“The design for the New Theatre in Montalto di Castro has a twofold objective: it is proposed as a conceptual model for measuring the territory and at the same time it attempts to express, through architecture, the magic of a theatrical event felt by the audience. The territory of Montalto di Castro sinks its origins into Etruscan anthropization whose ruins attest to architecture comprised of large stereometric masses in tufa; in the contemporary collective imagination Montalto di Castro evokes the world of the machines of the largest Italian power plant. The design proposes a temporal short circuit with respect to which the evolution of the territory is concentrated and expressed in a unique architectural moment: archaic Etruscan versus the aesthetics of the machine. The new theatre is a large concrete monolith characterized by subtle variations in colour and texture, on which the fly tower appears to rest in an ethereal manner: an alveolar polycarbonate volume that dematerializes by day becoming indistinguishable from the sky, and lights up from within by night transforming into a large “lantern” on a territorial scale.
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