AD Classics: Rachofsky House / Richard Meier & Partners Architects

© Tom Jenkins

The most satisfying part of the Rachofsky House is that it is not a museum. There is no real reason why it shouldn’t be, considering the multitude of visitors and school fieldtrips that frequent the 11,000 square-foot, three-story building week in and week out. But the House remains a 100% private residence, still owned by Mr. Rachofsky and operated by a small staff. This all lends to a very unique and personal experience for the visitor, because not only does the intimacy of a house enrich one’s interaction with the art, but the lessened formal pressure allows for greater exploration of space and more appreciation to the architectural detail.

    

Howard Rachofsky is a native of , Texas who rose to significance through his trading on the stock market. By the mid 1980’s, he was widely considered one of the most prominent men on wall street, while still working out of a small office in . He first approached about designing a home for him after falling in love with his High museum in Atlanta, Georgia. The original Rachofsky house was designed but never realized as much larger project on an area of land close to where the actual Rachofsky house sits now.  After completion in 1996, Mr. Rachofsky lived there for only a few years before getting married and moving into a different house in the area (designed by Dallas legend Lionel Morrison) that was more suitable for family life. As one could imagine, the viability of a three-story, one bedroom bachelor pad/art gallery is lost in the addition of a wife and children.

© D Jules Gianakos

The house is centrally located on 3.2 acres of land, allowing for a grand approach up the driveway to the elevated podium on which the house rests, in addition to a rich backyard containing a pool and various site-specific sculptures to discover beyond. At any given time the house is displaying scores of pieces from Mr. Rachofsky’s vast 700+ piece collection of important, contemporary artwork.

© D Jules Gianakos

The basic programmatic layout revolves around 3 rows of columns and an X-Y axis of circulation. The front and back entries are on axis with interior/exterior circulation, while the different stair sets are on axis with vertical, interior circulation. Furthermore, the column rows divide the house functions and delineate between more public circulation and private spaces. The southern end of the home utilizes a private spiral stair case that allows direct access to the master suite.  Along with the bedroom and enormous his-and-hers master bathroom, the third floor also hosts a gym, two balconies, and an office that “floats” above the living room like a box within a box.

© D Jules Gianakos

A large, rectangular Eastern façade seemingly floats above the entry on the front of the house. The ubiquitous Meier grid of white aluminum paneling covers the exterior, but pales in comparison to the amount of glazing found on the rear facade once inside the main living area. It is interesting to note that mullions and openings on the house do not line up with the exterior grid of the façade, but instead align with walls and columns inside the house which are based off of the 3-foot podium grid.  The cantilevered stair to the North becomes a show-stealing moment of transition between ground level and raised living area, completely enveloped in glazing that leaves one floating between interior circulation and the overwhelming view created by the massive trees and lake outside.

© Michael Bodycomb

Architect: Richard Meier & Partners Architects, LLP
Location: Dallas, Texas, United States
Design Team: Richard Meier, Thomas Phifer
Structural Engineer: Ove Arup & Partners
Project Year: 1996
References: Thomas Feulmer, Rachofsky House, Richard Meier & Partners, Katie Stoltman, Wikipedia
Photographs: Michael Bodycomb, D Jules Gianakos, Tom Jenkins

Cite: Gianakos, Jules. "AD Classics: Rachofsky House / Richard Meier & Partners Architects" 13 Jan 2012. ArchDaily. Accessed 20 Aug 2014. <http://www.archdaily.com/?p=191814>

7 comments

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    i have personally toured this and can confirm that it is a wonder to behold. however it is only that groups with 8 or more can tour it, so find a good number of people that will do it with you, next time youre in dallas

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    Hi Iam an architectural student .. I adore Richard Meier buildings. They are so interesting . I want to make a model of a Rachofsky hause ..Can you procide me with two elevation and two sections I will be greatfull.

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    This is a beautiful building, the fine proportions as well as its open floor plan and heavy use of white allow it to reference Modernism and the International Style clearly. By allowing the public to enter this once private residence, people are fortunate to experience a more intimate relationship with the artwork inside.

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    This a very beautiful example of modernism and the international style outside of what it thought to be the prescript time period. Although much removed, it is nice to see Le Corbusier’s five points of architecture still making a very visible statement in today’s architecture. The relationship that Meier set up between the architecture and art in the building makes it a wonderful gallery space as well as a gorgeous house to be in.

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    Hello! where can I find the autocad drawings of the Rachofsky house? Can someone help me please?? thanks!

  6. Thumb up Thumb down 0

    The Rachofsky House is a great example of a modern building not built in the defined modern period. The house uses a free plan and free façade, which were parts of Le Corbusier’s Five Points of Architecture, to help give form to the building. By doing this, the building follows the modern ideal of simplifying the functions of the home to help to create that is efficient in the tasks that the house is used for.

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