Only 5 more days on the exhibition 2D:3D, an installation by Barkow Leibinger at the BDA Berlin Gallery. Covering the wall surfaces of the small gallery space with “tapete” or wallpaper the façade of the storefront gallery frames what Leon Battista Alberti described as a fenestra aperta. In this configuration the space of the gallery is a projection/ extension of the streetscape in the bourgeois residential historical Mommsenstrasse neighborhood.
Playing with the concept directive 2D 3D, the wall paper on one side of the gallery is a two dimensional pattern: an organic looping structure which repeats and mirrors itself that is both ornamental and geometrically structural in its architectural implication. On axis with the street front façade at the back of the gallery is a wallpaper “portrait” of this system in black and white but now projected as a one-point perspective optically extending the perspective of the gallery itself.
As part of the CA Group’s lecture series, “Architour,” one of the Executive Board of SeARCH, Bjarne Mastenbroek will give a lecture at 15:30 on April 25th at Tongji Architectual Design (Group) Co., Ltd.(TJAD) auditorium in Shanghai. For 2013 through 2015, “Architour” has as its theme “New Force of Architecture – Leading Young Architects”: each year, the CA Group will select nine young, global leaders in architecture (four from Asia and five from the West) to lecture on topics that cross typologies and disciplines, from architectural design, urban planning to interior design. Sou Fujimoto, Christian Kerez, Thomas Heatherwick and Ensamble Studio were part of the series’ speakers.
At the end of each year, an exhibition will be mounted; and at the end of the years, the contents of the lectures will be published as a book.
Title: Lecture: Bjarne Mastenbroek in Shanghai
Organizers: CA GROUP, TJAD, China Fortune Properties(GROUP)co., Ltd, China Vanke Co., Ltd., bulthaup
From: Fri, 25 Apr 2014 15:30
Until: Fri, 25 Apr 2014 17:00
Venue: Tongji Architectual Design (Group) Co.,Ltd.(TJAD) Auditorium 1st floor
Address: No.441, Siping Road, Yangpu, Shanghai, China
Hello Wood is an international art program, taking place in Csorompuszta, the countryside of Hungary between July 19 and July 27, 2014.All work, produced there, carries two attributes: it’s mostly from wood and it’s characterized by an interplay of art and social commitment. Hello Wood integrates various fields of art, design and science; it creates community and encourages talent. It brings together students and professionals from across borders, moreover it connects everyday people with the designer community.
This year, participants will have the opportunity to create 12 wood installations. To participate, you need to fill out the application form until May 16. The organization is also having an open call for workshop leaders.
All the information regarding the event, participation and workshop leaders after the break.
A new series of international architecture competitions are characterizing a clear change in the current urban planning strategy of Moscow. The initiator of these developments is the incumbent chief architect of the Russian capital, Sergey Kuznetsov. Together with his team, he has breathed new life into Moscow’s urban development since taking office in mid 2012. The exhibition New Moscow – Новая Москва presents two international competitions – from the fields of landscape planning (1st prize Diller Scofidio + Renfro, New York) and cultural building (1st prize Heneghan Peng, Dublin) – and through these demonstrates the great gains for the city’s urban planning that are being drawn from this open, global approach.
Both of the competitions presented in the exhibition demonstrate the great potential for development and innovation in Moscow to meet the growing demands of the city residents for cultural and leisure facilities. A further important topic is the extension of the traffic infrastructure of this growing city, which is initiating a radical change in the building policy of the Russian capital.
For more information, please click here.
The American architect Louis Kahn (1901-1974) is regarded as one of the great master builders of the Twentieth Century. Kahn created buildings of monumental beauty with powerful universal symbolism.
This exhibition encompasses an unprecedented and diverse range of architectural models, original drawings, travel sketches, photographs and films. Highlights of the exhibition include a four-metre-high model of the spectacular City Tower designed for Philadelphia (1952-57), as well as previously unseen film footage shot by Kahn’s son Nathaniel Kahn, director of the film ‘My Architect’.
