The airport terminal is the ultimate ‘architectural promenade’, a typology of high modernism and a megastructure with complex programmatic configurations. Today, the high-tech aesthetic is being replaced with a more holistic approach, where smart tech and new materialities are used to support the transformation. Besides geopolitical uncertainties, concerns for the climate are key drivers for the reinvention of the airport terminal.
Cities are infinite cultural hyperobjects that contain layers of history, of contemporary life, of material, capital, infrastructure, of future dreams of what may come. We sometimes call these dreams “urban design plans”—two-dimensional drawings that are meant to capture our aspirations for the future of a place. Yet these plans are often static images—or, worse, building masses without people, narratives, or even nods to contextual histories.
The book offers a new conceptual and hist orical framework for the study of Kocher’s body of work that relocates it within the history of American modern architecture. Kocher’s work as an independent designer has gotten very little critical attention. The book devotes several chapters to this little-known part of Kocher’s practice and resituates him as one of the main pr otagonists in the history of American Modern architecture and reveals the profound relationship between Kocher’s designs and existing American domestic traditions. Kocher’ concept of the vernacular included not only the differ ent residential types of Colonial and Early Republican America, but most importantly, other kinds of transitional dwelling artifacts. This book tries to provide evidence about Kocher’s intention of using these vernacular artifacts, alongside the concepts of prefabrication and industrialization inherent to them as a base to construct a new national architecture in which to graft the European modernist tradition.
An insightful collection of essays on the overlooked sign. Each chapter explores the extraordinary connection that culture and society have to this common object. The book blends historical overview, graphic taxonomy, and design criticism on eleven signage types, ranging from signs that say no, to pharmacy signs, and all in-between. Every chapter uncovers the reasoning and logic of how and why our built environment is annotated the way it is form the simplest of signs to the largest of signs.
"Wit-ness to Mat-Haroo Spirit is a series of charmingly written stories by architects Gurjit Singh Matharoo and Vagish Naganur that shed light on the nuanced relationships and challenges architects contend with. These anecdotes span a 30-year career, providing a fascinating insight into the inner workings of an acclaimed practice – an uncharted territory thus far in architectural writing. Filled with self-deprecating humour in its folds, it gives us a quirky look into the special place the profession occupies, going beyond mere physical edifices to symbolize culture, history, and human connections. The stories delve into themes of love, loss and the transient nature of human existence, etched deep into the pages of this book."
The Virtues and Vices of Our Time sculptures by Matyáš Chochola, currently exhibited at the EPO1 Contemporary Art Center in Trutnov, are a postmodern interpretation of the original early 18th-century allegorical cycle Virtues and Vices by Matthias Bernard Braun (1684–1738), created for the nearby Baroque complex at Kuks.
The Rice School of Architecture invites you to attend its spring 2025 public programs, a dynamic series of lectures, exhibitions, and symposia that reflect our commitment to advancing architectural discourse and engaging with the pressing questions of our time. From thought-provoking talks by renowned practitioners to groundbreaking exhibitions and interdisciplinary collaborations, this semester’s lineup promises to inspire and challenge. Join us to build community through architecture.
India's leading product designer and an established name in the international art and design realm, Gunjan Gupta will be unveiling Craft-itecture — a series of handmade objects and artworks that breathe new life into traditional Indian crafts from across India at the sixteenth edition of India Art Fair, to be held in New Delhi.
workshops, keynotes, conversations, and activities around the City center
Where is the city center here? At a time when it is becoming increasingly difficult to find a place to live in large cities smaller towns are confronted with the opposite problem: Emptiness. According to the "donut effect", this phenomenon begins in the core of city centers. In Dessau-Roßlau in particular, the reality of ageing and out-migration is rapidly coming to a head. Throughout Europe, however, innovative young projects are already looking for alternatives to meet this challenge. This is also the case in Dessau with the Young City Makers research project. Students from the Anhalt University of Applied Sciences' Departments of Design and Architecture have been conducting action research for two years to find out how vacant properties in Dessau-Rosslau's city center can be sustainably revitalized. Using different approaches, three vacant spaces were transformed into: an urban living room, a street gallery and a bizarre space. In doing so, they show how liveliness and community can be fueled by involving urban society and through design. can be fueled by design. The final festival presents and reflects on the findings of the Young City Makers together with representatives from the city, administration, politics and universities. Two days with lectures, discussion panels, workshops, city rally, party & concert.
This book is about the therapeutic environment of the Maggie’s centre and explores the many ways this is achieved. With an unconventional architecture as required by the design brief, combined with Maggie’s psychological support programme, this special health facility allows extraordinary therapeutic effects in people, to the point that one can speak of therapeutic power.
Situated at the crossroads of the foreign and the vernacular, Quito-the capital of Ecuador, with its world-famous yet understudied built environment-stands as a testament to architectural in-betweenness. This book interweaves history and theory to explore how near and far influences have shaped its unique character.
Sustainability has been deeply rooted in EGGER's corporate DNA since 1961. Long before it became a global imperative, Fritz Egger Sr. recognized the immense value of wood and laid the foundation for a business model built on responsible resource use. Working in closed cycles is a central element of the corporate philosophy. The wood-based material specialist gives the valuable resource of wood many lives and assumes comprehensive economic, ecological and social responsibility.
In the world of architecture, competitions often serve as platforms for creativity, experimentation, and problem-solving. For Daniel Rojas, Founding Partner of Wandrian Studios, winning the 2023-2024 MICROHOME competition, sponsored by Buildner and Kingspan, was a transformative moment. His project, Urban Residential Pods, addresses the global housing crisis by reimagining vacant office spaces as compact, sustainable homes.
Rojas' design strikes a balance between innovation, functionality, and sustainability, offering a glimpse into how architecture can address some of today's most pressing challenges. As the next edition of the competition approaches, Rojas shares insights into his winning project and offers advice to future participants.
Visit the MICROHOME competition site for details in the open 2025 edition and to register before the deadline on February 13.
From 22 to 25 January, students from the School of Architecture at the Royal College of Art (RCA) will present a selection of works in progresses at the College's Kensington campus for this year's MA Architecture Work-in-Progress Show.
RE_SOLUTION: Ahmed Aboutaleb, Rotterdam Mayor 2009-2024 at IE School of Architecture and Design
Lecture by Ahmed Aboutaleb, Rotterdam Mayor from 2009 to 2024. Followed by a conversation with Cornelia Forsthuber-Aumayr, Young Leaders & Networking Partners, Urban Future and Editor in Chief, Citychangers.org.
Explore Nanna Ditzel's groundbreaking designs centered on freedom and movement. The exhibition presents some of Ditzel's most iconic designs. Designs that challenge our ideas of traditional furniture and let us discover new ways of experiencing the body and spending time together. Nanna Ditzel (1923-2005) was a pioneer of Danish design, known for her innovative approach by which she created furniture to liberate the body. Visit the exhibition and experience some of her most famous pieces, from the Hanging Egg Chair to the multifunctional Toadstool and other furniture landscapes.