Antoine Picon

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From the "Eyes on the Street" to the "Eyes of the City"/ Antoine Picon's Response to Curatorial Statement at Shenzhen Biennial 2019

What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), ArchDaily is working with the curators of the "Eyes of the City" section at UABB 2019 to set up a discussion on how new technologies - and Artificial Intelligence in particular - might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, Politecnico di Torino, and SCUT. If you are interested in taking part in the exhibition at UABB 2019, submit your proposal to the “Eyes of the City” open call until May 31st, 2019: www.eyesofthecity.net

Comparisons, transpositions and metaphors can be misleading if one does not unpack carefully their point of departure. The notion that the digital age introduces us to a new regime of "eyes on the street", an expression famously coined by Jane Jacobs, requires understanding exactly what the author of The Death and Life of Great American Cities implied when she used it. For Jane Jacobs, the active presence of city dwellers in the street, their unconscious or conscious monitoring of what was going on in their immediate surroundings was the best way to ensure public safety. "The public peace — the sidewalk and the street peace— of cities is not kept primarily by the police, necessary as police are. It is kept primarily by an intricate, almost unconscious, network of voluntary controls and standards among the people themselves, and enforced by the people themselves," wrote Jane Jacobs.