
In this fourth and final installment of his New York chronicles, Kosme de Barañano from the ARKRIT Collective poses a two-part question: on one hand, a new architectural “type” has emerged in an extraordinarily limited “ecological” niche—the super-slender skyscraper designed for luxury residences around Central Park—and, on the other, the construction of “installations” where some architects experiment in a new field where architecture shares territory with sculpture.












