Casa del Fascio which sits in front of Como Cathedral is the work of the Italian Fascist architect Giuseppe Terragni. Built as the headquarters of the local Fascist Party, it was renamed Casa del Popolo after the war and has since served a number of civic agencies, including a Caribinieri station and a tax office.
Le Corbusier’s politics are a divisive issue for architects and rightly so: his work is still highly influential, in both adoration and enmity, and his expressed political views are at odds with contemporary western democratic values. It’s easy for the discussion of those views to lapse into a sort of ethical debate by-proxy, devolving into a discussion about whether or not Le Corbusier should continue to be included in the canon of twentieth century architects considering his apparent anti-Semetism and sympathy for the Nazi party. Such narrow and moralistic inquiry negates other issues pertinent to Le Corbusier’s place in history. It is possible to both be aware of Le Corbusier’s political affiliations and to discuss his work as an architect, urbanist, and designer for its own merits. By way of explanation, I would like to revisit a recent controversy concerning Le Corbusier.