ArchDaily | Broadcasting Architecture Worldwidethe world's most visited architecture website
i

Sign up now and start saving and organizing your favorite architecture projects and photos

i

Find the most inspiring products for your projects in our Product Catalog.

i

Get the ArchDaily Chrome Extension and be inspired with every new tab. Install here »

  1. ArchDaily
  2. Projects
  3. Office Buildings
  4. Austria
  5. SPLITTERWERK
  6. 2009
  7. Frog Queen / SPLITTERWERK

Frog Queen / SPLITTERWERK

  • 01:00 - 28 October, 2009
Frog Queen / SPLITTERWERK
Frog Queen / SPLITTERWERK, © Nikolaos Zachariadis
© Nikolaos Zachariadis

© Nikolaos Zachariadis © Nikolaos Zachariadis © Nikolaos Zachariadis © Nikolaos Zachariadis +24

  • Architects

  • Location

  • Architects

    SPLITTERWERK
  • Project team

    Irene Berto, Mark Blaschitz, Erika Brunnermayer, Marius Ellwanger, Hannes Freiszmuth, Johann Grabner, Edith Hemmrich, Ute Himmelberg, Bernhard Kargl, Benjamin Nejedly, Josef Roschitz, Maik Rost, Ingrid Somitsch, Nikolaos Zachariadis
  • Project Management

    Ingenos ZT GmbH
  • Structural Consultant

    werkraum zt-gmbh, Peter Bauer, David Lemp
  • Electrical Design

    Erich Watzke, Moskon & Busz GmbH, Rudolf Busz
  • Client

    PRISMA Engineering Maschinen- und Motorentechnik GmbH
  • Building Services Consultant

    Ing. Rudolf Sonnek GmbH
  • Hvacr Design

    Guenter Grabner
  • Energy Consultant

    Dr. Tomberger ZT GesmbH, Hannes Veitsberger
  • Area

    1400.0 sqm
  • Project Year

    2009
  • Photographs

The Graz-based design collective SPLITTERWERK was commissioned to design this headquarters building for PRISMA Engineering, a machine and motor technology company also located in Graz. The objective was to design a structure which could house the company’s various research and development programs, and selectively showcase the work to a varied range of often competing clientele. Thus the building design needed to accommodate both high- end testing and presentation without jeopardizing the security and secrecy with which the work is developed.

© Nikolaos Zachariadis
© Nikolaos Zachariadis

The building form approximates a cube, measuring 18.125 x 18.125 x 17m, wrapped on all four elevations with a pixilated pattern of square panels. From a distance, these panels appear to be painted in a range of ten values of grey tone, together dematerializing the volume of the building against both the trees of the surrounding site and the clouds and sky. Thus the cubic building is at once monumental in its objecthood in the open landscape – scale-less and immaterial – and yet utterly non-iconographic in its overall form.

© Nikolaos Zachariadis
© Nikolaos Zachariadis

As is characteristic of their work, SPLITTERWERK was interested in developing a play between pictorial image and spatial experience. Working with the effects of dimension, distance, and time, the building’s skin was designed to generate shifting perceptions of the volume and texture. As one approaches the building, the cubic proportions of the volume become apparent, as does the finer grain of surface articulation on each panel, comprised not of a single grey tone but rather a tight grid of abstract pictorial figures. These figures might be interpreted as flowers, speaking to the surrounding fields, or gear wheels, suggestive of the highly secretive work happening inside the building. Each façade panel is itself nearly square, measuring 67 x 71.5-cm, and made of powder-coated aluminum, screen-printed with the various images. Integrated within this field of figures, deployed at the scale of both panel and building, windows and doors are similarly considered such that they essentially disappear within the composition of the façade.

© Nikolaos Zachariadis
© Nikolaos Zachariadis

At the interior, individual office spaces are wallpapered with images of the surrounding Eastern Styrian landscape, creating a conceptual tension between the interior of the building envelope (narrative and pictorial) and the visual effects of its exterior panels (abstract and spatial). In this sense, the decorative strategy for both interior and exterior is conceived with certain landscape sensibilities in mind; a visual context which is simultaneously pictorial in its framed references and affective in the atmosphere it produces.

© Nikolaos Zachariadis
© Nikolaos Zachariadis
Location to be used only as a reference. It could indicate city/country but not exact address. Cite: "Frog Queen / SPLITTERWERK" 28 Oct 2009. ArchDaily. Accessed . <http://www.archdaily.com/38910/frog-queen-splitterwerk/>
© Nikolaos Zachariadis

Frog Queen / SPLITTERWERK