Synagogue / SeARCH


Architects: SeARCH
Location: Amsterdam,
Project Design: Bjarne Mastenbroek & Uda Visser
Assistants: Remco Wieringa, Ton Gilissen, Louis Toebosch, Stefano Tropea, Thomas van Schaick, Wesley Lanckriet, Marie Louise Mejlholm, Laura Álvarez Rodríguez, Pedro Carvalho dos Santos, Alexandra Schmitz
Client: Liberaal Joodse Gemeente Amsterdam
Contractor: Bouwbedrijf M.J. de Nijs & Zn. B.V
Project Area: 3400 sqm
Project Year: 2010
Photographs: Iwan Baan

© Iwan Baan

Is true architecture not the design of emptiness; the space between walls, floors and ceilings, between the materials themselves? Does the opposite not lead inevitably to flamboyance and ostentation, to something that aspires to be more than it actually is?

© Iwan Baan

The widespread existence of the Jewish community and the unstable relationship between Judaism and other religions have hindered the evolution of a recognised architectural style. This contrasts with the development of a very confident Jewish identity.

© Iwan Baan

Ceremonial traditions and rituals present few recognisable reference points in a synagogue’s physical expression. And while the identity of a church or a mosque is carved in stone, it is usually conspicuous in its absence with regard to synagogues. The positioning of the benches opposite each other and parallel to the axis between the Bimah (preaching seat) and the Ark (depository for the Torah rolls), and the use of bright daylight are the most important starting points for the design process. Moreover, the emptiness, visualisation of the enigmatic Jewish identity (nesjomme) with its subtle and complex character, plays a significant role.

ground floor plan

In this project, a neutral rectilinear ‘volume’ is formed through the optimally efficient use of both site and budget. The hollowing out of this mass, to form the ‘emptiness’ of the great Sjoel, lends the building its identity. The Sjoel consists of a large central space with low extensions on either side under two-tiered balconies. The arrangement of these side spaces, the four balconies above them and the central void above the Bimah suggest the Menora, the seven-armed chandelier. The Menora (the light) symbolises the burning bush discovered by Moses on Mount Sinai and is the oldest and most important symbol of Judaism. In the beginning God created light. Without light there is no life.

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* Location to be used only as a reference. It could indicate city/country but not exact address.
Cite: "Synagogue / SeARCH" 26 Jan 2012. ArchDaily. Accessed 27 May 2015. <>
  • Did Gigazuri Daud

    Shalom ale-i nu-ve-al kol Israiel

  • Joseph@ Jewish shul software

    Great piece of architecture with amazing interiors and designs..