Often overlooked or dismissed, gender inequality in architecture has consequences for both women and their careers, as well as for the spaces and products created. There is, however, a niche within the construction industry that contradicts this logic, proposing to create a more egalitarian workspace. This article reflects on this inequality and how it is challenged by self-managed practices.
In late 2020, the documentary Os Mutirões da Leste 1 was released, chronicling the history of the Movimento Sem Terra Leste 1 through each of its projects. The documentary was produced and directed by Paula Constante, who describes herself as a “mother, practicing documentarian, architect, and holder of a master's degree from FAUUSP.” By telling the story of one of the most active social movements in the city of São Paulo, Constante and MST Leste 1 show us the importance of struggle, the collective, affectivity, and the responsibility we must bring to our professional practice. We had the opportunity to speak with Paula and discuss this experience.
This article explores a term widely used to describe self-organized collective labor, but which also carries a meaning of anti-hegemonic struggle when used as a synonym for self-managed projects. The practice of mutirões prompts a reflection on the importance of collective work and grassroots struggle, and how architectural practice and civil construction relate to these themes.
