Materials & ProductsExclusive Articles, from ArchDaily

The manipulation and combination of materials are ongoing pursuits in architecture. This has not only broadened the possibilities for construction but also enabled the creation of distinctive shapes and aesthetics by using the same materiality. An example of this is Portland cement, an essential element in the mixture of water and aggregates that make concrete, which allows the creation of both load-bearing and decorative elements. In parallel, as a result of the exploration of innovative materials, fiber cement emerged (invented by Ludwig Hatschek) at the end of the 19th century, combining Portland cement, mineral-based materials, and cellulose fibers.

Greenhouses are elegant and ingenious structures that incorporate simplicity in design while creating light-filled spaces that shape indoor climates. With walls and roofs composed mainly of transparent or translucent materials, these structures harness solar energy to create a controlled environment. As advances in materials and environmental management progress, they can seamlessly be integrated into architectural designs, offering innovative solutions that blend functionality with aesthetics. Beyond their original role in plant cultivation, they have evolved into projects that emphasize sustainability, education, and conservation. At their core, they offer experiences of exploration and discovery, showcasing the intricate relationship between sunlight, plants, and indoor environments.

At first glance, Dorte Mandrup's design for the Wadden Sea Center seems to mimic the landscape. Its low height, its horizontal lines and, above all, its materiality make it a modern building in perfect harmony with the local nature. But its connection also encompasses the built heritage of the region, more specifically because of its covering with straw, harvested and dried close to the land. This is an extremely traditional and historic building technique, but which is rarely attributed to contemporary buildings. In this article we will rescue some of the history of this natural material, its constructive characteristics and some examples of use.

On April 4 – 6, the international conference FABRICATE 2024 will be held at the Royal Danish Academy in Copenhagen. Since its inception in 2011, FABRICATE has established itself as a global forum for new radical possibilities for architecture and welcomed thousands of participants from practice, industry, and research.

Polyvinyl chloride (PVC) plastic –commonly known as vinyl– is everywhere. In fact, chances are you are sitting close to (or on) something containing PVC in some way, shape or form. It’s used in packaging, automobile parts, children’s toys, clothing, accessories, wires, furniture, medical supplies and hundreds of other everyday items. This year alone, global production exceeded 51 million metric tons, solidifying its rank as the third-most produced plastic in the world. It is particularly in the architecture, engineering and construction industry that the material stands unchallenged, accounting for 60-70% of its total consumption. So much so that it has indisputably become the most used plastic for building materials worldwide, often found in pipes, fittings, flooring, roofing, window profiles and more. It’s not hard to understand why: PVC is durable, highly versatile, cost-effective and easy to maintain. But nothing comes without a cost, they say…

For decades, our society and the development of our built environment have been strongly associated with intensive extractive processes. While these methods were fundamental to the growth of urban areas, they also laid the groundwork for significant challenges that contemporary generations face today. Nowadays, construction debris accumulates on the peripheries of our cities, and plastic waste floats in the oceans.

As we observe closely spaced parallel lines at a specific angle, we may be deceived by the illusion of a continuous or three-dimensional surface, although they are, in fact, individual lines. This phenomenon arises from the brain's natural tendency to simplify and seek visual patterns, interpreting the proximity of the lines as indicative of a unified ceiling. This illusion is often exploited in suspended ceiling architecture, where successive slats, when viewed at an angle, create the impression of a solid ceiling. This approach not only reduces the use of materials and keeps the infrastructure above the ceiling accessible, but also provides more surfaces for noise absorption, significantly improving the acoustic environment.

As commonly understood, gutters are elements installed along the edges of roofs and balconies to channel rainwater. Their primary function is to collect water flowing over the roof's surface and direct it to the appropriate downspouts. Proper sizing is crucial regardless of the material—whether aluminum, PVC, concrete, galvanized steel, or others. Depending on the climate in which the project is situated, the damages caused by incorrect application can be considerable.

Mass timber is an innovative construction solution that is gaining prominence worldwide due to its sustainability and technological benefits. In 2020, the opening of the first Dengo concept store, located in São Paulo, marked the debut of the brand's first interactive factory and the pioneering use of CLT (Cross Laminated Timber) in a high-rise building in Brazil. Developed by architecture firm Matheus Farah and Manoel Maia, the project faced several challenges precisely because of its use of this new technology, which was just beginning to emerge in the construction sector.

Translucency, at its essence, is an optical property that enables the total or partial passage of light through materials, without providing a clear view of the objects behind them. Despite its apparent simplicity, this property has fascinating applications in the architectural field, generating attractive and powerful proposals that play with light without obstructing views.

