In Progress: Soumaya Museum / LAR

Dec 2010

By Nico Saieh — Filed under: In Progress ,Museums and Libraries , Concrete, LAR + Fernando Romero, Mexico, Steel

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Architects: LAR / Fernando Romero y Mauricio Ceballos
Location: Mexico City, Mexico
Project Team: Ana Medina, Herminio Gonzalez, Omar Gerala Félix, Sergio Rebelo, Ana Paula Herrera, Mario Mora, Juan Pedro López, Guillermo Mena, Libia Castilla, Raúl García, Manuel Díaz, Alan Aurioles, Ana Gabriela Alcocer, Luis Ricardo García, Ivan Ortiz, Tiago Pinto, Laura Dominguez, Juan Andres Lopez, Olga Gomez, Hugo Fernandez, Jason Sidelko, Eddy Slim, Nicola, Davolio, Lee Warren, Alexander Pena, Jacqueline Hernan- dez, Kosuke Osawa, Francisco Javier de la Vega, David Hernandez, Jorge Hernandez, Joaquín Collado, Mariana Tafoya, Eduardo Benítez, Pe- dro Lechuga, Thorsten Englert, Luís Fuentes, Luís Flores, Rodolfo Rueda, Víctor Chávez, Max Betancourt, Wonne Icks, Dolores Robles-Martínez, Sappho Van Laer, Ophelie Chassin, Elena Haller, Abril Tobar, Diego Eumir Jasso, Albert Beele, Homero Yánez, Cynthia Meléndez, Hugo Vela, Susana Hernández, Gerardo Galicia, Alberto Duran, Camilo Mendoza, Dafne Zvi Zaldívar, Cecilia Jiménez, Ángel Ortiz, Raúl Antonio Hernández, Alma Delfina Rosas, Wendy Guillen, Raúl Flores, Daniel Alejandro Farías, Jesús Monroy, Saúl Miguel Kelly, Iván Javier Avilés, Cesar Pérez
Client: Grupo Carso / Museo Soumaya
Façade: Gehry Technologies
Engineer concept: ARUP Los Angeles
Project Regency: Inpros
Civil Constructor: PC Constructores
Project Area: 17,000 sqm
Project Year: 2010

The Soumaya Museum is part of a large scale mixed-use urban development on the edge of the district of Polanco, one of the most exclusive areas of Mexico City. It is located on a former industrial zone dating from the 1940’s which today presents a very high commercial potential. The Soumaya Museum plays a key role in the reconversion of the area: as a preeminent cultural program, it acts as an initiator in the transformation of the urban perception. Moreover, its institutional status activates the public space with functionalities other than commercial and grants the new neighborhood the urban intensity it required.

In order to create a new identity for the site, the building needed to acquire a strong urban presence. Thus, the Soumaya Museum was conceived as a sculptural building that is both unique and contemporary. Its avant-garde morphology and typology define a new paradigm in the history of Mexican and international architecture.

From the outside, the building is an organic and asymmetrical shape that is perceived differently by each visitor, while reflecting the diversity of the collection on the inside. Indeed, the work to be exposed contains amongst others the second biggest collection of Rodin sculptures in the world, several authors of Medieval and Renaissance art, as well as impressionist painters.

This heterogeneous collection is housed in a continuous exhibition space spread over six levels, representing approximately 6,000 m2. The building also includes an auditorium for 350 people, library, offices, a restaurant, a gift shop and a multi-purpose gathering lounge.

The shell of the building is constructed with 28 steel curved columns of different diameters, each with its own geometry and shape, offering the visitor a soft non-linear circulation all through the building. Located at each floor level, seven ring beams provide a system that braces the structure and guarantees its stability. The top floor is the most generous space of the Museum; its roof is suspended from an impressive cantilever that allows natural daylight to flow in freely. In contrast, the building’s envelope is nearly opaque, offering little and scarce openings to the outside. This gesture can be interpreted as an intention to create a protected shelter for the art collection. The façade is made of hexagonal aluminum modules that optimize the preservation and durability of the entire building.

