Videos: The Latest Architecture and News

Democratic By Design is a short film, produced by the General Services Administration and narrated by Luke Russert, that tackles the issue of federal architecture. Buildings designed for the government typically have a familiar aesthetic. Washington, DC, is dominated by Neoclassical Architecture, building on the connotations of ancient Greek and Roman fora and temples as a symbol of democracy. But they perpetuate a sense of dominance and formality. Most of these buildings – city halls, courthouses, agency headquarters – were built in the 18th and 19th century, yet they leave behind a legacy and association in the architecture of the federal government.

On the contrary, government buildings built in the mid to late 20th century, specifically after 1962, have a more varied vernacular. This can be credited to Daniel Patrick Moynihan, aide to President John F. Kennedy. His one page document outlined guidelines for public architecture – an effort to contextualize and modernism government buildings. This video brings his words to life via well-known architects who have have designed federal buildings.

Join us after the break for a look at some of these buildings.

Located on the edge of Cerklje, an alpine town in Slovenia, the Hayrack Apartments have beautiful views due to the courtyard opening onto a view of the surrounding mountains. Designed by OFIS Arhitekti, their video highlights the character of the social apartments as they were sold to the Slovenian Housing Fund for young families at a price of 900 EUR/m2 which is extremely cheap. he concept of the façade is taken from the hayrack system – wooden beams following traditional details and patterns. Traditionally farmers use the beams to store grass and corn, on the housing one can store flowers or other balcony decoration. Apartments are of different sizes – from 30m2 studio flats up to four room apartments of 80m2.

A small group of students and architect Tobias Holler of sLAB Costa Rica at the New York Institute of Technology, have teamed up to design and build a communal recycling center for Nosara, Costa Rica – a city that is facing grave problems with sanitation and illegal dumping of garbage on beaches and in wildlife areas. Construction started last summer after a Kickstarter campaign that raised $15,000 helped provide expenses and costs associated with housing the students that assisted with the construction. A relaunch of the Kickstarter campaign will provide the project with additional funds to bring the students back to accelerate the pace of construction. The funds also support the documentary by Ayana de Vos, whose film follows the progress of the project and features waste management and sustainability in Costa Rica.

Join us after the break for more.

The motivation behind building a Communal Recycling Center is based in the severe problems that Nosara specifically, and Costa Rica in general, has in municipal waste management. Without appropriate infrastructure and policies, over 1400 tons of waste is deposited into unregulated dumps daily. A lot of the garbage makes its way into rivers and forests, pollutes ground water, threatens the health of local communities and destroys wildlife.

Chika Kijima Architect’s Office + O.F.D.A. transformed a cluster of three existing homes into this work/live haven for a pair of musicians. The naturally lit interiors of the single-story Overlapped House features a studio, kitchen, hall, ample amounts of storage and a well-buffered sleeping quarters.

This interview with professor and author Tom Fisher, Dean of University of Minnesota, is part of a documentary series called “Things May Happen”, in which he describes the dangers of Fracture-Critical Design. This topic is also the subject of his recent book, Designing to Avoid Disaster: The Nature of Fracture-Critical Design. Fisher discusses examples in which our systems, whether they be architectural, structural or even social and financial, fail with disastrous consequences. In a TEDxUMN talk at the University of Minnesota, Fisher spoke about the 1-35W bridge collapse in Minneapolis in 2007, the failure of New Orleans’ levees during Hurricane Katrina, the BP Oil Spill on the Gulf Coast, the Wall Street investment bank failures, the housing foreclosure crisis and now the destruction wrought by Hurricane Sandy. Covering a whole spectrum of “when things go wrong” scenarios, Fisher illuminates the failed foresight in designing systems that are resilient to disaster.

During the 13th Venice Biennale we had the chance to interview the team behind San Rocco: Matteo Ghidoni, Giovanni Piovene and Pier Paolo Tamburelli.

