement for Women?

By — Filed under: Architecture News ,Editorial ,Featured , , ,

© MARCO GROB FOR TIME

“I have practised Architecture at a time when Architects were full of hope and optimism. At a time when we felt that the changes in Planning and on Architecture would change living conditions and improve the world. A time when there was great hope for the future.”

Jane Drew

Zaha Hadid has been announced, by unanimous decision of the AJ Women in Architecture Judging Panel, as the Winner of the Jane Drew Prize “for her outstanding contribution to the status of .”

The panel has cited Hadid’s many accomplishments (she was the first female architect to win the Pritzker Prize, designed the Sterling Prize-winning MAXXI Museum in Rome and the Guangzhou Opera House in China) as evidence that she ”has broken the glass ceiling more than anyone and is practically a household name. Her achievement is remarkable.”

However, the choice of Hadid, always a controversial figure, brings into question the aim of the Prize, and forces us to explore what is really needed to improve the state of women in Architecture today.

Read More on Hadid and the controvery surrounding the Prize after the break…

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Lanyang Museum / Artech Architects

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© Jeffrey Cheng

Architect: Artech Architects – Kris Yao Architect
Location: Yilan County,
Clients: Yilan County Government
Design Team: Glen Lu, Hua-Yi Chang, Fei-Chun Ying, Chih-Hao Chiang, Shun-Hui Chen, Tien-Kai Yang, Chii-Chang Jong, Christina Tseng, Lei Wang, Nina Yu, Jun-Ren Chou, Tien-Yu Lo
Site Area: 39,426 sqm
Total Floor Area: 12,472.74 sqm
Completion: March 2010
Photographs: Jeffrey Cheng, Chi-Yi Chang 

   

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IDOM Headquarters / ACXT Arquitectos

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© Aitor Ortiz

Architects: ACXT Arquitectos
Location: Bilbao,
Architect in Charge: Javier Perez Uribarri
Collaborators: Oscar Ferreira da Costa, Jabier Fernández Sánchez, Josu Eguileor Astigarraga
Contractor: BALZOLA
Project Area: 14,400 sqm
Project Year: 2010-2011
Photographs: Aitor Ortiz

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NuNo NoNo Kindergarden / Girod+Anton Arquitectos

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© Mariela Apollonio

Spanish architectural photographer Mariela Apollonio shared with us these beautiful photos of this very minimalistic kindergarden in designed by . With an internal patio with windows all over the perimeter, open spaces and colored glassed walls in the interior are essential in the idea the architects looked for.

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Five North American Architects / Kenneth Frampton

Five North American Architects / Kenneth Frampton

Five North American Architects brings together five architectural practices that, while all distinct, share a particular sensibility for the impact of craftsmanship and climate on the generation of form, as well as a concern for the expressive tactility of material…

 

Guide to Contemporary New York City Architecture / John Hill

Guide to Contemporary New York City Architecture / John Hill

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2G / Pezo von Ellrichshausen

2G / Pezo von Ellrichshausen

The monograph 2G presents a new way of approaching Chilean architecture. In the wake of the interesting publications of Mathias Klotz (2G 26, 2003), Smiljan Radic (2G 44, 2007) and Cecilia Puga (2G 53, 2010), now comes that of  Pezo von …

 

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