Local Engineers
Structure: Colinas de Buen
Steel Producer: Swecomex
MEP: Dypro
Hydraulic, Sanitary Installation and Fire Protection: Garza Maldonado y Asociados
Electric Installation: Hubard Bourlon
Security / IT & A/V: Sitcom

Other Consultants:
Museographer: Museo Soumaya / Alfonso Miranda
Interior & Landscape: Mier y Teran and Inside Outside / Petra Blaisse
Lighting: Lighteam & Arquitectura de la Luz
Vertical Transport: Kone & Arsenio Rodríguez Consulting
Kitchen: Sanborns
Auditorium: Teletec
Environmental Graphics: Museistica / Adriana Miranda
Acoustic: Saad Acústica

: © Adam Wiseman

: © Adam Wiseman

: © Adam Wiseman

: © Adam Wiseman

: © Juan Pedro Lopez

: © Juan Pedro Lopez

: © Pedro Lechuga

: © Pedro Lechuga

: © Pedro Lechuga

: © Pedro Lechuga

: © Mario Mora

: © Mario Mora

: © Mario Mora

: © Mario Mora

: © Gehry Technologies

: © Gehry Technologies

: © Gehry Technologies

: © Gehry Technologies

* Location to be used only as a reference. It could indicate city/country but not exact address.

Cite:
Saieh , Nico . "In Progress: Soumaya Museum / LAR" 06 Dec 2010. ArchDaily. Accessed 26 May 2012. <http://www.archdaily.com/93430>

Comments (31)
Tweets (30)
Links to this entry (1)

Holcim Awards says:

An interesting building in form, I wish they addressed issues of sustainability – environmental, social and economic. If the did this would be a perfect submission to the Holcim Awards for Sustainable Construction: http://on.fb.me/holcim-awards

# December 6, 2010 at 14:50

A says:

plz get a life ;)

# December 7, 2010 at 00:19

up_today_arch says:

Very nice… actually the new form… Very interesting for me see it cimpletely built…

# December 6, 2010 at 16:02

Camilo Castro says:

I love how the perspectives refuse to present the real enviroment where the museum is located. No sense of relationship with the surrounds, just another monument to the designer’s ego and the sponsor.

# December 6, 2010 at 18:15

Wilkinson says:

Why does the design render depict the building in a rural or parkland context?
Perhaps the structures organic form is read more powerfully when viewed in contrast to the gritty urban reality.

# December 6, 2010 at 18:55

jjRA says:

Taper + Twist = 2min made arch

# December 6, 2010 at 19:04

Juni says:

Like the three last comments as it was exactly what I was Thinking… Making renders with the building on a grassy hill, what’s the point when it’s aimed at an urban context ? Would have been even more powerfull… Whatever, jjRA comment says it all.

# December 6, 2010 at 20:29

Ticklish says:

I personally think it looks better unfinished as it is now..

# December 6, 2010 at 22:46

fernando says:

Muy interesante…diría hasta atrevida propuesta. A ver cuando esté la obra finalizada. :)

# December 6, 2010 at 23:36

Sander says:

Yawn. Absolutely boring architecture lacking features & copy paste facade from Future Systems Selfridges store. Where is the entrance?

# December 7, 2010 at 03:48

I forgot to mention the humble pretentions of the designer:

“Its avant-garde morphology and typology define a new paradigm in the history of Mexican and international architecture.”

# December 7, 2010 at 06:44

jk says:

ha ha – hardly.

# December 7, 2010 at 10:26

RODRIGO says:

Asco… wacala

# December 7, 2010 at 11:07

Mark says:

Is really cool make this kind of projects with out limits, only thinking in your picture in all the architecture magazines, and more when your father in law is the owner, and second man more rich in the WORLD, and you are member of the directive group of the company, woooow thats really cool. Good for you Fernando you are doing the dream of all the architects.

# December 8, 2010 at 14:50

# December 8, 2010 at 14:51

Guillermo says:

Dudes, here I give you a gallery of pics of Soumaya museum’s construction, scheduled to open next http://www.flickr.com/photos/maalden/

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