The only Chilean architects selected by Rem Koolhaas to participate in the Collateral Event “Time Space Existence” at the 2014 Venice Architecture Biennale were Ortuzar & Gebauer and Simonetti & Stewart. The architecture firms teamed up to showcase two singular projects – a hotel on stilts and an open plan office building – that mark the beginning of renewal in different neighborhoods. The exhibition, which runs until 23 November 2014, looks at how architects influence our daily existence through our understanding of time and space. To learn more about the Chilean team’s contribution to the event, keep reading after the break.
We had the chance to sit down with Pedro Alonso, one of the curators of the Chilean pavilion “Monolith Controversies,” at the 2014 Venice Biennale, to learn more about the concept and inspiration behind the Silver Lion-winning pavilion. “We were interested in demonstrating that architects didn’t absorb modernity, but rather, they supplied it. The ones who absorbed it were the workers and the people,” Alonso told us, outside of a replica of a Chilean apartment – the entrance to the Pavilion. “The absorption of modernity has to do with the pieces we are exhibiting. For example, this apartment, the apartment of Mrs. Silvia Gutiérrez in Viña del Mar, which is an exact replica – object by object- of the 518 things that make up her living room.”
Enter Gutiérrez’s apartment and the rest of the Chilean pavilion in the full interview with Alonso. And don’t forget to check out additional pictures and text from the curators in our coverage of the pavilion here.
Architects: Studio MK27, 57STUDIO
Location: El Pangue, Zapallar, Valparaíso Region, Chile
Author: Marcio Kogan
Co Author: Renata Furlanetto, Maurizio Angelini, Benjamín Oportot
Project Team: Carlos Costa, Diana Radomysler, Laura Guedes, Maria Cristina Motta, Mariana Simas
Project Area: 460.0 m2
Project Year: 2013
Photography: Fernando Guerra | FG+SG
Although previously unknown except in his native Chile, architect Smiljan Radic has recently received international attention for his design of this year’s pavilion for London’s Serpentine Galleries. His latest and largest undertaking yet, a winery outside of Santiago, has been featured in this article by the New York Times. And now, his Mestizo Restaurant has been named one of the seven most outstanding 21st century projects in the Americas. If you’re unfamiliar with Radic’s unique works, we’ve compiled a round-up of some of our favorites for you to explore, including his Serpentine Pavilion, Copper House 2, the Mestizo Restaurant, a bus stop for the town of Krumbach, Austria, and his renovation of the Chilean Museum for Pre-Columbian Art. Enjoy!
“Plastic is an extremely durable material, taking 500 years to biodegrade, yet it’s designed to be used for an average of 5 minutes, and so it’s thrown away. Few know where this mass of junk will end up … in the oceans, killing and silently destroying everything, even us.”
Cristian Ehrmantraut has developed a prototype for a floating platform that filters the ocean and absorbs plastic. Located 4 km from the coast of Easter Island, close to the center of the mega-vortex of plastic located in the South Pacific, the tetrahedral platform performs a kind of dialysis, allowing the natural environment to be recovered as well as energy and food to be produced.