Sunny & Mild Media presents Part 2 of its Googie Architecture Series, presenting design work at the cusp of technological innovations of the 1950s. Emerging out of an obsession with the fast new world of cars, planes and rockets, Googie Architecture became an ultramodern style that sought to encapsulate the spirit of the 21st century. The new forms – sweeping, cantilevered roofs, starbursts, and flowing forms – became a form of advertisement that caught the attention of motorists, for its vibrance along the stretches of highways and for its distinctive style.

This installment features a closer look at the diners and restaurants that thrived in the ’50s and were designed with the Googie style. Even the one of the first McDonald’s restaurants adapted the style to work with its logo. Many of these buildings stand in ruin now, but the style was used in all kinds of building typologies – most of which emphasized the car: drive-thru’s, drive-in’s, car washes, diners, and gas stations. Even Las Vegas, and our associations with the its architecture today, are a reflection of that style.

At the gardens of the Arsenale designed by Piet Oudolf, a small pavilion, the Casa Scaffali, encloses a fantastic world of smells, textures and artifacts, a Wunderkammer (wonder-room) curated by NY-based Tod Williams Billie Tsien Architects.

A special group of architects and artists from around the world were invited to share the artifacts that inspire them, shipped in boxes to the Biennale.

We had the chance to interview Tod Williams and Billie Tsien during the opening of Wunderkammer, and we also got a chance to see them both and their team setting up the installation during the previous days, a special atmosphere as they were opening these boxes now turned into chests full of surprises.

The group includes Anthony Ames, Marwan Al Sayed, Matthew Baird, Shigeru Ban, Marlon Blackwell, Will Bruder, Wendell Burnette, Johan Celsing, Taryn Christoff and Martin Finio, Annie Chu and Rick Gooding, W.G. Clark, Brad Cloepfil, Chen Chen and Kai Williams, Elizabeth Diller, Ricardo Scofidio and Charles Renfro, Peter Eisenman, Steven Holl, Stephen Iino, Toyo Ito, Bijoy Jain, Claudy Jongstra, Diébédo Francis Kéré, Jennifer Luce, Thom Mayne, Richard Meier, Murray Moss, Glenn Murcutt and Wendy Lewin, Enrique Norten, Sheila O’Donnell and John Tuomey, Juhani Pallasmaa, Mack Scogin and Merrill Elam, Brigitte Shim and Howard Sutcliffe, Karen Stein, Elias Torres and José Antonio Martínez Lapeña, Ursula Von Rydingsvard, and Peter Zumthor.

Text from the architects after the break:

We had the chance to interview Catalonian architect Jordi Badia at the Vogadors: Architectural Rowers exhibit at the 13th Venice Biennale.

Who will run the world for the next 100 years? Envision Solar President and CEO Desmond Wheatley argues that it will be whoever has abundant sources of power. That is constructive power, rather than destructive power, which is essential to run the information and technology industries that our world is entirely dependent on. Additionally, Wheatley states that energy equals water. And, with less than 1% of the world’s fresh water available for use, desalination is becoming an increasingly plausible solution. The only problem now is that energy is expensive. But, once cities have the will to switch over to renewables, that will no longer be an issue. Could you imagine San Diego as an net exporter of water? Desmond Wheatley can.

Biology student turn architect, Doris Kim Sung has dedicated her studies to the infinite possibilities of thermobimetals, smart materials that respond dynamically to temperature change. As tested with DO|SU Studio Architecture’s recent installation “Bloom”, whose surface is completely fabricated with thermobimetal, these smart materials are capable of relieving our dependence on energy-inefficient mechanical systems with their self-shading and self-ventilating properties.

Imagine a building skin capable of maintaining thermal comfort in an environmentally responsible and cost effective way by responsively mimicking the characteristics of human skin.

This mesmerizing time-lapse film, by Eric Hines, captures the essence of the “Windy City”. The “Vimeo Staff Pick” is a compilation of over 30,000 still photographs shot between July and October of this year in downtown Chicago.