Join us at University of Waterloo School of Architecture's Riverside Gallery on March 5, from 6:00–8:00 PM, to celebrate the launch of this faculty research exhibition exploring architecture shaped by mobility, precarity, and resilience. Featuring work by Professors Robert Jan van Pelt and Anwar Jaber, the exhibition examines how temporary structures and institutions under occupation reveal urgent ethical and political questions.
Crest’s waffled plywood shell creates a sheltered interior that frames views of the Lake Ontario shoreline at Woodbine Beach, inviting visitors to pause in shared reality.
Crest is a student-led, design-build installation produced by F_RMlab at the University of Waterloo School of Architecture for Winter Stations 2026, an international competition transforming Toronto’s lifeguard stations into immersive works of public art. This year’s theme, Mirage, invited participants to address the “boundary of what is seen and what is real in the age of AI”, exploring art as a medium that disengages from the digital world by immersing audiences in shared, tactile experiences.
Otto Wagner (1841–1918) is one of the internationally most influential figures of early modern architecture. Many of his buildings – for instance, the Vienna City Railway, the Postal Savings Bank and the Church at Steinhof – are now considered key works of twentieth-century architecture because they shed their historical stylistic trappings and speak instead a language appropriate to “modern life”, based on purpose, materials, and construction.
Crafted by Place reveals Omar Gandhi Architect's evolving practice as works shaped by terrain and material — anchored yet looking forward. Rooted in Canada's raw coastal and urban settings, OGA's buildings emerge from land and craft: resilient to climate, responsive to local narratives, and always carefully honed.
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Thaden School, Bentonville, Arkansas, United States 2022. Architects: EskewDumezRipple, Marlon Blackwell Architects, Andropogon Associates.
The prize is only the beginning. MCHAP's goal is to lay groundwork for these conversations to continue growing on their own, contributing to a greater understanding of how architecture impacts the vibrant, complex world around us.
The question whether distinctive features marked the drawings and creative process of architects and planners in the GDR may seem obvious, but looking at individual pictures alone is unlikely to lead to new insights. During the decades of specific GDR architecture, up to the mid-1980s, East German planning offices worked with the standard tools used all over the world. As everywhere, talents were unevenly distributed, each design collective having its own particularly gifted “drawing ace” to provide the decisive visualisations of a building idea for important project presentations or competition submissions. So it would be quite possible to illustrate a stylistic history of four decades of GDR architecture with the help of selected drawings from various years and regions.
The University of Waterloo School of Architecture class of 2025 is proud to reaffirm our long-standing Presence in Rome with an exhibit of our design projects, sketches, photographs and videos. Through it, we seek to convey the lasting impact of our temporary stay in Rome, the most layered of cities, where ancient buildings and urban armatures are inhabited by a modern people. As foreign student designers, we explored a reciprocal approach to these spaces, striving to take in the rich history of the land, while providing our own unique perspective.
The Pavilion of the Republic of Kosovo at the 19th International Venice Architecture Biennale presents Lulebora nuk çel më. Emerging Assemblages, a sensorial exploration of rupture and reconfiguration in Kosovo’s shifting landscapes: the uprooting of ecological relationships and embodied knowledge systems under climate pressure, and the new forms of sense-making that emerge in liminal spaces of uncertainty.
Healing the Heart of LA Exhibition Opening Reception Flyer
FORT: LA’s Healing the Heart of LA Design Competition invited architects and designers to reimagine one or more of Los Angeles’ historically, culturally, and beloved public or semi-public sites that were lost in the recent LA Fires. Sites include Altadena's Bunny Museum, Scripps Hall and Park Planned Homes by Gregory Ain, Pacific Palisades’ Will Rogers Ranch House, Business Block and Corpus Christi Church, and Malibu’s Reel Inn, Moonshadows and Feed Bin, among others.
Sergei Tchoban: Sections of the Mind. Poster design by Peter Bankov
Sergei Tchoban: Sections of the Mind
Comprising fantastic visions, idea competition submissions, personal manifestos, and depictions of buildings now under construction, all artworks presented in Sergei Tchoban: Sections of the Mind—an assembly of 30 freehand charcoal and ink drawings, watercolors, pastels, and prints—explore effective and imaginary use of the architectural section. Cutting through buildings, colonnades, domes, and whole chunks of cities, the architect not merely exposes his structures' spatial and material complexities but reveals hidden histories and meanings. In his drawings, Tchoban addresses clashes of extreme dualities head-on. He looks for the right balance between pragmatic and artistic, ordinary and spectacular, historical and contemporary, and offers his take on how to build more engagingly, responsibly, and ecologically.
Join us in the Newmark Gallery at Art Omi for Raising Supper, an afternoon of gathering, making, and conversation as we celebrate the opening of Staging Area: A Barn Raising in Two Parts by designer Erin Besler.
Noutoupatou, Mondes caribéens en mouvement, 2024, exhibition view, A plus A Gallery, Venice. ph: Clelia Cadamuro
Noutoupatou, Mondes caribéens en mouvement Private view: 18th november, 6 pm A plus A Gallery, Venice, San Marco 3073 Flavio Delice, Samuel Gelas, Shamika Germain Organised by A plus A Gallery in collaboration with Campus Caraïbéen des Arts supported by the Institut français and the Direction des affaires culturelles de la Martinique.
The fifth edition of the Biennale svizzera del territorio concludes on Saturday, November 30, with a day full of activities at Villa Saroli Park in Lugano, combining craftsmanship, architecture, and collective reflection.
You are invited to join students, faculty and staff for the opening reception of our annual exhibition of student work created during the fall term in Rome.
On the heels of gmp’s successful exhibition of adaptive-reuse works that ran parallel to the Venice Biennale of Architecture in Italy last May, the firm debuts its first ever U.S. show in early October at the German cultural center Goethe-Institut USA in New York City. Called UMBAU.Nonstop Transformation — the word umbau translates variously as rebuilding, renovation and conversion — the exhibit will present eight to 10 very different works that all significantly transform their existing buildings and urban settings: