Starting today, “Matter @ Context: Contemporary Chilean Architecture” will feature an interesting group of Chilean practices whose work represent the new architecture of the country.
The Exhibit Organized by the Universidad Finis Terrae de Chile and the Illinois Institute of Technology will be on display at the Crown Hall, IIT, until October 22nd. A lecture, with Alberto Moletto, Ignacio Volante and Felipe Assadi, will take place on the 16th at 6PM. The book “Matter @ Contex” published by UFT will also be launched at the event.
More about the curation and images of the selected projects after the break:
To commemorate Chile’s Bicentennial, President Sebastián Piñera Echenique has developed the “Legado Bicentenario” (Bicentennial Legacy) program to create, revitalize and consolidate public spaces/buildings of great urban/cultural importance to Chile. As part of this program, the President has decided to revitalize Santiago’s Civic Quarter, particularly Bulnes Avenue (Paseo Bulnes) and the area around it.
The Housing and Urban Development Ministry has therefore launched the “International Public Competition: Master Plan for the Bulnes Urban Axis” and is calling for urban design / architectural proposals to complete, update and revitalize Bulnes Avenue and its surroundings. The goal of this initiative is to develop a Master Plan for the area, located in the heart of the Municipality of Santiago, and revitalize its public spaces to create a suitable abutment at the southern end of Bulnes Avenue.
The First Prize Winner will receive about USD $50,000.
More info, after the break…
Cancha is a pre-hispanic Quechuan word that indicates a void that enables connections with our ground as well as among people. In urban terms, it is similar to the Spanish Plaza Mayor – the word is used in South America to designate an open space where the harvest is measured and distributed. Cancha is also the field for the ancient game of Palín, traditional of the Chilean Mapuches. Then, Cancha is the word used to comprehend the Chilean Ground, a common ground, which is not urban but territorial.
The Cancha is established over a salt soil, taken straight from the Chilean desert, including three salt rocks that visitors can use to sit on. Floating over this soil, a series of boxes display the seven points of view from seven Chilean architects invited by the curators to think, discuss, and propose material in the context of the global relevance of the Biennale, to “think” Chile from its ground in this critical moment of social change.
The invited architects and their visions are Pedro Alonso (Deserta), Elemental (Metropolitan Promenade), Susuka (Limitless Chile), Genaro Cuadros (Playground), Germán del Sol (Kancha), Iván Ivelic (Travesies of the Amereida) and Rodrigo Tisi (Performances of Conquest). Chilean artists Pedro Pulido & Iván Navarro created the Neon sculpture.
The videos used to represent the visions of the seventh architects were filmed and directed by Estudio Palma.