The most revolutionary material in architecture may be one we’re already quite familiar with: glue. In a recent article for New Scientist’s New Urbanist column, futurist Geoff Manaugh of BLDG BLOG argues that the typical building’s structural system may soon see an overhaul. Instead of steel held together with bolts and welds, petroleum-based composite materials and carbon fiber panels fixed in place with glue could serve as both a building’s structure and skin.
Fabric is viewed as a material which is flat and two-dimensional and thus, until recent times, it has been used in architecture as a surface sheet. However the material has not been fully exploited.
Anish Kapoor, a British-Indian sculptor, now owns the exclusive rights within the field of art to Vantablack, currently the world’s darkest material. Developed by a team of scientists at Surrey NanoSystems in 2014, Vantablack absorbs all light and creates a crease free abyss which is often compared to a black hole. Other artists, such as Christian Furr, had intended to use Vantablack in a series of paintings, but no longer can due to Kapoor’s monopolization. “All the best artists have had a thing for pure black — Turner, Manet, Goya,” he told Daily Mail. “This black is like dynamite in the art world. We should be able to use it. It isn’t right that it belongs to one man.”
IaaC Student Elena Mitrofanova, working alongside biochemist Paolo Bombelli has created a proposal for a facade system that utilizes the natural electricity-generating power of plants. Consisting of a series of hollow, modular clay "bricks" containing moss, the system takes advantage of new scientific advances in the emerging field of biophotovoltaics (BPV) which Mitrofanova says "would be cheaper to produce, self-repairing, self-replicating, biodegradable and much more sustainable" than standard photovoltaics.
Hardboard is a wooden fiberboard that is produced by compression at high temperatures, making a smooth and uniform surface. It is known for being highly flexible and very resistant to humidity. In spite of these qualities, the product has been pigeonholed for specific uses -- rear panels, bases, packaging -- losing visibility and importance in the world of architecture and design.
For the past several years, there’s been increasing talk of a renaissance in timber construction. Although we are predisposed to thinking of wood as a component limited to the classic balloon-frame house, new technologies have generated alternative materials which look like and are created from wood, but are stronger and more versatile than their more traditional cousins. While there are a number of different products on the market, including Glulam and Laminated Veneer Lumber (LVL), the material that seems to hold the most promise for changing construction is Cross Laminated Timber (CLT).
“Concrete has the ability to be primitive and technological, massive and levitating, to combine the properties of steel with those of mud,” says Rowan Moore in his list of The 10 best concrete buildings created for The Guardian. Through examples spanning three continents, Moore unites old standbys with unexpected wonders, all of which show the varied possibilities inherent in mixing water, aggregate, and cement. In a list that incorporates examples from Classical times to the present, Moore establishes concrete’s unique ability to adapt to different times, styles, applications, and treatments.
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Located high in the Himalayan Mountains, the sparsely populated region of Ladakh is one of the more remote places on Earth. At over 3500 meters above sea level, the region includes terrain consisting of steep cliffs and wide valleys, and an extreme climate to match: temperatures often reach +30 degrees celsius in the summer months and drop to -30 degrees celsius in the winter. Severe weather patterns such as these typically require durable construction materials and technologies - yet with the region’s difficult-to-reach location and a construction season lasting only four to six months, importing materials becomes a costly, if not impossible task. Luckily, with help from Czech architecture firm Archide, residents were able to find that the best material for the job was one found right outside their doors: rammed earth.
DIY wooden pallet creations are an increasingly popular trend, with projects ranging from building pieces of furniture to even making an outdoor pool. In their latest how-to, Interesting Engineering brings the DIY trend to a much larger scale with a video showing how to build a house using wooden pallets. Watch the video above to learn how to make a wooden pallet house and check out some tips from the video after the break.
In 2013, Skylar Tibbits of the MIT Self-Assembly Lab introduced a new phrase to the architectural lexicon: 4D Printing. The concept, which built on the hype surrounding 3D printing and added the dimension of time, describes materials that can be constructed through 3D printing in such a way that they later react and change shape in response to an external stimulus such as heat or moisture.
