Central Office of FEDA Confederation of Employers of Albacete / Cor & Asociados

  • 25 Jan 2013
  • Featured Institutional Architecture Selected Works
© David Frutos

Architects: Cor & Asociados
Location: ,
Design Team: Miguel Rodenas, Jesús Olivares
Collaborators: Mar Melgarejo Torralba, Ayara Mendo Pérez, Rubén Perea Ibáñez; José Verdú Montesinos, José M. Noguera Pardo
Client: Confederación de Empresarios de Albacete Feda
Area: 4,375 sqm
Photographs: David Frutos

The Confederation of Employers of Albacete (FEDA) is a nonprofit organization representing and supporting the business network in the Region. Due to the evolution of its activities and growth of services, the organization raised the idea of bringing together in a sole building all the instalations that were scattered throughout the city of Albacete. This idea was the seed of this project.

From the beggining it became apparent that this initiative would be a milestone for Albacete, because FEDA has a high level of representation in the city, and because it offers many services to its companies. Besides, the new building aspires to endow new life to a new neighborhood which is being built between a hard industrial and services center, Campollano estate, and the city center.

© David Frutos

We have designed this project from the idea of ‘diffuse limits’ and ‘blur’ architecture. Our intention was to cover the volume of the building with a veil capable of bluring it and making it change. We wanted the building to react to the variations of weather and the movement of users with different levels of brightness and textures.

© David Frutos

Looking at it from outside to inside, the skin would feel ‘fleshy’, full of shades and thick. And at the same time it would appear as a distant and undefined object, so that the observer doesn’t have a stable reference, and could not keep a static link to the building and remember only an image. On the contrary the building would respond to the user in movement generating different glances and changing perceptions.

© David Frutos

In the opposite view, this second skin had to be perceived as a space with constant shape and without scale changes. Likely, the inner façade with the windows is the one able to defragment the building because the windows are very large compared to the human scale. This makes the user relate with the exterior skin, that has small scale holes and polimeric texture, in a closer way. But, again this feeling is distorted by the separation of the two layers. From inside, the  perception of the façade system had to “fluff up” the limits of the building.

© David Frutos

The project is solved between two poles: the strong and clear volume, compared to the delicate  and blurring façade. The strength of the simple volume is balanced by the volatile and delicate effect that the façade system gives. All this creates a slight feeling of strangeness while perceiving this diffuse landmark.

© David Frutos

One of the most significant parameters at the architectural level has been the concretion of the program, its definition and characterization. And, in parallel, the opportunity for FEDA to upgrade their organizational processes. Together with the directors, workers and users we created a map of needs, and we did a rearrangement and reorganization of internal work processes. All this, permitted a spatial change: from a system of cubicles to a more open space floor, where the horizontality among self-managed teams is more evident, and helped with the implementation of technological informational and documentation systems.

© David Frutos

This new organization forced the project to solve two problems: first, the creation of a flexible and reprogrammable floors, and, second the adaptation of the working atmosphere.

© David Frutos

For the first problem we proposed a reticular structure with few columns, allowing a redistribution of the program according to the needs of the future; and second, a technical floor and ceiling that carries all facilities. With all this we can leave floors completely free for use.

© David Frutos

And regarding the second, FEDA required from the beginning that people who worked in the building will enjoy a high level of comfort, and, on our part, we wanted to create a ‘highly emotional’ spaces to work. The solving of the problem became a challenge.

© David Frutos

We tried to create a friendly relationship with the user. The small vegetation organizes the access. Its materiality, temperature, resonance … even the opening speed of the automatic doors, make the user subtly feel that he has entered into an attenuated area. And it’s interesting to note how people lower their voices naturally when they enter the building. We could not exactly say why, but it’s probably due to the lighting and its ability to dazzle, or the sound absorption without echoes, or the proportions of the space, or more probably, all this experiences combined.

© David Frutos

The access space extends from side to side of the floor between opposing facades. This is the first part of ‘interior void’ that articulates the building. From this space you can access all floors, and in it, information sites, exhibition and meeting places are located.

© David Frutos

We tried that this space had a very controlled atmosphere. You can feel how the perception of something heavy is inverted to the perception of lightweight. Where the lighting was different and the sound controlled, where always exists indoor-outdoor relationship. However the scale is not a person’s scale. We have tried to introduce the contradictions of the blurring exterior facade into the core of the building.

© David Frutos

And finally, we have designed open work spaces with high thermal and acoustic conditioning. We have built an extremely neutral area that invite users to bring their objects. We want the workers build their workplaces in highly emotional way. We believe that this will build a new landscape less anodyne and more interesting and real. A transparent landscape whose reality becomes evident to someone who enters the enclosure to get the collective support of the organization.

First Floor Plan

This project works the relationship between the person and the building through the materials and conditioning, trying to improve the sensory and emotional perception of the workspace by its workers, members and visitors. This is a way of re-humanizing architecture and, as far as we’re concerned, this is an obligatory step to rethinking workplaces.


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* Location to be used only as a reference. It could indicate city/country but not exact address.
Cite: "Central Office of FEDA Confederation of Employers of Albacete / Cor & Asociados" 25 Jan 2013. ArchDaily. Accessed 27 May 2015. <http://www.archdaily.com/?p=323842>
  • Angry Architect

    I fail to see how wrapping chicken wire round a concrete box can ” ‘diffuse limits’ and ‘blur’ architecture” where is the architecture guys ? Aalto, Mies among others were blurring limits before you knew what they were. Real architectural transitions are about more than the application of gimmicky materials, they are about space, light and landscape and the best are those that you dont even notice. It seems that contemporary architecture is about who can cover their building in the latest eco/techno product that distracts everyone from the fact that they couldn’t be bothered to design it properly in the first place.

    • Merry Architect

      You should give an extra look to plans and images of the interior, I think there are good transitions there.
      Maybe these guys failed in the explanation giving too much protagonism to the exterior image, but it may be what the property is looking for in this solitary landscape. I’ve visited their web and it doesn’t seem to me like an occurence to make up tha building, they appear to have this line of investigation about architecture perception and landmark building with new materials.
      Else, what’s wrong with using new materials and experimenting with them. I think your beloved Mies and Aalto did that too, and afterwards we all used what they tried first.

  • Antoine

    I like the relationship between the big windows and the small holes of the covering. And think they achieve the sensation of being outside while inside. Pitty there’s no more photos of how it’s seen from other rooms.
    Good job!

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