The use and demand for natural materials in architecture and interiors have enabled the revival of traditional construction systems updated for the contemporary context. What was once considered rustic is now being explored in more modern environments, therefore, the application of the material is also subject to new forms of fixing, coloring, and orientation (horizontal or vertical). Wood is the dominant material when it comes to traditional systems and environmentally sustainable materials. However, a material that has been used for centuries, equally sustainable and biodegradable, and has received less attention is straw.

Double skin façades: Almost a self-explanatory name for façade systems consisting of two layers, usually glass, wherein air flows through the intermediate cavity. This space (which can vary from 20 cm to a few meters) acts as insulation against extreme temperatures, winds, and sound, improving the building's thermal efficiency for both high and low temperatures. Perhaps one of the most famous examples of double-skin facades is Foster+Partners' 30 St Mary Ax Building, "The Gherkin."

The airflow through the intermediate cavity can occur naturally or be mechanically driven, and the two glass layers may include sun protection devices.

Nowadays, the cycles of change around society and architecture have generated new urban models, emerging technologies, and design trends that underline the need for constant adaptability in all areas. In this context, aspects such as flexibility, reliability, and simplicity emerge as distinctive elements, both in architecture and in the components that constitute it, including materials. This is why lines such as the EGGER Decorative Collection 24+, crafted from wood-derived materials, seek to redefine concepts through a rolling series, updated at most every two years. This dynamic enables a more agile response to new trends, influences, and product innovations that arise in the built environment.

Bricks are part of the collective imagination when thinking about construction. These are elementary, ubiquitous, modular, light, and reliable materials for erecting buildings. However, traditional ceramic block manufacturing relies on burning clay in kilns at high temperatures, often powered by non-renewable fossil fuels such as coal or natural gas. Furthermore, the transportation process significantly increases its environmental footprint, as the materials are heavy and bulky. In light of this, there is a growing interest in alternative construction materials that offer a lower environmental impact and greater sustainability. Soil cement bricks –or Compressed Stabilized Earth Blocks– are a good example of an existing alternative, as they have a smaller environmental footprint due to their use of local raw materials and the elimination of the burning process, while maintaining many of the intrinsic qualities of traditional bricks.

The private space is usually associated with hiding what goes on inside, allowing people to have certain moments of intimacy. Habitually, bathrooms have been designed for this purpose, reducing openings to a minimum or — sometimes — eliminating them completely.

However, being such an important space within a building, bathrooms have become an object of new exploration for architects. By blurring the limits of privacy — without losing it completely — these spaces are open to the outdoors, allowing the breeze to enter. How does this new experience feel? Check out 30 open bathrooms that play with the feeling of exhibitionism, without fully revealing what is happening inside.

The influence of design on our physical and mental health has been largely explored in various contexts, ranging from spatial configuration to furniture. The topic has gained notoriety due to the growing awareness of human well-being, especially in recent times. An example of this bond between design and health is the emergence of concepts such as Neuroarchitecture, which seeks to understand the built environment’s potential in our brain. Another case that illustrates this approach, this time in furniture design, is the Paimio Sanatorium, where Alvar Aalto designed the tuberculosis sanatorium and all its furnishings. The chair created for the patient’s lounge —the Paimio Chair— facilitated their breathing due to its shape and the inclination of the backrest.

Unlike the air, the temperature in the subsoil varies very little during the year or according to geographical position. A few meters below the surface, the ground temperature is between about 10 to 21°C (50 to 70°F) depending on the region. Dig deeper, and the temperature increases between 20 to 40 degrees centigrade per km, reaching the Earth's core, which approaches 5000 °C. In fact, thinking about how we inhabit a sphere that is orbiting through space with a glowing center can be distressing for some. However, it may be helpful to learn that using Earth's forming energy to generate electricity is a sustainable and efficient way that is already common in some countries. At the same time, we can also take advantage of the mild temperature found a few meters under the ground to acclimatize buildings, whether in hot or cold climates.

Autonomy and freedom during the design process are invaluable resources for architects, especially when defining a volume and choosing materials, systems, and solutions for a building. The flexibility of these elements must not only promote their harmonious integration within a structure but, above all, allow architects to incorporate them without the need to change their initial concepts. This design freedom becomes even more crucial in the context of facades, specifically in building-integrated photovoltaic (BIPV) facades. This is due to the unique challenge of incorporating the energy capture function into the design of the building envelope, simultaneously demanding adaptation to the designer's aesthetic preferences and effective performance, as well as the entire infrastructure for capturing and transporting energy.