Bringing the world’s top designers and business leaders together to discover how design makes the world better, smarter, cooler, and more innovative. Bloomberg Businessweek Design highlights the intersection of design, technology and business. The day-long event draws attendees from every industry that relies on design—social media, ecommerce, graphic design, robotics, nanotechnology, data visualization, genomics, architecture and fashion. Learn more and purchase tickets, here.
When it comes to scrutinizing architectural materials for their energy efficiency, one offender stands out above the rest: glass. Windows and curtain walls act as one of a building’s main outlets for heating and cooling losses, and as society advances into its more environmentally-conscious future, new, passive solutions will need to be developed to mitigate buildings’ energy footprints. In recent years, various smart glass technologies have been designed to automatically regulate light and heat based on environmental conditions. Yet their high price tags have prevented them from achieving widespread application. Now, a team of MIT researchers may have discovered an alternative to smart glass that could come at an affordable price.
You’ve probably never given much thought to the seemingly basic interior partitions of an airplane, but building codes are a walk in the park compared to the exacting standards of aviation design. Those thin panels that separate the seats from the plane's galley must also be capable of supporting the weight of flight attendant jumpseats and providing a removable section to accommodate emergency stretchers - not to mention the rigorous safety standards and crash testing that aviation components must satisfy. With all of these challenges in mind, The Living, an Autodesk Studio, in collaboration with Airbus and APWorks, have developed the Bionic Partition Project, which harnesses generative design and 3D printing to maximize the structural efficiency of the panel, reducing the weight of an aircraft, and saving fuel. And while this particular application is specific to a single aircraft type, the technological advances could have far-reaching implications.
"All we need now are a new generation of Martian architects to design buildings made of Martian concrete that will be suitable structures for humans to live and work in," concludes the MIT Technology Review in their report on a new type of concrete designed for use on Mars.
What if your chair was compostable? That's the question posed by this series of experiments with biologically-produced benches which are not so much manufactured as they are grown. Together, Terreform ONE and Genspace have developed two bioplastic chairs through similar processes: one, a chaise longue, is formed from a series of parametrically-shaped white ribs with a cushioned top; the second, a low-level seat for use by young children, comprises interlocking segments that can be used to twist the chair into different shapes.
One of the defining images of the 2014 Venice Biennale came from Rem Koolhaas' "Elements of Architecture" exhibition, where a section of a suspended false ceiling, replete with ducts and wiring, was dramatically juxtaposed with the soaring domed ceiling of the Giardini's central pavilion. The gesture was intended as a criticism of architecture's reduction to mere surface treatment - but to the makers of Holedeck, a structural system which recently won CTBUH's 2015 Tall Building Innovation Award, the sins of the typical concrete slab and suspended ceiling are much more far-reaching.
Developed by FilzFelt and Gensler’s LA office, “Link” modular felt panels can be used for a variety of applications, from room partitioning, to shading, to acoustical dampening, to adding textural interest to a wall surface. The panels were designed to tackle a particular design problem at Gensler’s LA office, where red glazed panels acting as an architectural statement to be viewed from the street had been casting a harsh light into the interior conference room space behind. Searching for a flexible, free-form solution, and a soft material to contrast with the hard glass, Gensler designers discovered wool felt. Enter “Link.”
One of the most popular tropes of Modernist architecture was the goal of dissolving the external boundaries of the home, connecting residents to nature through the use of large glass walls in order to "bring the outside in." Nowhere was this project more thoroughly realized than in Mies van der Rohe's 1930 Villa Tugendhat, where an entire side of the glass-walled living space could, if the user wished, be dropped through the floor and the house become open to the elements. Elegant though it was (especially in 1930), Mies' solution didn't catch on, limited by the fact that it required an electric motor and a basement below in which to store the disappeared facade.