Invited by the organizers of UIA2020Rio, architect Paulo Mendes da Rocha will chair the Honorary Committee of the World Congress of the International Union of Architects, which will take place in two years in Rio de Janeiro under the theme "All worlds. Just one world. Architecture 21."
Museo Jumex presents 'Proposals for a Plaza,' a collaborative project by artists Fritz Haeg (United States, 1969) and Nils Norman (United Kingdom, 1966). This temporary installation, commissioned as part of the series 'Agora: A Blueprint for Utopia,' will invite the public to imagine and participate in an alternative vision of the museum's plaza.
Inspired by the outdoor spaces of Mexico City, the project draws elements from public parks and the wildlife areas surrounding the city, while also integrating informal uses of open space. It features seating and sleeping areas, a kiosk, a fire pit, bleachers, and outdoor spaces designed for contemplation, gathering, resting, and play.
Paraty, RJ. Photo: Chaval Brasil on Visual hunt / CC BY-NC-ND
With the aim of promoting the care and recognition of cultural heritage, the Cultural Heritage Law Research Group of the Federal University of Ouro Preto (UFOP), the Technical Office of the National Institute of Historic and Artistic Heritage (Iphan) in Ouro Preto (MG), and the Public Ministry of Minas Gerais (MP-MG) have developed the Manual for Residents of Heritage-Listed Houses.
It is our duty to place human dignity at the center of the reconstruction process. - Telar Social México
On September 19, 2017, Mexico experienced one of the strongest earthquakes in its history. Measuring 7.1 on the Richter scale, it left more than 369 casualties and 150,000 homes destroyed across five states, with Oaxaca, Morelos, the State of Mexico, and Guerrero being the hardest hit.
Ecatzingo, located southwest of the Popocatépetl Volcano in the State of Mexico, remains one of the municipalities most severely damaged by the earthquake, where 1,587 affected homes—601 of them uninhabitable—left entire families homeless.
On October 13, the 2018 Archmarathon Awards concluded their fifth edition in Milan. Held at the impressive Palazzo Mezzanotte from October 11 to 13, 2018, the event featured 55 architecture and interior design projects across 16 categories, submitted by 55 studios from 23 countries and four continents. Selected by a prestigious international jury, the 55 firms were invited to present their projects to a large audience of architects, developers, and designers from around the world.
During the ceremony, the winners of each of the 16 categories and two overall winners—one for architecture and one for interior design—were announced. The selection was made by a main jury chaired by Luca Molinari, Gary Chang, Lesley Lokko, and Mexican architect Rozana Montiel, along with a guest jury comprising Massimiliano Cecconi, Cherubino Gambardella, and Evgeniya Murinets. Read on to discover the final winners in both categories.
The close relationship between architecture and landscape in Latin America is undeniable. This is due not only to the region's geographical, climatic, and ecological diversity, but also to how these countries have built and shaped their cities amidst progress and setbacks. Among these ongoing achievements is a growing respect for the landscape, an architectural language tailored to its context, and solutions designed for its diverse climates.
For this selection, we have chosen 10 projects in Colombia that have successfully adapted to their landscape, both in form and construction, across both urban and rural contexts.
On September 12, Arq.Futuro and Insper will host the 2018 edition of the Arq.Futuro International Seminar - The City and the Water. As in previous editions, the event will present the Brazilian public with iconic success stories in the restoration of urban waterways and their surroundings. For this year's seminar, three cases were selected that stand out both for their urban quality and their explicit purpose of combating different forms of urban exclusion.
Alcalá Street was filled with light last Christmas thanks to the installation designed by the architecture studio Brut Deluxe and led by Ben Busche, commissioned by the City of Madrid.
Buenos Aires in the future. Source: El Hogar, 1929. No. 1021. Image via Ediciones Infinito and Dr. Arch. Margarita Gutman
Buenos Aires, 2018. Population? Almost 3 million. High-speed maglev trains? Zero. Skyscrapers interconnected by railways? Zero. DeLoreans flying through the air? Unfortunately, zero. Transportation innovations? The Metrobus and bike lanes. In urban terms, the city seems not to have progressed at the pace once imagined.