Title: Exhibition: Louis Kahn / The Power of Architecture
Organizers: Design Museum
From: Wed, 09 Jul 2014
Until: Sun, 12 Oct 2014
Venue: Design Museum
Address: Shad Thames, London SE1, UK
Building resilient and sustainable urban centers. That’s going to be the main issue that over 30 speakers will be addressing at the Cities for Tomorrow Conference next Tuesday, April 22 at TheTimesCenter, NY. The event, hosted by NY Times architecture critic Michael Kimmelman, will feature Shigeru Ban‘s first public appearance since winning the Pritzker Architecture Prize. His presentation will be on the eve of the conference, on Monday, April 21. Although the reception is invitation-only, we will be live-tweeting the presentation.
Title: Conference: Cities for Tomorrow
Organizers: The New York Times
From: Mon, 21 Apr 2014
Until: Tue, 22 Apr 2014
Address: 242 West 41st Street, New York, NY 10036, USA
Building on the success of their first Winter school in 2010, ManTownHuman’s “Critical Subjects” school returns this summer. The week-long event that will serve as a platform to debate vital architectural questions as diverse as “what is ‘nature’?”; “whatever happened to the avant garde?”; and “what is architecture for?” Applications are currently open – 30 of the keenest architecture students from the UK and beyond will be chosen for their critical and innovative thought.
The school will visit a different venue each day, with hosts including Zaha Hadid Architects, Arup Associates and The Architectural Review. In a series of lectures, debates and design challenges, students will be expected to explore these topics in greater depth than is usually possible in architecture school, challenging the method of received wisdom that is increasingly taking hold in education, as explained by event organizer Alastair Donald in his article for The Architectural Review.
Applications are open until May 7th, with the event taking place between July 13th-19th. For more information and to apply, visit the event’s webpage here.
Title: Critical Subjects: A ManTownHuman Summer School
From: Sun, 13 Jul 2014 17:00
Until: Sat, 19 Jul 2014 18:00
Venue: Multiple venues in London
BANAMID Architecture Research Institute in collaboration with AN.ONYMOUS will hold the third International conference from the “Contemporary Architecture: Iran and the World Dialogue” series in Tehran, Iran. The conference, titled “From Autonomy to Automation: The Work of Peter Eisenman” will focus on the defining legacy of Peter Eisenman spanning across 50 years of his intellectual and professional body of work. The conference will trace the evolution of Eisenman’s work over time and will examine its imprint on the contemporary discourse of architecture.
“From Autonomy to Automation” is organized in three main sessions: Autonomy (1968-1978), Archeology (1978-1988), and Automation (1988-present), corresponding to the three stages of Eisenman’s work. Each session would begin with an introductory talk by one of the conference speakers and will follow a response by Peter Eisenman. The speakers would then engage in a discussion with Peter Eisenman about his work. Other speakers include: Iman Ansari, Cynthia Davidson, Marta Nowak, and Meghdad Sharif.
The conference will take place on May 13th and 14th, 2014 at the main conference hall of Milad Tower in Tehran. The event is open to public to stimulate critical dialogues amongst participants, and instigate a broader discussion about the state of contemporary architecture in Iran. Conference organizers also anticipate that this event would promote intellectual and cross-cultural exchange between Iran and the rest of the world.
Title: From Autonomy To Automation: The Work of Peter Eisenman
Organizers: BANAMID Architecture Research Institute, AN.ONYMOUS
Speakers: Peter Eisenman, Cynthia Davidson, Iman Ansari, Marta Nowak, and Meghdad Sharif
Media Partners: Log, ArchDaily, Milad Tower Cultural Center, Banamid TV
Educational Partners: University of Tehran, Shahid Beheshti University
Date & Time: Tuesday May 13, 2014, 10:00-14:00 | Wednesday May 14, 2014 10:00 -14:00
Venue: Hafez Main Conference Hall, Milad Tower
Address: Milad Tower Private Access Road, Hakim Motorway, Tehran, Iran
Registration: Event information and registration at: http://event.banamid.ir/
And don’t miss this article, which originally appeared on Architectural Review, in which AN.ONYMOUS’s Iman Ansari interviews Peter Eisenman about his personal views on architecture throughout the course of his career.
Jeanne Gang, founder of Studio Gang, will be hosting a public lecture at the Reva and David Logan Center for the Arts on Monday, April 28, 2014. The lecture, named ‘What Mammals Want’, will start at 5:15pm and seating is first-come, first-served.
