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  7. Shelter Island House / Stamberg Aferiat

Shelter Island House / Stamberg Aferiat

  • 01:00 - 9 March, 2013
Shelter Island House / Stamberg Aferiat
Shelter Island House / Stamberg Aferiat, © Paul Warchol
© Paul Warchol

© Paul Warchol © Paul Warchol © Paul Warchol © Paul Warchol +32

  • Architects

  • Location

    Shelter Island, New York, United States
  • Design Team

    Peter Stamberg, Paul Aferiat, Keith Tsang, Joshua Homer, Ryan Harvey, Josh Lekwa, Anna Portoghese, Michael Bardin, Adam Greene, Jasmit Rangr
  • Area

    1100.0 ft2
  • Project Year

  • Photographs

  • Construction Manager

    deVries and Wallace
  • Structural Engineering

    Robert Silman Associates
  • Mechanical Engineering

    AltieriSeborWieber LLC
  • Site Area

    1.3 Acre
  • More SpecsLess Specs
Floor Plan
Floor Plan

The Shelter Island Pavilion gave us an opportunity to bring our influences, inspirations, aspirations and years of architectural design to bear in one place with only ourselves and our budget to define the boundaries. We chose to draw on specific inspirations such as Mies van der Rohe’s Barcelona Pavilion, Le Corbusier’s Ronchamps, and Marcel Breuer’s Wassily Chair.

© Paul Warchol
© Paul Warchol
© Paul Warchol
© Paul Warchol

These works were groundbreaking and truly prescient; each was conceived in part as a prediction of the future of industrialized production and construction.  Keeping the plan of the Barcelona Pavilion in mind, we designed a house that explores the reality of the industrially-produced materials and methods of our own time.  Unlike the Barcelona Pavilion that used then-exotic materials, we chose to utilize more common materials but rendered them striking in usage, pigment choice and detailing.

© Paul Warchol
© Paul Warchol

Cubists looked beyond the mechanical view of how the eye sees and employed the brain’s ability to remember and anticipate, allowing one to take in a seemingly disjointed array of phenomena but still have the whole make sense. The increasing plasticity of lightweight building materials allows us some of the Cubists’ slight-of-hand to simultaneously evoke the immediacies of built form as well as architectural dream states – the hovering roof, translucencies between inside and outside, and walls that are not walls.

© Paul Warchol
© Paul Warchol

Advancing material technologies have expanded the available palette through increased color intensity, optical effects and applications.  Sir Isaac Newton ovserved the different behavior of color created with pigment and color created with light. The Impressionists and Fauves experimented with Newtonian principles to create light effects with pigment. These experiments have redefined thoughts on how colors relate to one another. Guided by Newtonian color theory, the intense palette of the house allows richly-colored reflected light to pass through translucent walls, suffusing spaces with a delighting glow.


In addition to the rigorous studies of perspective and color theory, environmentally sustainable materials and methods played a large factor in generating the design. First and foremost is the size of the project. In a time where new homes strive to maximize square footage, we consciously kept the enclosed footprint to two small pavilions totaling 1100SF. The home is designed for all seasons with the use of the spaces and the areas conditioned are modulated based on seasonal weather. Its heaviest use is during the summer.

© Paul Warchol
© Paul Warchol

Large sliding doors allow indoor functions to flow into outdoor terraces and gardens during the summer when additional space is desired and indoor conditioned space is rarely needed. The opposite occurs in winter where living occurs in a much smaller conditioned footprint. The house is one of the first on Shelter Island to use geothermal heating and cooling. Even so, it is rarely used in the warm season as we incorporated many passive design elements into the architecture.

© Paul Warchol
© Paul Warchol

Solid walls on the south and west side of the building block the intense summer sun while floor to ceiling translucent double polycarbonate walls allow north and east light into the space as well as providing a much higher R-value as compared to traditional glass. Large sliding doors and windows are carefully placed to take advantage of the east/west sea breeze to cool the interiors. Large roof overhangs provide needed shade for the pavilion interiors while providing sheltered space ideal for outdoor living.

Cite: "Shelter Island House / Stamberg Aferiat" 09 Mar 2013. ArchDaily. Accessed . <>
Read comments


pietia · December 05, 2014

There are some photos, where building appears to be actually black/white.
It seems, that all construction parts, including roof are translucent (for lighting) or are those b/w photos simply photoshoped?

Marcelo Gardinetti · March 13, 2013

articulated planes with plastic sense
intense colors, review of criteria neoplasticists

toparchstudent · March 12, 2013

I vomited promptly upon viewing this project. Thanks.

noname artist · March 11, 2013

I already lived through the 80's once, don't make me do it again.

AD · March 10, 2013

Discovered this on trip to Shelter Island.. completely out of context.

Patrick H · March 10, 2013 10:50 PM

IMO, context doesn't really matter in a suburban area where the buildings are separated by space and trees, and each house has its own style. (As opposed to the city, where adjacent buildings must cooperate to form a street wall or a public space.) Bravo to the designers for taking a risk.

Decoholic Interior Design · March 09, 2013

So bright happy colors!


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