Cancha is a pre-hispanic Quechuan word that indicates a void that enables connections with our ground as well as among people. In urban terms, it is similar to the Spanish Plaza Mayor – the word is used in South America to designate an open space where the harvest is measured and distributed. Cancha is also the field for the ancient game of Palín, traditional of the Chilean Mapuches. Then, Cancha is the word used to comprehend the Chilean Ground, a common ground, which is not urban but territorial.
The Cancha is established over a salt soil, taken straight from the Chilean desert, including three salt rocks that visitors can use to sit on. Floating over this soil, a series of boxes display the seven points of view from seven Chilean architects invited by the curators to think, discuss, and propose material in the context of the global relevance of the Biennale, to “think” Chile from its ground in this critical moment of social change.
The invited architects and their visions are Pedro Alonso (Deserta), Elemental (Metropolitan Promenade), Susuka (Limitless Chile), Genaro Cuadros (Playground), Germán del Sol (Kancha), Iván Ivelic (Travesies of the Amereida) and Rodrigo Tisi (Performances of Conquest). Chilean artists Pedro Pulido & Iván Navarro created the Neon sculpture.
The videos used to represent the visions of the seventh architects were filmed and directed by Estudio Palma.
Provided by the creative minds of Tramnesia, this short film takes us inside a remote hotel in Northern Chile known as the Residencia. Located in a desolate area of the Atacama desert, this subterranean building is straight out of a James Bond movie, literally. You may recognized it as the bad guy lair in Quantum of Solace.
Designed by the German architects of Auer + Weber, this hotel serves as a sanctuary for the astronomers and visitors of the European Southern Observatory’s Paranal Observatory. Hardly visible from the entrance road, the submerged the L-shaped structure is marked by a long brick entrance and skylight dome. Once inside, “cavernous public spaces echo the openness of the desert” and are “enclosed by dark earth tones that produce a cozy and secure effect.”
Architects: Felipe Montégu
Location: Curicó, Maule Region, Chile
Design Team: Felipe Montegu
Project Year: 2011
Project Area: 120 sqm
Photographs: Felipe Montégu