The scaffolding has come down, revealing the first glimpse of FAT‘s extraordinary A House For Essex. Designed in collaboration with British ceramic artist Grayson Perry and commissioned by Alain de Botton’s alternative holiday rental project Living Architecture, the house will be the final built work that FAT complete. The bejewelled two bedroom dwelling, topped with a shimmering golden copper alloy roof and clad in glinting green and white tiles, sits in the rolling landscape of Essex – Charles Holland (FAT) and Perry’s home county. Adorned with sculptures integrated into a wider narrative that spatially recounts the life of a fictional character called Julie, the barn-like shape, bold colours and decoration has not simply garnered widespread attention but has also captured people’s curiosity.
Find out more about the project in an interview with the architect after the break.
GENEVA–Galerie Anton Meier inaugurated the first exhibition in Switzerland devoted to the work Pierre Jeanneret on September 20 at the Palais de l’Athénée. The exhibition, “The Chandigarh Project,” features a selection of furniture created for the Chandigarh capital complex on the border of Punjab and Haryana states in India. Intended to offer the public “clearer public insight into the humanistic work of Pierre Jeanneret, often overshadowed by his illustrious cousin, the show features pieces handcrafted on site for the new capital presented with “rare street furniture” as well as Le Corbusier’s symbols and prints. Highlights include teak tables, cane chairs, wooden armchairs, an a cast iron manhole cover with a recessed reproduction of the Chandigarh master plan as drawn by Le Corbusier in 1951. The exhibition comes after a scandal that erupted in 2010 when UBS decided to pull an ad featuring Corbusier. Debates continue involving the provenance of Chandigarh artifacts such as these, as dealers continue to buy items from Indian officials to resell abroad.
More information and photos after the break.