This study presents a rich field of intersections between the modern radical avant-garde—before and after the Situationist International—and social architecture projects centered on the lifestyles of Roma, southern migrants, and the urban lumpenproletariat. These are the very sites where various flamenco heterodoxies emerge, fostering new forms of habitability, symbolic production, and the reinvention of audiences, spaces, and places.
- Introduction
- Preface. The Machines for Living
- Radical architecture. The Lettrist estate of Aubervilliers, by Benito Barja
- Social architecture. Architectures of the bodies, by María García Ruiz
- Theatrical architecture. The invention of everyday life, by Francisco Lira
- Epilogue: Dismantling the machine, by Raoul Vaneigem
