Exhibition

USC Architecture The Blueprint 2022

browngrotta arts presents their Spring 2022 Art in the Barn exhibition, Crowdsourcing the Collective: survey of textile and mixed media art at 276 Ridgefield Road Wilton, CT 06897 from May 7 to May 15, 2022. 40 artists from a dozen countries illustrate the vitality of the newly prominent art textiles, ceramics and mixed media. The exhibition reflects the astonishing range of materials and techniques that make this work so attractive for collectors including, tapestries of silk and agave, sculptures of seaweed, seagrass and willow, wall works made of sandpaper, hemp and horsehair and ceramics of Shigaraki clay.

Le Concours Suisse, a culture of architecture is the title of this ambitious exhibition that aims to highlight the incredible democratic tool that we have at our disposal in Switzerland.

This exhibition takes us into the extensive archive of Bill Lucas (1924–2001), revealing the aspirations, ideals and works of one of Sydney’s foremost late 20th century architects. It includes a feast of previously unseen archival drawings, photographs, artworks, private writings and public documents, illustrating his trajectory from conventional to increasingly unconventional practice with projects that were invariably ahead of their time.

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The Norwegian tradition of ‘dugnad’ encourages everyone to contribute in order to achieve a common goal. It is based on a process of social relations, reciprocity and community solidarity and thus on the belief that together you are stronger than alone. The architecture firm Mad refers to ‘dugnad’ as a key to creating solutions for a sustainable future in an increasingly complex and challenging world. For Mad, architecture is also about re-evaluating, nurturing or preserving social and cultural resources that shape our built environment. These aspects can be observed exemplarily in the four projects that have been compiled for the exhibition at Aedes – among them, the timber high-rise WoHo in Berlin-Kreuzberg, which is currently under planning and is considered a social pilot project in urban development.

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Prepared with the joint cooperation of the Ministry of Culture of the Moscow Region and the JART Gallery, the project will be presented on February 1 in the new Malevich Park and will be available for visitors until March 1. White Forest is a group project by Russian artists, the works of Grigory Orekhov, Alexei Luka and the Artistic Solitude art group (Irina Korina and Olga Petrunenko, the EliKuka duet, the Icing of Architects group) will appear in a snowy forest and complement the architecture of the park with its various geometric shapes and reflective mirror surfaces

The Peter Marlow Foundation encourages, examines and celebrates the photography of humanity, its impact and legacy. A gallery is in development, based in Dungeness, Kent, which will have an extensive archive and library, offering workshops, exhibitions, residencies and talks to schools, the public and professionals.

The Architectural Undergraduate Study Program at Tarumanagara University presents an exhibition featuring 12 of the best works from the 32nd Final Project of Architectural Design Studio (STUPA). The implementation of STUPA 8 is based on a design studio and is carried out online for a full semester during the COVID-19 pandemic.
The main theme of TGA 8.32 this time is “Rethinking Typology”. Where Type is an abstract essence that can represent a group on the basis of the similarity of the original image. Because it is an essence, the application of type into a formal structure can also be shaped by local socio-cultural and economic factors, so that it appears as a model. Knowing the typologies of the building is very important because it will be a starting point for designing. 'type' as a continuous sequence of form and space, allows working quickly to define the parts of a unique design. Through the study of typologies, it will provide tactics and strategies in building continuity in the city. (Agustinus Sutanto)
Public Expose 8.32 is a Final Project exhibition for the Bachelor of Architecture Study Program, Department of Architecture and Planning, Faculty of Engineering, Tarumanagara University, Jakarta, Indonesia in Odd Semester 2021/2022. Each work in this exhibition tries to creatively find the type of design choice and apply it in the form of architectural designs. Each work tells how architecture plays a role in recognizing the role and development of type, so that it has the artistic ability to form a new typology.
Public Expose 8.32 virtual exhibition at Public Expose 8.32 website and open judging will be open to the public on February 11st, 2022 via Zoom
Juries:
- Prof. Yandi Andri Yatmo, S.T., M. Arch., Ph.D. (Professor of architecture at Universitas Indonesia)
- Vincent Heryanto, S.Ars., M.Sc. (Architectural Executive at DP Architects)

Sir John Soane’s Museum hosts an exhibition of shortlisted and winning entries from The Architecture Drawing Prize.

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The exhibition translations / مشاع showcases artistic, architectural, performative, multi-media and literary works, relating to “translation” as a practice of invention/transformation, memory-making, assimilation, (dis-)location, and healing.

The Toronto Society of Architects’ Gingerbread City is a fantastical metropolis where you can eat the walls and taste the lamp posts! A gingerbread showcase like no other, Gingerbread City brings together the TSA community (made up of architects, designers, students, and enthusiasts) each year in support of a local charity advancing work in housing and shelter.

“MIAS.The making of making (architecture)” analyses the design processes of MIAS. Through the works produced by the studio, the show takes an in-depth look at all that goes on before the work is built. These pieces showcase a journey through the design process by exploring seven areas: Between Lines, Everything Could Happen, Oneiric Spaces, Assemblage, Takeaway Architecture, X-RAYS and Ripped Surfaces. These concepts address some of the fundamental actions behind the creative and productive process of the studio.

Join us to tour the liminal space between public and private realm. We're talking about public art on (private) garage doors.

SPACE10, IKEA’s research and design lab in Copenhagen, introduce its newest exhibition Kaleidoscopic Home. The exhibition brings the digital platform EverydayExperiments.com to life for the first time to explore how playful interventions in our home can enrich our physical and mental well-being.

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The European Cultural Centre presents the fifth edition of the extensive biennial architecture exhibition with the title TIME SPACE EXISTENCE. The exhibition will open in parallel with Biennale Architettura on May 22nd, 2021, and it will run until November 21st, 2021 at Palazzo Bembo, Palazzo Mora and Giardini della Marinaressa, with press previews and opening events in each location on May 20th and 21st.

Presenting sounds, archival drawings, and cartographic representations, the exhibition Radio-Activities aims to raise awareness of the contemporary role of the built environment by examining the time when the intricate worlds of politics, aesthetics, and information technologies began to populate the ether. The exhibition is the outcome of research conducted by the Chilean architect Alfredo Thiermann on the infrastructure built for radio in Berlin, starting in the Weimar Republic and running up to the Cold War period.

CASA Vertigo in collaboration with the Curatorial Research Collective proudly present 50 Years of CASA Vertigo: From KSA to CASA, a retrospective exhibition diving into the history and legacy of the exhibition and event committee CASA Vertigo, established with TU Eindhoven’s Architecture department.

Models and drawings are privileged tools for understanding architecture: they display the physical form and expression of buildings. This exhibition brings together a group of models that, after having been exhibited in the past to represent works of architecture, were kept safe by the Centro Cultural de Belém. Like the constructed buildings themselves, whose forms they replicate in miniature, time has passed over them and left its marks. Twenty years since they were originally presented, they are now like treasures that show more than reflections of an era. Transformed into fragments, they offer evidence of the way society, at a certain moment, perceived architecture made in Portugal: sometimes exacerbating or diminishing differences between authors and schools, sometimes scrutinising or acknowledging new authors, sometimes forging the possibility of the existence of a Portuguese architectonic culture with its own specific qualities.