In a world that fetishizes aesthetic frivolity and iconographic bombast at the expense of substance and nuance, the critically acclaimed work of Johnsen Schmaling Architects stands out for its conceptual rigor, profound simplicity, and quiet repose. Formally restrained and informed by innovative tectonic and material experimentations, Johnsen Schmaling’s precisely crafted architecture creates poetic atmospheres of enduring clarity.
Within the human-machine collaborations cultivated in the digital age, crafts and materials are playing an increasingly important role in forming various ways of matter aggregation for architecture. Based on the pedagogical exploration of the design studio—Matter Aggregation at UVA, the book seeks new values of wood craft for contemporary architectural design, by introducing digital design and robotic fabrication techniques into the design process for timber building. The book integrates explorations of traditional crafts with digital fabrication technique, establishing a digital crafting as a new field for contemporary practice. The book explores the computational mechanisms and diagrammatic grammar within these craft-based aggregation systems, paying close attention to geometrical configurations, material effects and fabrication details and take advantage of these qualities to produce a unique spatiality.
The book tells the story of Sullivan’s development as an artist using architecture as his medium. It includes essays on his views of architectural design, which have been shaped by his personal history in the landscapes and the architecture of New England and Japan. Sullivan’s training as a potter informs his architecture in its interpretation of houses as “vessels of experience” and in his work’s focus on materiality and the craft of construction.
How does one envision architecture? Forays gathers the work of Joe Day and Deegan-Day Design into six diptychs, unified by this question. Working in a wide range of media and scales, Day’s work mines the differentials between perspective and projection. Forays is organized in six “diptychs,” the first two paired projects are books in their own right; the second pair, a clothing line and a first building; the third, two houses; the fourth, two plays on brand identity and design methodology; the fifth, permanent and transient cinema proposals; and the sixth, two series of speculative work in local and global registers. Modeled on a comparison of two classic cameras—the Leica M3 and Polaroid SX-70—each diptych includes a project with more “Leica” to it—a more bounded, Cartesian clarity or distilled focus—and another closer to an SX-70 in its moving or folding parts, its shape-shifting adaptability.
The region of Bundelkhand in India faces enormous challenges in development. With a population of 18 million people, it has one of the lowest human development indices in India. Groundwater, which the vast majority of people rely on for domestic and agricultural purposes, is being rapidly depleted, while droughts have become more frequent and severe. Livelihood options are narrowing quickly. A lack of public services, infrastructure, and market access has made the situation unlivable for many. The state and central governments carry out initiatives that are extremely expensive but highly ineffective.
Rooted in the modernist tradition, Erdy McHenry Architecture brings uncommon rigor to their work. Recognized for their uniquely diverse portfolio of mixed-use, institutional, office, agricultural, and residential design, Erdy McHenry Architecture presents this monograph as a window into projects developed throughout the firm’s twenty-year history. With an appreciation for place and creative constraints, Erdy McHenry Architecture considers each project challenge as an opportunity: how can architecture make great places? How can design elevate the human experience? How can a project team address the realities of construction without sacrificing programmatic intent? For each case study presented in this monograph, Erdy McHenry Architecture provides a brief narrative of the project’s design intent and evolution. Whether it is a tower, a school, or an office headquarters, Erdy McHenry Architecture leverages the challenges and opportunities of site, scale, and social context to reveal solutions that enable design as an outcome more than an objective.
As the number and distinctiveness of design directions in contemporary architecture expands, an outcome has emerged of a contradictory nature. While many of these directions hold great intrigue, a troubling aspect arises in that in their realization an “incompleteness” is often exhibited, one expressing a less developed architectural richness often expressed in an under-utilized nature of the architectural language itself.
The vast medium of jewelry and fashion artifact design continues to be a central pillar of fashion luxury goods industries and artistic practice, but there is a lack of discussions on the researches, value, and roles of it. Design is an expression of values and attitudes, and a tangible form of guiding the thoughts and desires of individuals and members of society. In the contemporary society, when science, technology, and craftsmanship reach a stage, whether products and services become luxurious or not, its quality, uniqueness, artistry, and rarity are all achieved through design. This book represents the articles from 20 outstanding design researchers from 11 countries, including many works from international designers, who are engaging with and pushing the boundaries of the medium. It contributes to these international debates on contemporary fashion and jewelry design while providing an accessible overview and a concise reference book.
Anti-trend investigates resilient, anti-trendy living and design as viable alternatives to the insatiable “more wants more” mantra of consumerism. The overall purpose with this book is to encourage designers and consumers to take responsibility for overproduction and overconsumption, and to alter unsustainable production and behavioral patterns.
Seeking to actively respond to the climate-related challenges of the 21st century, VELUX's sustainability strategy includes a series of measurable steps towards positive change as we focus on how buildings can help solve global challenges with sustainable solutions and practical actions. One of these steps is Build for Life, a pioneering, multidisciplinary initiative launched in 2021 to help connect people and the planet through better building design.
The Build for Life 2021 Conference will be held on November 15-17, and is an open invitation to join a global conversation on how buildings can benefit the environment and improve the quality of life for people around the world.
Antelope Canyon (USA) / Vitra Design Museum (Deutschland). Image Courtesy of Rheinzink
Nature is always to be found in things and architecture - and it is exciting, aesthetic, and astonishing. This is especially apparent in the exhibition of Gerhard Schönnenbeck's photographs of landscape shots, juxtaposed with architecturally impressive objects that were perfectly staged with zinc cladding panels developed by RHEINZINK.
In their series “Inspired by nature,” RHEINZINK presents these reflections that Gerhard Schönnenbeck captured so well with his camera.
Superscape is a biannual prize that seeks to encourage innovative and visionary architectural concepts that explore new models of living and strategies for inhabiting an urban context over a broad expanse of 30 years. Reflecting processes of change, Superscape opens a creative space for unconventional ideas meant to deliver new impulses to real-life architectural output and urban development.
Organized by the Hungarian Contemporary Architecture Centre, the festival’s mission is to present an overview of architectural issues currently affecting the world, the region, and Hungary. Furthermore, it serves as a meeting point for architects, film lovers, and everyone else interested in the festival. The organizers believe architecture and urban development are common causes, hence the goal of the carefully-selected program is to initiate a dialogue about the built and unbuilt environment and to encourage the audience to reflect and act.
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studio • mOOO 3rd online workshop scholarships 2022 (Spring)
mOOO offers workshop scholarships to proactive individuals who seek to explore the architecture boundaries with a relentless curiosity in the fields of Digital Design and Research and Narrative-driven Design and Research. *Up to half scholarships will be awarded to successful applicants by workshop tutors.