Title: Lecture: ‘What Mammals Want’, by Jeanne Gang
From: Mon, 28 Apr 2014 17:15
Until: Mon, 28 Apr 2014 18:30
Venue: Reva and David Logan Center for the Arts
Address: 915 East 60th Street, The University of Chicago, Chicago, IL 60637, USA
Text by Isaac Wilhelm:
“Patrons of the A+D Architecture and Design Museum Los Angeles may want to consider wearing comfortable socks to view the new exhibit Bowlarama: California Bowling Architecture 1954-1964, on display from April 11, 2014, through May 11, 2014. Providing a deeper appreciation for the family heirloom bowling trophy on the fire mantle, the exhibit showcases the architecture of bowling in the 1950s. The retro design style and obsession with the sport of bowling at this time generated a desire for architecturally intriguing bowling centers.
Commonly open 24 hours a day in the 1950s, bowling centers incorporated features such as fine restaurants, cocktail lounges, and live entertainment. The projects of this exhibit are not about the sport of bowling or the centers, but rather the culture that emerged. Do not contemplate how many lanes are in the exhibit’s bowling centers, but instead imagine the blonde beauty sitting at the cocktail bar sipping on a martini during the local men’s league championship tournament.”
Title: Exhibition: Bowlarama: California Bowling Architecture, 1954-1964
From: Fri, 11 Apr 2014
Until: Sun, 11 May 2014
Venue: Architecture and Design Museum
Address: 6032 Wilshire Boulevard, Los Angeles, CA 90036, USA
The architectural firm PRODUCTORA, based in Mexico City, is presenting 9 unbuilt projects that have a clear relation to geometry and mathematical composition. Large-scale models, made in collaboration with students at Woodbury University are presented together with black and white CAD drawing that clarify the main conceptual aspect of the building.
The simple positioning of the framed drawings, renderings and wooden models on the exhibition floor, avoids all museographic rhetoric and presents the work as autonomous objects in space. The title ‘In Between Projects’ relates to the ongoing development of a common formal vocabulary that underlies the circumstantial aspects of each individual project. This exploration is presented through an image loop of preliminary study models of the projects presented. Ultimately, the exhibition underscores the studio’s belief that strong geometric compositions and clearly legible buildings allow architecture to maintain its value through unpredictable shifts in context and program over time.
Title: Exhibition: In Between Projects / PRODUCTORA
Organizers: Woodbury School of Architecture
From: Tue, 08 Apr 2014
Until: Fri, 25 Apr 2014
Venue: WEDGE Gallery
Address: 7500 North Glenoaks Boulevard, Woodbury University, Burbank, CA 91504, USA
The editors of PROJECT invite you to celebrate the release of Issue Three at common room, 465 Grand St., New York, NY, this Wednesday, April 9 from 7pm to 9pm. PROJECT investigates the possibilities for developing a a critical position in contemporary architecture. Publishing both visual and written work, the goal of PROJECT is to provide a platform for disseminating ideas.
Issue Three of PROJECT features contributions from common room & Kim Förster, Reinier de Graaf (OMA/AMO), Neil Denari, Edward Eigen, Formless Finder, Adam Fure, John May, Magnus Nilsson, Valerio Olgiati Architect, Pezo von Ellrichshausen, Lola Sheppard (Lateral Office), Jill Stoner, Tom Wiscombe and more. Refreshments will be served, and issues of PROJECT will be available for sale.
Starting this week,The Princeton University School of Architecture will hold until May 14 a retrospective exhibition on the work of Andrés Jaque and his architectural practice Office for Poitical Innovation. It includes their production since 2000, including several projects we’ve published in the past like the Plasencia Clergy House, Sweet Parliament Home, Escaravox and the Never Never Land House.
In the last 10 years the Office for Political Innovation has explored the question: ‘What happens to architectural practices when common notions of the urban (as something confined in cities) are replaced by others in which the urban is contained in urban enactments (ordinary interactions in which politics are produced)?’
More after the break.
Next Month, the Mackintosh School of Architecture (The Glasgow School of Art) will host its first International Symposium for Social and Humanitarian Architecture, ‘Clean Conscience Dirty Hands’, in the new Reid Building by Steven Holl Architects. The symposium focuses on the limited resources intrinsic to the provision of social and humanitarian architecture and the impact of such scarcity on the ability of organisations to ‘harness’ the learning from each built project through documentation, discussion and dissemination. As such, it seeks to provide both a locus and a forum for like-minded organisations engaged in social and humanitarian building projects, in order to capture and disseminate good practice in both a UK-based and overseas context.
