I recently learned that the word "testa" means "head" in Italian. It made me think of Clorindo Testa and how fitting his last name was.

Yesterday marked the 95th anniversary of his birth. Possessing infinite creativity and charisma, he was one of those personalities that appear once every century. In him, the intelligence of the architect coexisted with the sensitivity of the artist, the precision of the professional with the joy of a child, and greatness with humility. His hand did not tremble when curving a line or adding color to a plan.

To mark this anniversary, we look back at some of his quotes and anecdotes.

The restoration of a disused heritage asset, its repurposing, and sensitivity to the surroundings were the key concepts valued by the jury in selecting this winner of the 18th edition of the Clarin-SCA National Award for Architecture Students.

Agustín Ichuribehere, a student at the Faculty of Architecture and Urbanism of the Universidad Nacional de La Plata, guided by professor Martín Villanueva, designed the winning project. The proposal features a building for the Department of Music and Lutherie of the Universidad Nacional del Comahue, integrating an intervention on a heritage site: the former warehouses of "La Reginense" cider factory in Villa Regina, Rio Negro, Argentina.

Learn more about the proposal in the author's own words below.

James Wright retraces the steps of Walter Gropius in the new documentary Konstruktion Argentina. The film explores various Argentine architectural works, revealing their German influence.

Mar del Plata, Buenos Aires, and Berlin are some of the settings where the journey takes place.

Buenos Aires, 2018. Population? Almost 3 million. High-speed maglev trains? Zero. Skyscrapers interconnected by railways? Zero. DeLoreans flying through the air? Unfortunately, zero. Transportation innovations? The Metrobus and bike lanes. In urban terms, the city seems not to have progressed at the pace once imagined.

There was blind faith in the future—a future where anything was possible, the sky was not the limit, and people could move freely above the clouds along a network of pathways connecting towering high-rises. What happened? To find out, we must travel back in time. To the past, to be precise.

Ink and paper were enough to immortalize the charm and spell of balconies, courtyards, and houses—both iconic and everyday structures. The giants of Argentine literature draw their pens to confront the concrete, reminding us once more of what moves and concerns us about architecture.

It is said that when Le Corbusier arrived in Greece, he was struck by its architecture—the Hellenistic temples, their regulating system of proportions, and their monochromia. Many of these elements went on to influence his work. What would have surprised the architect, however, is that Greek temples were actually not monochromatic; in fact, they were far from it. Blue, red, green, and even gold: these were the vibrant colors that enveloped Greek buildings. Friezes, pediments, colonnades, and even sculptures—every inch was coated in color derived from pigments. The passage of time, wars, exposure to the sun, rain, and wind, along with the perishable nature of the pigments, caused the surfaces to fade, leaving the cold marble exposed.

How does Amancio Williams relate to Álvaro Siza? Lina Bo Bardi to Andrea Palladio? SANAA to Paul Virilio?

How can architecture be taught and learned? What is the architect's role when designing? How do new generations interact with public space?

Are we witnessing the end of the user era and the beginning of the era of social actors?

Approaches to these questions are revealed within the pages of the new 22nd issue of 47 AF, a magazine published by the Faculty of Architecture and Urbanism at the National University of La Plata, Argentina. This new issue invites reflection on the "Area of Contact"—that delicate bond between a structure and its site, ranging from the point supports of the Modern Movement to the heavy mass anchored to the earth.

Located just two hours from Santiago, the town of Los Vilos is home to a development that offers a reconnection with nature and architecture: the Ochoquebradas project. Within a vast oceanfront property, the master plan features weekend homes designed by renowned architects. The latest house to join the master plan was designed by the Argentine architecture firm Moarqs.

True to the spirit of the site, the architects designed a structure with minimal footprint, embracing the surrounding landscape through courtyards and large openings.

Read the architects' description below:

One of the first courses I took in the introductory cycle at the School of Architecture was Design Studio. Around 100 young students gathered in the studio, where an architect warmly welcomed us and spoke about the course syllabus. She happily explained that she had recently become the course chair. At the time, I was not aware of academic hierarchies, but I understood it was significant. Over the years, I noticed that most courses were led by men. Therefore, what that architect had achieved was uncommon: she had shattered the glass ceiling by reaching a position of leadership and authority.

This situation is particularly striking because this disparity is not reflected in the classrooms of FADU (University of Buenos Aires). In the architecture program, over 60% of students are women, according to architect Carolina Quiroga. Although women hold 45% of teaching positions, according to a report by the FADU Teaching Administration Department, none of the 'Design' studios—the core subject of the curriculum—are led by female tenured professors.

Unfortunately, the academic world is not the only place where this inequality exists.

It is time to close AutoCAD and Revit, turn off the computer, and put away the ultimate architect's uniform: black clothing. Summer is here, and with it, vacation season. Whether for a few weeks or just a couple of days, here are some activities to clear your mind without leaving the discipline behind.

The State Property Administration Agency, in collaboration with the Government of the City of Buenos Aires, has launched a new competition aimed at optimizing urban space and enhancing heritage value.

The competition, titled "National Ideas Competition for the Centenary Pavilion and its Surroundings," is organized by the Central Society of Architects.

As part of Montevideo's urban housing management framework, the local government, together with the Ministry of Housing, Spatial Planning, and Environment, launched a national public ideas competition to develop a housing and public space program on the site formerly occupied by the Raincoop company in the La Unión neighborhood.

The objective was for contestants to design, on a nearly 3-hectare plot, a housing development within a public space that promotes the integration of compatible activities and services, thereby ensuring mixed-use land and inclusion. Learn more about the winning projects in the words of their authors.