The lighting for the Central Bus Terminal in Munich by pfarré lighting design aims at giving the appearance of a building floating on a cushion of cold white light. As a result, warm light is used in the upper floors and in the exterior space while a softly shimmering façade evokes a powerfully glowing orange. More images and their description after the break.
To celebrate the 150 year anniversary of the Utility and Amenities Company of the city of Zweibrücken, Germany, the company decided to donate a roundabout to the city which was to deal with the present and the future of Zweibrücken and the company itself. Located at the point dominated by advertising, commercial buildings and an enormous amount of tall lighting masts, Molter-Linnemann Architekten was asked to design the third, last roundabout, aka “the roundabout at the movies”. Just as at the time of the movies creation, when traffic began to dominate the environment, today again we are facing chances that will shape our world anew. To make this new condition visible, the architects wanted the design to be larger-than-life, similar to the portrayal of Tatis “modern world”. More images and architects’ description after the break.
BOLLES + WILSON recently received an ‘International Architecture Award 2012‘ for their design of a new headquarter for a concrete plant in Erwitte, Germany. The building, which is highlighted by an optimal concrete beam, is a combination of the existing vertical cement silo complimented by a new horizontal administration deck. The deck hovers, cantilevering dramatically over green fields (entrance side) and also symmetrically out over a re-naturalized cement quarry (wildlife protection zone). More images and architects’ description after the break.
Dealing with existing infrastructure has become the most important task facing German architects today. The greatest, most problematic challenge that lies ahead is the downsizing and conversion of postwar buildings, erected from 1950s to the 1970s, which are described as “too unsuitable, too slipshod, too inefficient to serve as housing in the future”. A complete reevaluation of not only of the structures themselves but also the social and historical implications of their unbuilt energy and resources is necessary in order to improve the urban fabric and achieve climatic goals.
In response, the German contribution to the 13th Venice Architecture Biennale, Reduce/Reuse/Recycle, presents sixteen strategies that demonstrate the high degree of creative and architectural potential inherent in an affirmative approach to built architecture.
Continue after the break to learn more.
Architects: Henn Architekten
Location: Wolfsburg, Germany
Design: Martin Henn, Klaus Ransmayr Paul Langley
Principal: Prof. Dr. Gunter Henn
Quantity Surveying: Paul Lawrence Lars Becker, Wolfgang Malisius
Construction Management: Wolfgang Wrba, Siegfried Kruse, Hendrik Noack, Karl Rosebrock
Project Year: 2012
Photographs: HG Esch
Completed July 2012 in Stuttgart, Germany, the winners of the 72 Hour Urban Action competition were recently announced. With only three days and nights to design and build interventions in public space, 120 creative people, working in 10 international teams stormed sites along the Wagenhallen area and Nordbahnhof street in the center of the city, where the much debated redevelopment plan of Stuttgart 21 has its most immediate and significant effect. The first prize went to team TÜFTLER, for creating a non-judgemental courtyard in response to their Toy Parking mission. More images and information on the winning teams after the break.
Focusing on the relationship between tall buildings and sustainability, the ‘Beyond Green! – Tall Buildings in a Sustainable Future’ international symposium will take place October 10-12 at the University of Stuttgart, Germany. Due to urbanization and land being a fixed commodity, metropolitan areas become denser and can only respond with the typology of tall buildings to satisfy the demand for space. However, with respect to the provision of infrastructure, use of energy, shortage of resources and the demand for ecological compatibility there is the inevitable need to design green and sustainable cities. This seemingly contradicts the typology of tall buildings. The aim of the symposium, hosted by the Institute for Lightweight Structures and Conceptual Design at the university, is to evaluate and investigate in detail the green and sustainable credentials of tall buildings regarding their economy, ecology and functionality. More information on the event after the break.
The “Line, surface, space“ installation, by Kawahara Krause Architects, is displayed as part of the architectural triennale in Hamburg this summer. Erected on the plan of three interlocking twisted squares of different sizes, the threads of the outer square suggest the edges of an imaginary space, while the more densely arranged threads towards the middle seem to create surfaces. A fragile structure of threads stretching from floor to ceiling seems to dissolve in space and recompose to ever new appearances. Varying between transparent and closed surfaces, the spatial perception changes with each step taken through the installation. More images and architects’ description after the break.
Designed by J. MAYER H., the ‘Schaustelle’ or ‘show site’ will be a temporary pavilion and platform for the four collections housed at the Pinakothek der Moderne in Munich, Germany. The temporary closure has been seen as an opportunity that will give rise to a makeshift exhibition building – the Schaustelle. Set up to hold exhibitions, workshops, talks, performances, film screenings and video installations, and much more, the scheme has been initiated by the Pinakothek der Moderne Foundation. More images and architects’ description after the break.
Klassik Stiftung Weimar, host of the competition for the New Bauhaus Museum in Weimer, has announced that Berlin-based architect with Professor Benedict Tonon, has been selected as the winning proposal. Last March, ArchDaily announced the shortlist for the New Bauhaus Museum in Weimer design competition. The jury had provided the four finalists with recommendations to improve their proposals in preparation for the VOF Procedure (Contracting Regulations for the Awarding of Professional Services).
Thuringian Minister of Culture and Foundation Board Chairman Christoph Matschie congratulated the winner: “The Bauhaus is now finally being provided with a fitting location at its Weimar cradle. Once again, the Bauhaus will become a symbol of reawakening in the time to come. The building of the museum is providing animportant impulse for the entire development of the city of Weimar.”
Follow us after the break for more on the winning proposal.
Architect: KSP Jürgen Engel Architekten, Munich
Location: Ulm, Germany
Client: Universitätsklinikum Ulm
Competition: Awarded First Prize
Construction Date: April 2008
Completion Date: June 2012
Project Area: 68,500 m²
Photographer: Jean-Luc Valentin
KSP Jürgen Engel Architekten has recently finished a new surgical center in Ulm, Germany, which marks the largest hospital construction in the state of Baden Würtemberg. Opening this month, the building seeks to blend into the surrounding landscape, while catering to the demands and offering the functionality of a state-of-the-art medical facility.
More about the hospital design after the break.
The winning proposal for the Provincial Government Office, designed by AllesWirdGut, corresponds to the public use of the building and provides the public with an open space for collective appropriation. A cloverleaf-shaped structure defines several entrances, all of which drain into a common center. The development responds to local and regional links and forms a junction of important inter-urban links which are created on all sides of the forecourts and entrances that complement and enhance the quality of public space. More images and architects’ description after the break.