There was blind faith in the future—a future where anything was possible, the sky was not the limit, and people could move freely above the clouds along a network of pathways connecting towering high-rises. What happened? To find out, we must travel back in time. To the past, to be precise.
On January 13, 1943, New Yorkers—and, indeed, architects worldwide—were introduced to Brazilian architecture. Brazil builds : architecture new and old, 1652-1942was an exhibition organized by MoMA (the Museum of Modern Art) showcasing the architecture produced in Brazil, not only at that moment but since the mid-17th century.
As part of The New York Times' documentary series "En los ojos de México" –where six filmmakers present a perspective on their country– Santiago Arau and Diego Rabasa present "Ciudad Herida" (Wounded City), a chronicle of the 2017 earthquake in central Mexico. Through drone footage, the film captures the strength and resilience shown during a moment of crisis.
'Alta Densidad' (High Density) is a project by architect Jorge Taboada comprising a series of aerial photographs that depict the stories of a city. This series is presented as an "archaeological vestige" where "people lose their face and identity and become invisible."
The history of social housing in Mexico has come a long way, undergoing transformations that concern not only architecture, but also the organizations leading their construction and the government.
Ganadores de los Premios CA 2018. Línea superior: Beatriz Buccicardi (izq)., Pilar Barba, Verónica Arcos, Claudia Silva, María Magdalena Gutiérrez. Línea central: Osvaldo Cáceres, Gustavo Munizaga, Paulina Villalobos, Juan Pablo Urrutia, José Luis Catalán. Línea inferior: Cazú Zegers, Tania Gebauer, Eugenio Ortúzar, Claudia García Lima. Image Cortesía de Colegio de Arquitectos
On the occasion of the 75th anniversary of the Colegio de Arquitectos de Chile, the professional association has announced the winners of the 2018 CA Awards, the country's most important national honors.
Following a 2017 edition heavily criticized for the absence of women among the honorees, this year's awards not only introduced two new categories promoted by the Mujer Arquitecta organization—the Dora Riedel and Eliana Caraball awards—and another recognizing regional contributions, but women also swept 9 of the 12 categories awarded by the Colegio de Arquitectos to its members.
This discrepancy was highlighted in a petition on Change.org addressed to Jordi Ludevid, then-president of the CSCAE, in which the signing architects called for greater active participation of women at all stages of the process, seeking equal representation with their male colleagues.
https://www.archdaily.com/1113704/women-architects-in-spain-join-forces-to-create-their-own-association-amaeJavier García Librero
The year 2018 marks the centennial of artist Athos Bulcão. In celebration of the life and work of one of Brazil's most influential 20th-century painters, sculptors, and muralists, the National Institute of Historic and Artistic Heritage (Iphan) has launched an updated version of the inventory of his work.
Titled Inventário da Obra de Athos Bulcão em Brasília (Inventory of the Work of Athos Bulcão in Brasília), the book builds upon an initial study conducted by the institute between 2008 and 2009 and published in 2010. That first edition documented 261 works, revealing the sensitivity, versatility, and richness of the artist's creative universe. Officially launched on July 30, the new edition spans over 200 pages, featuring a conceptually expanded and revised content alongside a playful and inventive graphic design.
Removal of the overpass block and clearing of the area at Eixão Sul. Photo: Pedro Ventura/Agência Brasília
The Federal District office of Iphan did not approve the project submitted by the Federal District Department of Roads (DER-DF) for the reconstruction of the section of the Eixão Sul that collapsed in February of this year, burying two cars and the tables of a restaurant.
The agency responsible for Brazil's artistic and cultural heritage blocked the proposal, claiming that the DER-DF/Novacap project "significantly alters the original architecture and compromises the architectural and urban integrity and, by extension, that of the Plataforma Rodoviária complex and complementary road system."
Featuring references to his career, projects, and travels, the Ocupação Paulo Mendes da Rocha celebrates the 90th birthday, on October 25, of Brazil's most important living architect. Through sketches, technical drawings, models, and other materials selected from Mendes da Rocha’s personal archive, curator Guilherme Wisnik reveals some of the architect’s most radical ideas, which use ideology and technique to challenge and subvert colonial mindsets that still echo in Brazilian architectural design.