International and award-winning speakers representing a multitude of organisations, including MASS Design Group, TYIN Tegnestue, Architecture for Humanity, London Metropolitan University, Peter Rich Architects and Orkidstudio will gather to discuss a range of ideas relating to one of the three topics broadly covered by the symposium:
The event will take place at the Storefront for Art and Architecture April 8, at 7pm. This event is open to all. If you are a Storefront member and would like to reserve a seat, please email email@example.com. If you would like to reserve a seat by becoming a Storefront member, click here.
This event will be streamed live at http://www.ustream.tv/channel/storefront-tv.
Title: Definitions Series: Risk, at the Storefront for Art and Architecture
From: Tue, 08 Apr 2014 19:00
Until: Tue, 08 Apr 2014 21:00
Venue: Storefront for Art and Architecture
Address: 97 Kenmare Street, New York, NY 10012, USA
Critical Shifts is a one-day, student-organized symposium dedicated to exploring the ongoing transformations of critical practice in architecture. The event brings together a diverse group of practitioners in order to investigate how their work (which often combines the activities and approaches of curation, editing, writing, design, teaching, and research) can begin to trace a nuanced map of the fieldʼs current critical terrain.
Critical Shifts will be held at Studio-X NYC in downtown Manhattan on Saturday, April 5th, 2014 from 1-6pm and confirmed guests include Aaron Levy, Adam Bandler, Cynthia Davidson, Felicity D. Scott, Justin McGuirk, Ligia Nobre, Marina Otero Verzier, Mark Wasiuta, Mark Wigley, Matteo Ghidoni, and Tina Di Carlo.
More information can be found here.
Title: Symposium: Interpretations / Critical Shifts
Organizers: Columbia University GSAPP
From: Sat, 05 Apr 2014
Until: Sat, 05 Apr 2014
Venue: Studio-X New York
Address: 180 Varick Street, New York, NY 10014, USA
The Faculty of Architecture at the Cologne University of Applied Sciences will host a lecture series on Japanese architecture. The program will start April 8 with Junya Ishigami and will continue until June 24 with lectures by Shin Takamatsu & Takeshi Katagiri, recent Pritzker Prize winner Shigeru Ban, Ryusuke Kojio, Sou Fujimoto, Hitoshi Abe and Hiroaki Kimura.
For more information, you can click here (website in German).
Title: Lecture Series: Japanese Architecture at at Cologne University
From: Tue, 08 Apr 2014
Until: Tue, 24 Jun 2014
Venue: Faculty of Architecture, Cologne University of Applied Sciences
Address: Betzdorfer Straße 2, 50679 Cologne, Germany
The ‘Chronomanifestes’ exhibition by Bernard Tschumi, first presented at Les Abattoirs in Toulouse, will be re-exhibited again in 2014 at the Turbulences – Frac Centre. The radical period of architecture (Superstudio, Archizoom in Italy, Archigram in the United Kingdom to take just two examples) indeed proves itself extraordinarily rich in concepts and critical manifestos that challenge the discipline of architecture to form hybrids with artistic production and to advocate a political position.
Through his critical perspective Tschumi links the radicalism of experiments in the 1960-70 period and architecture that questions its own limits within a wider cultural and political field. For this internationally renowned French architect, ‘without an event, activity or function it is not architecture (…).’
To celebrate the 30th anniversary of the Frac (Regional Funds for Contemporary Art), a carte blanche was awarded to one or several designers in 2013 to conceive exhibitions from their collection or invent ways of presenting them. These 23 invitations vouched for the determination of the Frac to demonstrate the extent to which the artist is at the heart of their activities, from the collection to the production of works, including exhibitions.
At Les Abattoirs, Frac Midi Pyrénées in Toulouse, a group exhibition called ‘Les Pléiades’ took place from 28th September 2013 to 5th January 2014 to unite in a single venue all the different cartes blanches, that were presented regionally.
For this event, the Frac Centre chose to call upon a figure prominent in its collection: Bernard Tschumi. For this exhibition Bernard Tschumi used, for each of the years concerned, one or several projects by artists or architects that at some point made a proclamation or manifesto, a vision of the city and of architecture.
A book accompanies the exhibition, written by Bernard Tschumi, narrating the adventure experienced by radical avant-gardists, deconstruction and the emergence of digital, in conjunction with key events each year on an international level.
For more information visit http://www.frac-centre.fr/